Carlos Martiel

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Carlos Martiel
Born1989 (age 34–35)
Havana, Cuba
EducationTania Bruguera, Cátedra Arte de Conducta
Alma materEscuela Nacional de Bellas Artes "San Alejandro"
StyleEndurance art, durational art, performance art, installation art
Website www.carlosmartiel.net

Carlos Martiel (born 1989) is a Cuban contemporary installation and performance artist. [1] [2]

Contents

Biography

Martiel was born in Havana, Cuba. [1] [3] He graduated from Cuba's Escuela Nacional de Bellas Artes "San Alejandro" in 2009. In addition, he studied in the Cátedra Arte de Conducta (Behavior Art School) under Tania Bruguera from 2008 to 2010. Martiel lives and works in both Havana and New York City. [3] [4]

Martiel identifies as queer and Afro-Latinx, with Haitian and Jamaican ancestry. [5] [6] He has noted that his decision to become an artist is directly influenced by these identities, stating, "My art is absolutely political. I couldn’t think of doing anything else because I was born in Cuba in the 1990s, because I am Black, because I have immigrant Haitian and Jamaican ancestry, because I am currently an immigrant, because I am queer, and because my art is the way I have found to express myself on the socio-political issues that not only affect my life, but those of others as well." [6]

Career

Martiel's work can be characterized as endurance art. His artistic practice uses his own body, often nude, in order to draw attention to the embodied experience of Blackness under systems of violence and exploitation. [2] [3] [7] In his durational performances, Martiel frequently subjects himself to physical pain and self-harm. [8] This includes piercing his skin with a miniature flagpole flying an American flag, having a pest exterminator spray his body with insecticide, compressing his legs under the weight of a pear-tree trunk, stitching the collar of a blue shirt to the skin around his neck, and having a piece of his own skin surgically removed and preserved in a gold medal that he had designed. [1] [2] [5] [7] [6] Thematically, his works explore racism and racialization, gender, immigration, and the legacy of European colonialism in the United States. [1] [2] [3] [9]

Martiel's works are included in the collections of the Solomon R. Guggenheim Museum, the Pérez Art Museum Miami, and the Museum of Modern Art, Rio de Janeiro. [4] His awards include a grant from the Franklin Furnace Fund (2016), a Grants & Commissions Program Award from the Cisneros Fontanals Foundation (2014), and the Arte Laguna Prize (2013). [10] In 2021, he received a Latinx Art Fellowship from the Ford Foundation, Mellon Foundation, and U.S. Latinx Art Forum. [11] In 2023, he became the first winner of the Maestro Dobel Latinx Art Prize by the Museo del Barrio. [12] A designation awarding him a $50,000 grant and an exhibition at the Museo del Barrio, whose mission is to bring awareness and amplify the voices of underrepresented Latinx artists. [13]

Significant works

In his performance of Simiente (2014), Martiel presented his naked body covered in human blood of Mexican, Estonian, Italian, Venezuelean, English, and South Korean immigrants in the fetal position with hands in a prayer-like position. [14] Similarly, Martiel performed South Body (2019) naked, piercing his right shoulder with a small American flag piercing. [15] These performances raise questions about the treatment of minorities in eurocentric societies, particularly immigrants and Afro-Cubans like himself. [16]

In his performance of Award Martiel, Carlos (2014), Martiel underwent a surgical procedure. Doctor Flor Mayoral, a professor in the Department of Dermatology and Cutaneous Surgery at the University of Miami Miller School of Medicine, performed the surgery and cleaned the piece of skin of any excess fat. After airdrying and dehydration, the specimen was placed inside a gold medal resembling those given to certain people by the Cuban government by art conservator, Flavia Perugini. [17] In this piece, Martiel draws on the experience and lack of representation of Afro-Cubans in post-revolutionary Cuba. [18]

During Dictadura (2015), Martiel was held down by a neck brace at the foot of a flagpole upon while the flags of greater than 20 Latin American and Caribbean nations were hoisted for the duration of an hour, drawing attention to totalitarianism and U.S. military imperialism in those countries. [19]

Performances and exhibitions

Source: [10]

