Carlos Bunga

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Carlos Bunga
Born1976
NationalityPortuguese
EducationEscuela Superior de Diseño de Caldas de Rainha (ESAD)
OccupationVisual artist
Organization(s)Represented by: Galería Elba Benítez, Madrid, Galería Vera Cortés, Lisboa y Alexander & Bonin Gallery, New York, Nara Roesler Galeria (Brasil)

Carlos Bunga (Oporto, Portugal, 1976 ) is a Portuguese artist known for his installations out of mass-produced materials, like cardboard, duct tape and home paint, questioning architecture as a language of power and other inertias related to it, like order and solidity. [1]

Contents

In his work, the epic and the everyday always go hand in hand.

He lives and works in Barcelona. [2]

Biography

Carlos Bunga was born in 1976 in Porto, where he lived with his mother and siblings. In 1978, they were transferred to the old prison of Forte de Peniche, transformed in a center to receive refugees, where they lived for five years until moved to official protection housing in the same area. [3]

In 1998, at 23 years old, he started his fine arts studies at the Escola Superior de Artes e Design de Caldas da Rainha. In 2003 he won the EDP Novos Artistas prize of Serralves and in 2004 he participated in Manifesta 5 in San Sebastián, Spain, which was his first international exhibition. [3]

Work

Surface

Bunga's interest towards plastic arts starts with painting while being a student at the faculty of Fine Arts. "Paint is directly or indirectly present in all my works. It's my thoughts' basis, a multifaceted place, filled with layers, perspectives and smells", [4] he said. Since the beginnings, he works painting in its expanded version, which allows him to create polychromatic and wrapping environments where paint is experimented with the body. [5]    

Space

The site-specific installations stem from the direct experience with the workspace. As a predetermined project doesn't exist – nothing is designed or previously planned to be built – the artworks are a result of the confrontation and the dialogue with the architecture where he situates them, and he builds transitory and precarious architecture out of humble materials that create a fiction with the preexistent architecture, altering circulation and the specific interiors’ perception. [6]

Chus Martinez says:

Each new artwork feeds from the previous one, reincorporates old textures, rethinks chromatisms, reformulates scale, etc., each new site-specific has a dialogic relationship with its previous artworks. So each new project orients us towards a problem that stays during its whole practice: like new life is possible. [7]

In several occasions, the installations present themselves as an architecture that defies another one, that fragments it to see it again. Once these projects are finished, they give way to the set of drawings that come up like a search of conceptual possibilities and of overcoming the space's formal and spacial restrictions. They are the post-projects’ notebooks. [8]

Action

Bunga, influenced during his career's beginnings by the Grupo Gutai, [9] often makes interventions on his site-specific installations, accelerating the piece's transformation or decaying process and accentuating the contrast and tension between the construction process, that tends to last around two or three weeks, and the transformation process, that lasts less than an hour. [10] His work is based on a complex time system, oscillating between altered temporalities and sudden accelerations. By speeding up his constructions’ life cycle, Bunga emphasizes architecture's fragility and unstableness, that at the same time functions as a metaphor for life itself. [11] Many of his works’ ephemeral character and his construction's unveiled fragility immediately provoke evocations of a literary nature and associations with issues related to urban and social landscapes. [12]

Object

The models series titled Untitled. Model (2002) are Bunga's first works [13] where he explores his interest on architecture; quickly he starts having a problematic relationship with these impossible architectures and he starts playing with their scale to be able to achieve this models on a 1:1 scale – human scaled models, built like paintings, as three-dimensional installations of visual ideas. [14] Bunga also makes interventions on domestic furniture, creating a different link with these two realities. In other more recent works, objects become elements from our imagination, like the Casulhos (2017) made in ceramic or cardboard, in which he manifests again his interest on the telluric transformation idea [15]

Exhibitions

Bunga had his first individual exhibition in the art gallery Galería Elba Benítez in Madrid (2005). [16] In 2007, his work is included in the exhibition Unmonumental in the New Museum in New York, curated by Massimiliano Gioni, Richard Flood and Laura Hoptman. [17]  In 2009, the Miami Art Museum presented his first exhibition in an American museum, [18] and he later has projects in the Hammer Museum in Los Angeles (2011) [19] and the Museum of Contemporary Art Detroit (2018), [20]   among others. He also participates in Latin museums, like the Pinacoteca de São Paulo (2012) [21] and the Museo de Arte de la Universidad Nacional de Colombia (2015). [22]

He has also had numerous individual exhibitions in European museums, like the Fundación Serralves in Porto (2012), [23] Haus Konstruktiv in Zurich (2015), [24] Museo de Arte Contemporáneo de Barcelona, MACBA (2015), [25] Museu de Arte, Arquitetura e Tecnologia in Lisbon – where his work was object for an exhaustive study for the exhibition curated by Iwona Blazwick [4] –, Whitechapel in London (2020), [26] Secession in Vienna (2021), [27] Schirn Kunsthalle in Frankfurt (2022) [28] and the Palacio de Cristal, Museo Centro de Arte Reina Sofía de Madrid (2022) [29]

