Carlos Murillo | |
---|---|
Education | Syracuse University |
Occupation(s) | Playwright, director, professor |
Years active | 1994–present |
Spouse | Lisa Portes |
Children | 2 |
Website | Official website |
Carlos Murillo is an American playwright, director, and professor of Puerto Rican and Colombian descent. [1] Based in Chicago, Murillo is a professor and head of the Playwriting program at the Theatre School at DePaul University. [2] He is best known for his play Dark Play or Stories for Boys.
Murillo's work has been produced at Repertorio Español, P73, the NYC Summer Playwrights Festival, En Garde Arts, Soho Repertory Theatre, New Dramatists and The Public Theater's New Works Now! Festival in New York City; Goodman Theatre, Steppenwolf Theatre Company's First Look Repertory of New Work, Collaboraction Theatre Company, Adventure Stage Chicago, Walkabout Theater, Theatre Seven, and Chicago Playworks in Chicago; and Boston Court Pasadena Theatre Company, Circle X Theatre, and Son of Semele Ensemble in Los Angeles. He has been commissioned by Oregon Shakespeare Festival, Goodman Theatre, Steppenwolf Theatre Company, Berkeley Repertory Theatre, Playwrights Horizons, The Public Theater, South Coast Repertory, the University of Iowa International Writing Program, and his plays have been developed at the Sundance Theatre Lab, The Playwrights' Center, The Bay Area Playwrights Festival, New Dramatists, the Latinx Theatre Commons Carnaval, and others. Murillo's work has been published by Dramatists Play Service, Broadway Play Publishing, Dramatic Publishing, Smith & Kraus, and Theatre Forum. [1]
In 2017, Murillo directed María Irene Fornés' What of the Night? with Stage Left and Cor Theatre in Chicago [3] as well as the world premiere of Honey Girls by Grace Grindell at The Theatre School of DePaul University, [4] where he also staged works by Sam Shepard, Jason Grote, Nilo Cruz, David Edgar, Ike Holter, and others. [5]
Murillo is an alumnus of New Dramatists. He currently serves on the Board of Directors of MacDowell. [6]
Published as a collection by 53rd State Press in 2015, The Javier Plays "reconstruct the lost works of forgotten Colombian-American playwright Javier C." [7]
"This book is an absolutely extraordinary achievement from a writer at the height of his powers. Carlos Murillo takes themes hinted at in other works and here develops them into magna opera. Although nominally a play collection, The Javier Plays belongs on the metafiction shelf between Roberto Bolaño's 2666 and David Foster Wallace's Infinite Jest. Quite simply, with this effort Murillo has redrawn the boundaries within which we expect a collection of plays to operate. He disavows linear narrative to create an associative world, and places scenes in one work that are only contextualized in another. The radical nature of Murillo's structural choices fully destabilizes both the reading experience and any assumption an audience might hold regarding the constitution of a play." — Brad Rothbart, American Theatre
Diagram of a Paper Airplane (2009)
The first in The Javier Plays trilogy, Diagram of a Paper Airplane, was commissioned by Goodman Theatre in 2008. Prior to its 2018 premiere at American Theatre Company in Chicago, it received workshops and readings at Goodman Theatre (2008), Sundance Theatre Lab (2009), the William Inge Theatre Festival (2009), The Playwrights Realm (2009), the Kennedy Center Page to Stage Festival (2009), Chicago Dramatists (2011), NNPN National Showcase (2012), New Dramatists (2014), and the Royal Stratford East Playwrights Beyond Borders Festival (2016). [8]
A Thick Description of Harry Smith (2011)
A Thick Description of Harry Smith, a commission for Berkeley Repertory Theatre, is a multi-media "proto-psychedelic medicine show" [9] that explores the life of Harry Everett Smith. Thick Description received workshops at New Dramatists (2009), Collaboraction/Museum of Contemporary Art Chicago (2011), and New Dramatists (2014). [10] It received additional development as part of Murillo's residency at The Watermill Center. [11]
Your Name Will Follow You Home (2015)
Your Name Will Follow You Home, originally commissioned by Steppenwolf Theatre Company, [12] received its world premiere at New York City's Repertorio Español as Spanish language version titled Su Nombre Sera Su Sombra Para Siempre, translated by Caridad Svich. [13] It won the 2013 MetLife Nuestras Voces National Playwriting Competition. [14]
Dark Play or Stories for Boys received its world premiere at the Humana Festival in 2007, produced by the Actors Theatre of Louisville. The play had its European premiere in Budapest at the Vigszinhaz, and following European productions were staged at Theatre der Stadt Aalen in Germany, Theatre Lubuski in Poland, Andrej Bagar Theatre in Slovakia, and State Youth Theatre in Lithuania. [15]
Mimesophobia (or before and after) received its world premiere at the Public Theater's New York City Summer Play Festival in 2005 with subsequent productions at Sand and Glass Productions in 2008, and Theatre Seven in 2010. [16]
"Funny, provocative, and poignant, Mimesophobia is a huge success … and one of the more refreshing plays to land this season." — Scotty Zacher, Chicago Theater Beat [17]
Murillo studied toward a BFA in acting at Syracuse University but did not complete it. [18] He lives on the South Side of Chicago with his wife, the director Lisa Portes, and their two children. [1]
Wendy A. MacLeod is an American playwright.
