Carin Kuoni | |
---|---|
Education | M.A. at the University of Zurich, B.A. from Sorbonne |
Known for | Contemporary Art |
Movement | Modernism, Abstract art |
Awards | 2014 Andy Warhol Foundation Curatorial Fellowship |
Website | https://veralistcenter.org/about/staff/ |
Carin Kuoni is an American curator, writer, arts administrator, and director of The Vera List Center for Art and Politics at The New School in New York City, US. [1] Kuoni believes that political consciousness has not fully vanished from cultural production, and that it is more subtly embedded in a broader range of publicly engaged art. Kuoni has a special focus on promoting art that re-engages the past. [2] Kuoni is one of the founding members of REPOhistory, a group of artists that act as a medium for the development of public art projects based on a historical platform. [2]
Kuoni received a B.A. and M.A. at the University of Zurich, and she also received a B.A. from the Sorbonne (Paris IV). [3]
Kuoni is the Senior Director and Chief Curator of the Vera List Center for Art and Politics at The New School [4] and assistant professor of Visual Studies at the university. [3] Kuoni was the director of exhibitions at Independent Curators International from 1998 to 2003. From 1992 to 1997 she was the director of the Swiss Institute. [3] Kuoni is an art critic for the newspaper Neue Zuercher Zeitung and other publications. She also edited an English-language edition of selected papers of the German artist Joseph Beuys, Energy Plan for the Western Man: Joseph Beuys in America. [5] Kuoni is also a curator and she says that the intention of curators should be to provide inspiration to students and professionals in a field. [6] Kuoni was also a Travel Companion for the 57th Carnegie International in 2018. [3] In 2015, Kuoni directed SITAC XII: Arte, justamente in Mexico City. [3]
Kuoni curated the exhibition that is presented in the Anna-Maria and Stephen Kellen Gallery at the Sheila C. Johnson Design Center at Parsons. This exhibition took the form of a stage set up for debate. The stage consisted of four distinct structures that each feature analytical as well as generative components. The first structure was a central platform, created by Liam Gillick. The first phase consists of lectures, performances, solution-driven workshops, and panels. The second phase of the exhibition consisted of interpretative materials that put the exhibition into context and creating little brands. There would be stickers, posters, handouts, and a gallery guide at the second part of the exhibition. The third phase of the exhibition consisted of workshops inserted into existing classes at Parsons. The workshops constituted specific challenges and force the participants to come up with immediate solutions. The fourth phase of the exhibition consisted of public lectures and panels that reiterated the subject. [7] Kuoni believes that while the students are creating their own exhibitions they are learning more about the often overlooked past. [8]
Kuoni was one of the founding members of REPOhistory, and the projects that are produced from them are primarily located in public spaces. Most of their projects are projected in New York City and Atlanta, Georgia. REPOhistory used metal street signs, mass media, and maps to distribute their information. [9]
Kuoni is the recipient of a 2014 Andy Warhol Foundation Curatorial Fellowship. [3]
Forces of Art: Perspectives from a Changing World, editor-in-chief. Amsterdam: Valiz, 2020.
Assuming Boycott: Resistance, Agency, and Cultural Production, Laura Raicovich, Carin Kuoni, Kareem Estefan, editors. New York: OR Books, 2017.
Entry Points: The Vera List Center Field Guide on Art and Social Justice, No. 1, Carin Kuoni, Chelsea Haines, editors. New York: Vera List Center, 2015.
Speculation, Now: Essays and Artwork, Prem Krishnamurthy, Carin Kuoni, Vyjayanthi Venuturupalli Rao, editors. New York: Vera List Center/Duke University Press, 2014.
Considering Forgiveness, Matthew Buckingham, Carin Kuoni, Aleksandra Wagner, editors. New York: Vera List Center, 2009.
Words of Wisdom: A Curator's Vade Mecum, editor. New York: Independent Curators International, 2001.
Energy Plan for the Western Man: Joseph Beuys in America, editor. New York: Four Walls Eight Windows, 1993.
A curator is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. In recent years the role of curator has evolved alongside the changing role of museums, and the term "curator" may designate the head of any given division. More recently, new kinds of curators have started to emerge: "community curators", "literary curators", "digital curators" and "biocurators".