He participates in many group exhibitions. Among them, the Chicago Architecture Biennial (2015), [30] the Bienal de São Paulo (2010) [31] and Manifesta 5 (2004). [1]

Individual exhibitions

Residencies

Since the beginnings of his career, he had several international residencies, including: The Josef and Anni Albers Foundation in Ireland (2022); The Watermill Center in Watermill (2017); [43] MOCA Tucson (2014); International Studio & Curatorial Program (ISCP) in New York (2006); [44] Helsinki International artist in Residence Program, HIAP, Helsinki (2005) [45] and Aldaba Art México (2007). [44]

Bibliography

Artist books

Publications

Related Research Articles

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References

  1. 1 2 Carlos Bunga: something necessary and useful. Emily Butler, Inês Nogueira da Costa, Carlos Bunga, Whitechapel Art Gallery. London. 2020. ISBN   978-0-85488-284-7. OCLC   1117313713.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  2. ↑ Hernando, Silvia (9 April 2022). "Carlos Bunga, el trayecto artístico de un nómada de Angola a la Cañada Real" [Carlos Bunga, the artistic journey of a nomad from Angola to the Cañada Real]. El País (in Spanish). Retrieved 4 October 2022.
  3. 1 2 Burmester, Maria; Ramos, Maria (2012). Carlos Bunga. Porto: Funda-cão de Serralves. ISBN   978-972-739-279-7. OCLC   825554274.
  4. 1 2 3 The architecture of life: environments, sculptures, paintings, drawings and films by Carlos Bunga. Iwona Blazwick, Carlos Bunga, Arquitetura e Tecnologia MAAT—Museu de Arte, Fundação Carmona e Costa. Lisbon. 2019. ISBN   978-84-343-1379-8. OCLC   1109973774.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  5. ↑ La pintura: un reto permanente: colección "la Caixa"[Painting: a permanent challenge: "la Caixa" collection] (in Spanish). CaixaForum. [Barcelona]. 2019. ISBN   978-84-9900-241-5. OCLC   1120778551.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  6. ↑ The state of the art of architecture: guidebook. Joseph Grima, Sarah Herda, Andrea Bagnato, Irene Sunwoo. [Chicago, Illinois]. 2015. ISBN   978-0-9967653-0-5. OCLC   974948999.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  7. ↑ Artes mundi. 6. Artes Mundi, Testun. [Caerdydd]. 2014. ISBN   978-0-9552379-4-2. OCLC   1061796125.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  8. ↑ Open monument: research into ephemeral, commemorative architecture and modernist patrimony. Marta Jecu, Stéphane Bauer, Kunstraum Kreuzberg/Bethanien. Berlin. 2013. ISBN   978-3-95763-000-1. OCLC   893896492.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  9. ↑ Amado, Miguel (2006). "Carlos Bunga. GALERÍA ELBA BENITEZ". Artforum International. 47 (6): 211–212.
  10. ↑ Bunga, Carlos (2013). Por amor a la disidencia : Carlos Bunga, 3/4. Ana Laura Cué, Carlos Noriega Jiménez, Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo (Primera edición ed.). México, D.F. ISBN   978-607-02-4207-6. OCLC   875640552.{{cite book}}: CS1 maint: location missing publisher (link)
  11. ↑ Bunga, Carlos (2013). Por amor a la disidencia : Carlos Bunga, 3/4. Ana Laura Cué, Carlos Noriega Jiménez, Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo (Primera edición ed.). México, D.F. ISBN   978-607-02-4207-6. OCLC   875640552.{{cite book}}: CS1 maint: location missing publisher (link)
  12. ↑ Bunga, Carlos (2006). Carlos Bunga : Milton Keynes project. Milton Keynes Gallery. Milton Keynes: Milton Keynes Gallery. ISBN   0-9553440-0-X. OCLC   71165871.
  13. ↑ Low key: Carlos Bunga, Jordi Colomer, Mateo Maté, Santiago Mayo, Tomás Ochoa, Jesús Palomino, Fernando Renes: Villa Iris, Fundación Marcelino Botín, Santander, del 31 de julio al 21 de septiembre de 2008. Iris Candela, Fundación Marcelino Botín. Santander: Fundación Marcelino Botín. 2008. ISBN   978-84-96655-21-8. OCLC   262719657.{{cite book}}: CS1 maint: others (link)