Theater in Chicago describes not only theater performed in Chicago, Illinois, but also to the movement in Chicago that saw a number of small, meagerly funded companies grow to institutions of national and international significance. Chicago had long been a popular destination for touring productions, as well as original productions that transfer to Broadway and other cities. According to Variety editor Gordon Cox, beside New York City, Chicago has one of the most lively theater scenes in the United States. As many as 100 shows could be seen any given night from 200 companies as of 2018, some with national reputations and many in creative "storefront" theaters, demonstrating a vibrant theater scene "from the ground up". According to American Theatre magazine, Chicago's theater is "justly legendary".
Steven Dietz is an American playwright, theatre director, and teacher. Called "the most ubiquitous American playwright whose name you may never have heard", Dietz has long been one of America's most prolific and widely produced playwrights. In 2019, Dietz was again named one of the 20 most-produced playwrights in America.
Sarah Ruhl is an American playwright, professor, and essayist. Among her most popular plays are Eurydice (2003), The Clean House (2004), and In the Next Room (2009). She has been the recipient of a MacArthur Fellowship and the PEN/Laura Pels International Foundation for Theater Award for a distinguished American playwright in mid-career. Two of her plays have been finalists for the Pulitzer Prize for Drama and she received a nomination for Tony Award for Best Play. In 2020, she adapted her play Eurydice into the libretto for Matthew Aucoin's opera of the same name. Eurydice was nominated for Best Opera Recording at the 2023 Grammy Awards.
Eduardo Oscar Machado is a Cuban playwright living in the United States. Notable plays by Machado include Broken Eggs, Havana is Waiting and The Cook. Many of his plays are autobiographical or deal with Cuba in some way. Machado teaches playwriting at New York University. He has served as the artistic director of the INTAR Theatre in New York City since 2004. He is openly gay.
Repertorio Español was founded in 1968 by Producer Gilberto Zaldívar and Artistic Director René Buch to introduce the best of Latin American, Spanish, and Hispanic American theater to broad-ranging audiences in New York City and around the country. Robert Weber Federico joined the company two years later as Resident Designer and Associate Artistic Producer and is currently the organization's Executive Director.
Tarell Alvin McCraney is an American playwright, screenwriter, and actor. He is the chair of playwriting at the Yale School of Drama and a member of the Steppenwolf Theatre Ensemble.
Melissa James Gibson is a Canadian-born playwright based in New York.
Rohina Malik is a British-born American playwright, actress, speaker, story teller and educator of South Asian descent. She is also the artistic director for Medina Theater Collective.
Kristoffer Díaz is an American playwright, screenwriter, and educator. As a playwright, he has five full-length titles amongst other works which have been widely produced and developed. In 2010, he was a finalist for the Pulitzer Prize for Drama. In 2011, The New York Times awarded Díaz with the Outstanding Playwright Award. He has worked with television networks like HBO, FX, Fox, ESPN, and Netflix. Díaz currently teaches at New York University's Gallatin School of Individualized Study. Díaz is the Head of Admissions and an associate professor at New York University Tisch School of the Arts. Diaz teaches dramatic writing and contemporary US theater. Diaz's primary focus is American plays and musicals.
Lucas Hnath is an American playwright. He won the 2016 Obie Award for excellence in playwriting for his plays Red Speedo and The Christians. He also won a Whiting Award.
Lisa Portes is a director, educator, and advocate. She heads of the MFA Directing program at The Theatre School at DePaul University. She serves on the board of the Theatre Communications Group, the Executive Board of the Society of Stage Directors and Choreographers, and is a founding member of the Latinx Theater Commons.
Lauren Yee is an American playwright.
Charles Smith is a playwright and educator based in the Midwestern United States. He is known for his works staged at Victory Gardens Theater, and his teleplays on WMAQ-TV. He is the head of the Professional Playwriting Program at Ohio University.
Ike Holter is an American playwright. He won a Windham–Campbell Literature Prize for drama in 2017. Holter is a resident playwright at Victory Gardens Theater, and has been commissioned by The Kennedy Center, The Eugene O'Neill Theater Center, South Coast Repertory and The Playwrights' Center.
Antoinette Nwandu is an American playwright based in New York.
Laura Eason is an American playwright and screenwriter.
Christina Anderson is an American playwright and educator. She is best known for her plays Good Goods and Inked Baby. Her work has received several honors and awards, including two Playwrights of New York (PoNY) nominations as well as the Lorraine Hansberry Award. Anderson is a Resident Playwright at the organization New Dramatists and the social justice theatre company Epic Theatre Ensemble. She has served as an Assistant Professor of Playwriting at Purchase College, and as the interim Head of Playwriting at Brown University.
Martyna Majok is a Polish-born American playwright who received the 2018 Pulitzer Prize for Drama for her play Cost of Living. She emigrated to the United States as a child and grew up in New Jersey. Majok studied playwriting at the Yale School of Drama and Juilliard School. Her plays are often politically engaged, feature dark humor, and experiment with structure and time.
Janine Nabers is an American playwright and television writer.