Harald Szeemann was a Swiss curator, artist, and art historian. Having curated more than 200 exhibitions, many of which have been characterized as groundbreaking, Szeemann is said to have helped redefine the role of an art curator. It is believed that Szeemann elevated curating to a legitimate art-form itself.
Sir Norman Rosenthal is a British independent curator and art historian. From 1970 to 1974 he was Exhibitions Officer at Brighton Museum and Art Gallery. In 1974 he became a curator at the Institute of Contemporary Arts, London, leaving in 1976. The following year, in 1977, he joined the Royal Academy in London as Exhibitions Secretary where he remained until his resignation in 2008. Rosenthal has been a trustee of numerous different national and international cultural organisations since the 1980s; he is currently on the board of English National Ballet. In 2007, he was awarded a knighthood in the Queen's Birthday Honours List. Rosenthal is well known for his support of contemporary art, and is particularly associated with the German artists Joseph Beuys, Georg Baselitz, Anselm Kiefer and Julian Schnabel, the Italian painter Francesco Clemente, and the generation of British artists that came to prominence in the early 1990s known as the YBAs.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Willoughby Sharp was an American artist, independent curator, independent publisher, gallerist, teacher, author, and telecom activist. Avalanche published interviews they conducted with contemporary artists such as Vito Acconci, Dennis Oppenheim and Yvonne Rainer. Sharp also was contributing editor to four other publications: Impulse (1979–1981); Video magazine (1980–1982); Art Com (1984–1985), and the East Village Eye (1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for Artforum, Art in America, Arts magazine, Laica Journal, Quadrum and Rhobo. He was editor of the Public Arts International/Free Speech documentary booklet in 1979. Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.
Joshua Simon, is a curator, writer, publisher, cultural critic, poet, filmmaker and public intellectual. He currently lives in Philadelphia, PA.
Arlene Raven was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.
The Brooklyn Rail is a publication and platform for the arts, culture, humanities, and politics. The Rail is based out of Brooklyn, New York. It features in-depth critical essays, fiction, poetry, as well as interviews with artists, critics, and curators, and reviews of art, music, dance, film, books, and theater.
Ingrid Schaffner is a curator, writer, and educator specializing in contemporary art since the mid-1980s. Schaffner work often coalesces around themes of archiving and collecting, photography, feminism, and alternate modernisms—especially Surrealism. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts, such as Dirt on Delight: Impulses That Form Clay with Jenelle Porter at the Institute of Contemporary Art, Philadelphia in 2009.
Christiane Paul is chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design and an associate professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City. She is widely known as the author of the book Digital Art, part of the 'World of Art' series published by Thames & Hudson.
The Vera List Center for Art and Politics is an American nonprofit research organization and public forum for art, culture, and politics, established in 1992. Vera List was an American art collector and philanthropist.
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum.
Catherine de Zegher is a Belgian curator and a modern and contemporary art historian. She has a degree in art history and archaeology from the University of Ghent.
Ann Temkin is an American art curator, and currently the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York.
Koyo Kouoh is Cameroonian-born curator who has been serving as Executive Director and Chief Curator of the Zeitz Museum of Contemporary Art Africa in Cape Town since 2019. In 2015, the New York Times called her "one of Africa’s pre-eminent art curators and managers." She lives and works in Cape Town and Dakar.
Kathy Halbreich is an American art curator and museum director.
Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including Thảo Nguyên Phan (2022), Petrit Halilaj (2021), Haegue Yang (2020), Otobong Nkanga (2019), Huguette Caland (2019), Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).
Prem Krishnamurthy is a designer, curator, teacher, and writer based in Berlin and New York City. He is a partner in the multidisciplinary design studio Wkshps. In 2015, Krishnamurthy was awarded Cooper Hewitt’s National Design Award for Communication Design.
Justine Ludwig is a director, curator, and writer. She is the Executive Director of Creative Time. Her research interests include the intersections of aesthetics and architecture, violence, economics, and globalization.
Maria Lind is a Swedish curator, art writer and educator. Since 2020, she has been the Counsellor of Cultural Affairs at the Embassy of Sweden in Moscow.