  14. ↑ Escala 1: 1 : 21 artistas contemporáneos portugueses: Una reflexión sobre la escala en la arquitectura y la obra de arte. Ministerio de Educación Tabacalera Promoción del Arte. 2018. ISBN   978-84-8181-692-1. OCLC   1085120500.
  15. ↑ Subtle Construction. Marta Jecu (1. Aufl ed.). Lisboa: Bypass Editions. 2011. ISBN   978-989-97189-1-3. OCLC   799064514.{{cite book}}: CS1 maint: others (link)
  16. ↑ "La Galería Elba Benítez abre la temporada con la exposición 'Yuxtaposiciones' del artista portugués Carlos Bunga". nexo5.com (in Spanish). Retrieved 12 October 2022.
  17. ↑ "Exhibitions". New Museum Digital Archive. Retrieved 12 October 2022.
  18. 1 2 "Carlos Bunga at PAMM Pérez Art Museum Miami - Artmap.com". artmap.com. Retrieved 12 October 2022.
  19. 1 2 "Hammer Projects: Carlos Bunga | Hammer Museum". hammer.ucla.edu. 25 November 2011. Retrieved 12 October 2022.
  20. 1 2 "CARLOS BUNGA: DOUBLE ARCHITECTURE". MOCAD. 3 February 2018. Retrieved 12 October 2022.
  21. 1 2 "Mausoleum » LiMac" . Retrieved 12 October 2022.
  22. 1 2 "Desplazamientos síquicos Universidad Nacional de Colombia". patrimoniocultural.bogota.unal.edu.co. Retrieved 12 October 2022.
  23. 1 2 "II Edición del Proyecto Sonae / Serralves 2012, Beca, nov 2012". Arteinformado (in Spanish). 7 November 2012. Retrieved 12 October 2022.
  24. 1 2 "Carlos Bunga – I Am a Nomad". www.hauskonstruktiv.ch. Retrieved 12 October 2022.
  25. 1 2 "Exposición – Carlos Bunga | MACBA Museo de Arte Contemporáneo de Barcelona". www.macba.cat (in Spanish). 30 October 2015. Retrieved 12 October 2022.
  26. 1 2 "Carlos Bunga". Whitechapel Gallery. Retrieved 12 October 2022.
  27. 1 2 "Carlos Bunga « Wiener Secession, Vienna, Austria". www.secession.at. Retrieved 12 October 2022.
  28. 1 2 "CARLOS BUNGA". SCHIRN KUNSTHALLE FRANKFURT (in German). 18 February 2022. Retrieved 12 October 2022.
  29. 1 2 "Carlos Bunga | Museo Nacional Centro de Arte Reina Sofía". www.museoreinasofia.es (in Spanish). Retrieved 12 October 2022.
  30. ↑ "2015 « Edition « Chicago Architecture Biennial". chicagoarchitecturebiennial.org. Retrieved 12 October 2022.
  31. ↑ 29th Bienal de São Paulo catalogue: there is always a cup of sea to sail in. Fundac̦ão Bienal de São Paulo. 2010. ISBN   978-85-85298-33-3. OCLC   696916294.
  32. ↑ "Carlos Bunga | El lloc on cada dia abandonem el món". M|A|C (in Catalan). Retrieved 12 October 2022.
  33. ↑ "CAM em Movimento". Centro de Arte Moderna (in European Portuguese). Retrieved 12 October 2022.
  34. ↑ "Carlos Bunga 2020". Museum of Contemporary Art Toronto. Retrieved 12 October 2022.
  35. ↑ "Carlos Bunga. Where I Am Free". MAAT. 22 January 2019. Retrieved 12 October 2022.
  36. ↑ "Artes Mundi 6". thisistomorrow. 9 January 2015. Retrieved 12 October 2022.
  37. ↑ "Por amor a la disidencia. Carlos Bunga 3/4. Intento de conservación | Exposiciones". museoamparo.com (in Spanish). Retrieved 12 October 2022.
  38. ↑ Cordero, Fernando (2015). MUAC—2008–2015 (1st ed.). México, D.F.: MUAC, Museo Universitario Arte Contemporáneo, UNAM. p. 74.
  39. ↑ "Carlos Bunga delimita su Espacio mental". El Informador :: Noticias de Jalisco, México, Deportes & Entretenimiento (in Mexican Spanish). 10 June 2010. Retrieved 12 October 2022.
  40. ↑ "Puntos de Encuentro III Carlos Bunga". www.marcovigo.com. Retrieved 12 October 2022.
  41. ↑ "EMPTY CUBE | Carlos Bunga EMPTY CUBE Project, 2009". www.emptycube.org. Retrieved 12 October 2022.
  42. ↑ "Culturgest Project » LiMac" . Retrieved 12 October 2022.
  43. ↑ "Carlos Bunga". The Watermill Center. 30 September 2016. Retrieved 12 October 2022.
  44. 1 2 Álvarez Careaga, Mónica (2011). The Way Things Go – Barateiro + Bunga (in Spanish). Santander, Spain.: Galería Nuble. p. 24.
  45. ↑ "Carlos Bunga | HIAP". www.hiap.fi. Retrieved 12 October 2022.
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