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References

  1. 1 2 3 4 "Carlos Martiel". The Andrew W. Mellon Foundation. Retrieved 2021-11-05.
  2. 1 2 3 4 "Driven by Self-inflicted Physical Pain". Cisneros Fontanals Art Foundation. Retrieved November 5, 2021.
  3. 1 2 3 4 "Carlos Martiel (Cuba, 1989)". Museum of Latin American Art. Retrieved 2021-11-05.
  4. 1 2 "Carlos Martiel: 2019-2020 Artist In Residence". Hemispheric Institute. Retrieved 2021-11-05.
  5. 1 2 3 Flores, Tatiana (2021-04-01). "Dialogues". Latin American and Latinx Visual Culture. 3 (2): 46–49. doi:10.1525/lavc.2021.3.2.46. ISSN   2576-0947.
  6. 1 2 3 Akers, Tyler (20 September 2021). "Carlos Martiel". Gayletter (14).
  7. 1 2 Valencia, Marelys (2010). "Carlos Martiel and the Transnational Politics of the Black Body". PARSE. Spring 2020 (10).
  8. ↑ Dupuis, Chris (2019-04-05). "From Marina Abramović to Carlos Martiel, a Tradition of Self-Harm in Performance Art". Hyperallergic. Retrieved 2022-09-21.
  9. ↑ "Carlos Martiel, 'Monumento II' ('Monument II') Program Information". The Guggenheim Museums and Foundation. Retrieved 2022-09-21.
  10. 1 2 "Carlos Martiel". Sharjah Art Foundation. Retrieved 2021-11-05.
  11. ↑ Durón, Maximilíano (2021-07-12). "Ford, Mellon Foundations Team Up for $5 M. Initiative Focused on U.S. Latinx Artists". ARTnews.com. Retrieved 2022-09-23.
  12. ↑ "Carlos Martiel Wins Museo del Barrio's Inaugural Maestro Dobel Latinx Art Prize". Artforum. 2023-09-08. Retrieved 2023-09-25.
  13. ↑ "Cuerpo: Carlos Martiel". El Museo del Barrio. Retrieved 2024-10-19.
  14. ↑ "Simiente » Carlos Martiel". www.carlosmartiel.net. Retrieved 2024-10-19.
  15. ↑ "South Body » Carlos Martiel". www.carlosmartiel.net. Retrieved 2024-10-19.
  16. ↑ "SOUTH BODY--Performance by CARLOS MARTIEL for the Biennial of the Americas, 2019 | K Contemporary". kcontemporaryart.com. Retrieved 2024-10-19.
  17. ↑ "Preserving Mortality through a Sacrifice for Your Country: A Performance by Carlos Martiel and a Conservator's Challenge". Living Matter: The Preservation of Biological Materials in Contemporary Art, An International Conference Held in Mexico City, June 3–5, 2019. 2022-05-24. Retrieved 2024-10-19.
  18. ↑ "Afro-Cubans in Cuba". Minority Rights Group. Retrieved 2024-10-19.
  19. ↑ "Dictadura » Carlos Martiel". www.carlosmartiel.net. Retrieved 2024-10-19.
  20. ↑ "Arquitectura para un cuerpo | Carlos Martiel". Crystal Bridges Museum of American Art. Retrieved 2022-09-23.
  21. ↑ Urzua, Barbara (2020-08-13). "Cuban Performance Artist Carlos Martiel Brings His Powerful Art Back to Denver". 303 Magazine. Retrieved 2021-11-05.
  22. ↑ Parton, John (2019). "Sharjah Biennial 14: Leaving the Echo Chamber [review]". Art Monthly (426): 24–25 – via ProQuest.
  23. ↑ Rodriguez, Yelaine (2021-04-01). "Afro-Latinx at NYU". Latin American and Latinx Visual Culture. 3 (2): 50–59. doi:10.1525/lavc.2021.3.2.50. ISSN   2576-0947. S2CID   236755101.
  24. ↑ "CUBA.Tatuare la storia | PAC". Padiglione d'Arte Contemporanea (PAC). Retrieved 2021-11-05.
  25. ↑ Perugini, Flavia; Mayoral, Flor; Godoy, Daniel (2016-06-01). "Surgery, conservation, art: An unusual collaboration". Studies in Conservation. 61 (sup2): 315–318. doi:10.1080/00393630.2016.1191004. ISSN   0039-3630. S2CID   193614274.
  26. ↑ Flores, Tatiana; Stephens, Michelle (2016). "Contemporary Art of the Hispanophone Caribbean Islands in an Archipelagic Framework". Small Axe: A Caribbean Journal of Criticism. 20 (3): 80–99. doi:10.1215/07990537-3726878. ISSN   0799-0537. S2CID   151921603.
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