Leonhardt-Consort, also known as the Leonhardt Baroque Ensemble, was a group of instrumentalists which its director, the keyboard player Gustav Leonhardt founded in 1955 to play baroque music. The Consort was active until around 1990, although some members including Leonhardt himself continued to perform after that date.
Gustav Leonhardt was a Dutch keyboard player, conductor, musicologist, teacher and editor. He was a leading figure in the movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum, clavichord, fortepiano and piano. He also conducted orchestras and choruses.
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The ensemble was based in the Netherlands, although it included people whom Leonhardt knew from Vienna, where he taught at the Academy of Music at the beginning of the 1950s. When it was founded the ensemble consisted of Leonhardt, his wife Marie (a violinist) and other string players. [1] It expanded to include wind players such as Frans Brüggen. [2] From early in the ensemble's history they collaborated with singers such as the counter-tenor Alfred Deller.
The University of Music and Performing Arts Vienna is an Austrian university located in Vienna, established in 1817.
Franciscus ("Frans") Jozef Brüggen was a Dutch conductor, recorder player and baroque flautist.
Alfred George Deller, CBE, was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
The music of Johann Sebastian Bach was central to the work of Leonhardt and his ensemble. In collaboration with the Concentus Musicus Wien, conducted by Nikolaus Harnoncourt, they recorded from 1971 to 1990 a complete set of Bach cantatas in historically informed performances, the Teldec set. The ensemble participated in Bach's St Matthew Passion with the Groningse Bachvereniging, conducted by Johan van der Meer. They recorded all his harpsichord concertos and the Brandenburg Concertos. They also recorded works by William Lawes and Henry Purcell. [3]
Johann Sebastian Bach was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a progenitor of the period-instrument performance movement.
Nikolaus Harnoncourt was an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire then widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt was also the author of several books, mostly on subjects of performance history and musical aesthetics.
A Baroque orchestra is a large ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts. Baroque orchestras originated in France where Jean-Baptiste Lully added the newly re-designed hautbois (oboe) and transverse flutes to his orchestra, Les Vingt-quatre Violons du Roi. As well as violins and woodwinds, baroque orchestras often contained basso continuo instruments such as the theorbo, the lute, the harpsichord and the pipe organ.
Antonius Gerhardus Michael (Ton) Koopman is a Dutch conductor, organist and harpsichordist. He is also professor at the Royal Conservatory of The Hague. In April 2003 he was knighted in the Netherlands, receiving the Order of the Netherlands Lion.
Lucy van Dael is a Dutch baroque violinist and member of the faculty of the Amsterdam Conservatory. Her principal violin studies were at the Royal Conservatory in The Hague.
Bruce Haynes was an American and Canadian oboist, recorder player, musicologist and specialist in historical performance practice.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
John Butt, OBE, FRSE, FBA is an orchestral and choral conductor, organist, harpsichordist and scholar. He is the Gardiner Chair of Music at the University of Glasgow and is music director of the Dunedin Consort.
Max van Egmond is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of Baroque and Renaissance music.
Harry van der Kamp is a Dutch bass singer in opera and concert. Mostly active in Historically informed performance, he founded the Gesualdo Ensemble. He is also an academic voice teacher.
Patrick Van Goethem is a Belgian countertenor, known for performing early music.
Johann Sebastian Bach composed the church cantata Falsche Welt, dir trau ich nicht, BWV 52, in Leipzig for the 23rd Sunday after Trinity. He led the first performance of the solo cantata for soprano on 24 November 1726.
The Netherlands Bach Society is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Bach's St Matthew Passion on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk. From 1983 until 2018, Jos van Veldhoven was artistic director and conductor. On May 11 in 2017, Shunsuke Sato was appointed as artistic director of the Netherlands Bach Society, beginning from June 1, 2018.
Sytse Buwalda is a Dutch counter-tenor.
Marius van Altena, born Marius Hendrikus Schweppe is a Dutch tenor. He was one of the pioneers of historically informed performance of Baroque and Renaissance music. He has also sung Baroque opera, worked as conductor and as an academic teacher.
The Monteverdi-Chor Hamburg is an award-winning mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier.
J. S. Bach - Das Kantatenwerk is a classical music recording project initiated by the record label of Telefunken in 1971 to record all 193 sacred Bach cantatas. The project was entrusted to Nikolaus Harnoncourt and Gustav Leonhardt. Each conductor had his own instrumental ensemble, based in Austria and the Netherlands respectively.
The Bach cantatas project of Ton Koopman was the first complete recording of all the cantatas, including the 21 secular cantatas. Koopman conducted the Amsterdam Baroque Orchestra & Choir and guest solo singers. The project began in 1995 and was completed in 2005 on 67 CDs.
Jacques Villisech is a French bass-baritone in opera and concert. He was an early specialist singing Baroque music in historically informed performance.
Hugo Reyne is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais.