Latinx Theatre Commons

Last updated

The Latinx Theatre Commons (LTC) is a national movement launched in 2012, which promotes Latino equity in American theater through convening, scholarship, advocacy, and art. The goals, activities, and methods of its actions are determined, championed, and carried out by the LTC's volunteer, self-organized steering committee of predominantly U.S.-based theater-makers and scholars of Latina/o/x theater, working together and with community partners around the country. [1] The LTC was founded by eight well-known Latinx playwrights, directors, and scholars, led by Karen Zacarias, who was hailed by American Theater Magazine as one of the most produced playwrights in the United States [2] and who was named as a United States Artists Fellow in 2021. [3] The group included Antonio Sonera, Kristoffer Diaz, Anne García-Romero, Lisa Portes, Tlaloc Rivas, Jose Luis Valenzuela, and Enrique Urueta. [4] Abigail Vega served as the first LTC producer from 2014-2019. [5] [4] Beginning in May 2019, Armando Huipe succeeded Vega as the LTC Producer. Beginning in June 2021, Jacqueline Flores succeeded Huipe as the LTC Producer.

Contents

History

LTC was founded as the Latino/a Theater Commons on May 19, 2012 when eight Latino theater-makers met to discuss the state of Latino theater in the US at the Arena Stage in Washington, DC. From this conversation, four initiatives were proposed with the aim of advancing the field of Latino theater, including a national festival of ten Latino plays to be produced at the Los Angeles Theatre Center; a biannual conference of new Latino works hosted by DePaul University in Chicago; Café Onda, an online platform for articles, blogs, live-streaming of events related to Latino theater; and a national convening of Latino theater-makers. [6] Later that year, a Steering Committee was formed with an additional fourteen Latino theater-makers from around the country, to plan the national convening. [7]

In September 2013, the group launched Café Onda, an online journal, which seeks to build connections among Latino theater-makers, and promote dialogue and deeper understanding at large. [8] The platform serves as an online journal for the LTC [9] and addresses cultural misrepresentations, inspires greater participation in the American theater field, and raises awareness for the body of Latino dramatic production. [10]

Later in 2013, the LTC hosted the Boston Convening, which was the “first large-scale formal gathering of the Latina/o theater community since 1986.” [11] The Convening brought together artists, scholars, and advocates of Latino theater to Emerson College, and engaged with Latino theater-makers in Chicago, Los Angeles, Dallas, Miami, and New York City via simultaneous video-conferencing, and around the country through live-streaming. [12] [7]

In November 2014, the LTC hosted its Second National Convening at the Los Angeles Theatre Center's Encuentro Latino theater festival. [13] The Convening brought together the artists participating in the 10 productions featured at the month-long festival of Latino theater from around the US, with theater-makers, scholars, and advocates interested in Latino theater. [14] [15] [16] Additionally, throughout the Encuentro, the LTC produced a series of nine Tertulias, public conversations with Festival and LA-based artists and scholars to contextualize and interrogate themes raised by the Encuentro. [17]

Subsequent convenings of note have included the Carnaval of New Latina/o Work (hosted at DePaul University in 2015 & 2018 [18] [19] [20] ), LTC Regional Convenings aimed at convening local theater-makers and providing an opportunity for the LTC Steering Committee to assess its work, [21] [22] [8] and International Convenings held at Encuentro de las Américas International Theatre Festivals. [23]

In April 2018, the LTC co-hosted the Fornés Institute Symposium in partnership with Princeton University's Lewis Center for the Arts in honor of María Irene Fornés to encourage "diverse, intergenerational community of theater-makers the opportunity to gather and reflect on the many ways her influence continues to shape our work as artists, as writers, as scholars." [24] [25] This event and others hosted that year focused on María Irene Fornés were part of the LTC's Celebrando Fornes initiative and as part of the Fornes Institute, which was founded by the LTC. [26]

In 2019, the LTC's Theater for Young Audiences (TYA) hosted the Sin Fronteras Festival and Convening featuring five plays written for youth audiences. [27] [28]

Notable works

LTC's El Fuego Initiative: Fueling the American Theater with Latina/o Plays supports productions of Latinx playwrights, including the 12 who were selected for the 2015 Carnaval of New Latina/o Work. [9] In an unprecedented fashion, eighteen theater companies agreed to produce the playwrights’ works before they had been selected, demonstrating a commitment to championing Latino playwrights and “a profound trust in the Carnaval selection process.” [29] At least 9 playwrights have received productions with support from El Fuego, many of which have been documented through the IGNITED series on Café Onda: [30]

Awards

On June 10, 2017, at the Theatre Communications Group National Conference held in Portland, Oregon, the LTC received the prestigious Peter Zeisler Memorial Award. [35] In the acceptance speech, then-LTC Producer Abigail Vega stated: "By their very nature, commons challenge our transactional, market-based ideology and propose an alternative reality rooted in abundance and the greater good." [36]

Organizing structure

The Latinx Theatre Commons operates as a commons, wherein resources are shared with all who care for the resources. According to Indiana University's Digital Library of the Commons, "the commons is a general term for shared resources in which each stakeholder has an equal interest". [21]

The work of the LTC is carried out by a volunteer Steering Committee of artists, scholars, and administrators from around the US who represent the complexity of the theater field. Steering Committee members work on a variety of subcommittees to advance the LTC initiatives, such as those listed on the timeline, reflecting the tenets of advocacy, art making, convening, and scholarship. The Steering Committee is refreshed every six months with an influx of new members who join in the work. Steering Committee members rotating off often join the LTC Advisory Committee. Communication technologies facilitate work among multiple participants simultaneously. At the hub of all the subcommittees is the LTC Producer, an independent contractor supported through the infrastructure provided by HowlRound: A Center for a Theatre Commons. [37]

In January 2017, the Latinx Theater Commons adopted its current name in response to requests from the Steering Committee and community members at large and as an expression of its commitment to the principles of radical inclusion. [38]

Publications

The Latina/o Theatre Commons 2013 National Convening: A Narrative Report by Brian Herrera. Boston: Emerson College, 2015. [39]

Related Research Articles

<span class="mw-page-title-main">Luis Alfaro</span> American performance artist, writer, theater director, and social activist

Luis Alfaro is a Chicano performance artist, writer, theater director, and social activist.

<span class="mw-page-title-main">Migdalia Cruz</span> American dramatist

Migdalia Cruz is a writer of plays, musical theatre and opera in the U.S. and has been translated into Spanish, French, Arabic, Greek, and Turkish.

<span class="mw-page-title-main">Karen Zacarias</span> Mexican-American playwright

Karen Zacarías is a Latina playwright who was born in Mexico in 1969. She is known for her play Mariela in the Desert. It was the winner of the National Latino Playwriting Award and a finalist for other prizes. Mariela in the Desert was debuted at the Goodman Theatre in Chicago. Zacarías is the founder of the Young Playwrights' Theater located in Washington, D.C.

Mando Alvarado is an American playwright, screenwriter and actor originally from Pharr, Texas. At age nine, his father died. He grew up with two younger brothers and describes himself as a bully towards them in their younger years. He first got involved with theater in middle school, when his Drama teacher told him he would need to take a role in a production to pass the class. Alvarado's first play-writing experience was a monologue inspired by Luis Valdez's Zoot Suit, particularly Edward James Olmos' character El Pachuco. His first full-length play was written after he first moved to New York City, while he worked a temp-job in Midtown. After a reading with Raúl Castillo in a Lower East Side bar, Alvarado decided focus his career on writing.

Jerry Ruiz is an American theatre director.

<span class="mw-page-title-main">Lisa Portes</span>

Lisa Portes is a director, educator, and advocate. She heads of the MFA Directing program at The Theatre School at DePaul University. She serves on the board of the Theatre Communications Group, the Executive Board of the Society of Stage Directors and Choreographers, and is a founding member of the Latinx Theater Commons.

Marisela Treviño Orta is a third-generation Mexican-American playwright and poet from Lockhart, Texas. She attended the University of San Francisco where she received an MFA in Writing. While she was trained in poetry, Treviño Orta began writing plays after becoming the resident poet for El Teatro Jornalero!, a Latino theatre company which focuses on social justice issues.

<span class="mw-page-title-main">Anne García-Romero</span> American dramatist

Anne García-Romero is a playwright, screenwriter, scholar, and professor.

Virginia Grise is a playwright, and director. Grise's most recognized work is blu, the winner of the 2010 Yale Drama Series Award and a finalist for the Kennedy Center for the Performing Arts' Latino/a Playwrighting Award. In addition, Grise is the co-writer of The Panza Monologues with Irma Mayorga, and edited a volume of Zapatista communiqués called Conversations with Don Durito. She is also a recipient of the Whiting Writers' Award and the Princess Grace Award in Theater Directing.

Tanya Selene Saracho is a Mexican-American actress, playwright, dramaturge and screenwriter. With a background in theater before writing for television, she co-founded Teatro Luna in 2000 and was its co-artistic director for ten years. She also co-founded the Alliance of Latinx Theater Artists (ALTA) of Chicago. She is particularly known for centering the "Latina gaze". She developed and was showrunner of the Starz series Vida, which ran for three seasons (2018-2020). Saracho signed a three-year development deal with Starz in February 2018.

HowlRound Theatre Commons is a non-profit service organization based out of Emerson College’s Office of the Arts. Its aim is to support developing theatre practitioners and facilitating dialogue within not-for-profit theatre and performance arts field. Like Wikipedia, their platforms use commons-based peer production as their content methodology.

Latino theatre presents a wide range of aesthetic approaches, dramatic structures, and themes, ranging from love, romance, immigration, border politics, nation building, incarceration, and social justice. Whether of a linguistic, ethnic, political, cultural or sexual nature, the plays often have a social justice component involving Latino people living in the United States. The Oxcart by René Marqués, Marisol by José Rivera (playwright), and In the Heightsby Lin-Manuel Miranda are examples of staged Broadway plays. There is also a strong tradition of Latino avant-garde and absurdist theatre, which double as political satires; prime examples include The Masses are Asses by Pedro Pietri and United States of Banana by Giannina Braschi.

Monica Palacios is a Chicana lesbian American playwright and performer, specialising in Chicana, queer, feminist, and lesbian themes. She has charted the intersection of queer and Latina identities in Latinx communities, with their mutually marginalising impact. A trailblazer stand-up comedian in the 1980s and 1990s, Palacios is now better known for her work as an award winning playwright and activist. Her works are taught in many schools and colleges, where she has served frequently as a director of student theatre.

Georgina Leanse H. Escobar is a Mexican-American playwright, raised on the frontier in Juárez, with a strong sense of her dual nationality. Her plays explore themes of fantasy, mythology, witchcraft, feminism and the breakdown of the family. Escobar also conducts artistic youth workshops, directs musicals, as well as performing translation work.

Tlaloc Rivas is a Mexican-American writer, producer, and theatre director. He is one of the co-founders of the Latinx Theatre Commons, which works side by side with HowlRound to revolutionize American theater and to highlight and promote the contributions and presence of Latinos in theatre. Central to Rivas' work is the Latino experience, but also exploring the American experience through the lens' of underrepresented voices. Rivas focuses on writing and directing plays that significantly explore Latino identity and history. Additionally, Rivas has also translated and adapted plays from the Spanish language and directed Spanish-language and bilingual plays such as Mariela in the Desert by Karen Zacarias and classical works such as Peribáñez y el Comendador de Ocaña.

Teatro Luna is an all-Latina theatre ensemble based in Chicago. The group was founded by Coya Paz and Tanya Saracho in 2001 in response to their experiences with a lack of representation of Latinas in the media and theatre scene. Teatro Luna focuses on creating work with other Latinas that reflects a variety of Latina experiences. Since 2001 the group has created over 13 collaborative productions, including Generic Latina (2001) and MACHOS (2007). The company has performed in a variety of theatres across Chicago, and expanded to a location in Los Angeles in 2014.

<span class="mw-page-title-main">Carlos Murillo</span>

Carlos Murillo is an American playwright, director, and professor of Puerto Rican and Colombian descent. Based in Chicago, Murillo is a professor and head of the Playwriting program at the Theatre School at DePaul University. He is best known for his play Dark Play or Stories for Boys.

Jacob Padrón is the Artistic Director of Long Wharf Theatre. He is also the Artistic Director of The Sol Project and a co-founder of the Artists' Anti-Racism Coalition.

Chantal Rodriguez is the Associate Dean of the Yale School of Drama and a scholar of Latino theater.

Adriana Gaviria is an actor, producer, director, writer, and advocate in the United States. She is a founding member and artistic producer of The Sol Project, a national initiative to support Latinx theater, and the founder and producing artistic director for North Star Projects, an arts initiative that supports independent artists and theaters. Her advocacy also includes leadership roles with the Parent Artist Advocacy League (PAAL).

References

  1. ↑ "Latinx Theatre Commons." HowlRound, https://howlround.com/latinx-theatre-commons.
  2. ↑ Stage, Portland Center (2019-05-16). "The World of the Play: Native Gardens". Portland Center Stage. Retrieved 2021-10-14.
  3. ↑ Editors, American Theatre (2021-02-05). "United States Artists Names 2021 USA Fellows". AMERICAN THEATRE. Retrieved 2021-10-14.{{cite web}}: |last= has generic name (help)
  4. 1 2 Sanchez Saltveit, Olga. "The Latinx Theatre Commons: Feminist Decolonization in the Early Years of a Movement to Transform the Narrative of the American Theatre".{{cite journal}}: Cite journal requires |journal= (help)
  5. ↑ "Even Flowers Bloom in Hell, Sometimes by Franky D. Gonzalez - Sin Muros: A Latinx Theater Festival". Stages Main Site. Retrieved 2021-10-14.
  6. ↑ García-Romero, Anne. "Latina/o Theatre Commons: Updating the US Narrative." HowlRound, 8 Aug. 2012, https://howlround.com/latinao-theatre-commons
  7. 1 2 Herrera, Brian Eugenio. The Latina/o Theatre Commons 2013 National Convening: a narrative report. Edited by Jayne Benjulian and Jamie Gahlon, HowlRound, 2015. Pg. 2.
  8. 1 2 "Latinx Theatre Commons Seattle Convening: Latinx Theatre in Unexpected Places | JHUP Theatre". jhuptheatre.org. Retrieved 2021-10-14.
  9. 1 2 BWW News Desk. "HowlRound's Latinx Theatre Commons 'El Fuego' Initiative Fuels Works by Latinx Playwrights". BroadwayWorld.com. Retrieved 2021-10-14.
  10. ↑ Rivas, Tlaloc. "Welcome to Café Onda!" HowlRound, 20 Sept. 2013, https://howlround.com/welcome-cafe-onda
  11. ↑ "The Latina/o Theatre Commons National Convening at Emerson College in Boston—Thursday 31 October - Saturday 2 November 2013.” HowlRound.com. http://howlround.com/live-on-howlround-tv-the-latinao-theatre-commons-national-convening-boston—thurs-oct-31-sat-nov-2
  12. ↑ Peterson, Tyler. "National Convening of Latino/a Theatre-Makers at Emerson College Set for 10/31-11/2". BroadwayWorld.com. Retrieved 2021-10-14.
  13. ↑ Morris, Steven Leigh (2014-11-18). "Encuentro 2014 Makes a National Case for Latino Theatre". AMERICAN THEATRE. Retrieved 2021-10-14.
  14. ↑ Huerta, Jorge. "Encuentro 2014: Moving Forward, Never Forgetting the Past." HowlRound, 2 Nov. 2014, https://howlround.com/encuentro-2014-moving-forward-never-forgetting-the-past
  15. ↑ “Participate in The Latina/o Theatre Commons Second National Convening Nov. 6-9 at the Los Angeles Theatre Center's Encuentro 2014.” HowlRound, 17 Oct. 2014, https://howlround.com/participate-in-the-latinao-theatre-commons-second-national-convening-at-the-los-angeles-theatre.
  16. ↑ "The Los Angeles Theatre Center Hosts Encuentro 2014." LatinoLA, 8 Sept. 2014, https://latinola.com/story.php?story=12941
  17. ↑ “Video Archive: Encuentro 2014 at the Los Angeles Theatre Center-#CafeOnda-Saturday 18 October - Monday 10 November 2014.” HowlRound, 14 Oct. 2014, https://www.howlround.com/livestreaming-the-latinao-theatre-commons-encuentro-2014-cafeonda-los-angeles-sat-oct-18-mon-nov-10
  18. ↑ "2018 LTC Carnaval of New Latinx Work | New Play Exchange". newplayexchange.org. Retrieved 2021-10-14.
  19. ↑ Musbach, Julie. "Latinx Theatre Commons Expands Definition Of American Play At Carnaval 2018: ConeXion!". BroadwayWorld.com. Retrieved 2021-10-14.
  20. ↑ Powers, Katie (2018-07-19). "Carnaval 2018 immerses visitors in Chicago's Latinx theater community". Chicago Reader. Retrieved 2021-10-14.
  21. 1 2 Marrero, Teresa. "The Latinx Theatre Commons: A Commons-Based Approach Movement." Theatre Topics, vol. 27, no. 1, Mar. 2017, doi:10.1353/tt.2017.0013
  22. ↑ Ávila, Elaine. "The LTC in NYC: Gathering Face-to-Face Power to Face the World." American Theatre, Americantheatre.org, 13 Dec. 2016, https://www.americantheatre.org/2016/12/13/the-ltc-in-nyc-gathering-face-to-face-power-to-face-the-world/
  23. ↑ Della Gatta, Carla, and Marci R. McMahon. “Coming Full Circle: the 2017 LTC International Convening.” HowlRound, 21 Dec. 2017, https://howlround.com/coming-full-circle-the-2017-ltc-international-convening
  24. ↑ "2018 Latinx Theater Commons María Irene Fornés Institute Symposium". Lewis Center for the Arts. Retrieved 2021-10-14.
  25. ↑ "Herrera celebrates legacy of playwright María Irene Fornés". Princeton University. Retrieved 2021-10-14.
  26. ↑ "CalArts Center for New Performance - » Screening: The Rest I Make UpCalArts Center for New Performance". CalArts Center for New Performance. Retrieved 2021-10-14.
  27. ↑ "UT co-hosts Latinx theatre for youth festival and convening | College of Fine Arts - The University of Texas at Austin". College of Fine Arts - University of Texas at Austin. Retrieved 2021-10-14.
  28. ↑ USA, Theatre for Young Audiences /. "Cultivating a Community Without Borders". Theatre for Young Audiences / USA. Retrieved 2021-10-14.
  29. ↑ Mayorga, Irma, and Olga Sanchez Saltveit. "Introducing Ignited: Communiques from the LTCs El Fuego initiative." HowlRound, 24 Oct. 2016, https://howlround.com/introducing-ignited-communiques-from-the-ltc-s-el-fuego-initiative
  30. ↑ "El Fuego: Fueling the American Theatre with Latinx Plays". HowlRound Theatre Commons. Retrieved 2021-10-14.
  31. ↑ Lodewyck, Laura, and Ricardo Gutiérrez. “Ignited: Interview with Ricardo Gutiérrez.” HowlRound, 6 Aug. 2016, https://howlround.com/ignited-interview-with-ricardo-guti-rrez
  32. ↑ Sanchez Saltveit, Olga. “Ignited: El Payaso in Flint.” HowlRound, 2 Feb. 2017, https://howlround.com/ignited-el-payaso-in-flint
  33. ↑ McMahon, Marci R. “Ignited: Healing Activist Trauma in Su Teatro's Production of Milta Ortiz's Más.” HowlRound, 29 July 2017, https://howlround.com/ignited-healing-activist-trauma-in-su-teatro-s-production-of-milta-ortiz-s-m-s
  34. ↑ McMahon, Marci R. “A Chicana Heroine Redirects El Movimiento.” HowlRound, 12 Oct. 2017, https://howlround.com/a-chicana-heroine-redirects-el-movimiento
  35. ↑ Clement, Olivia. "TCG Honors Latinx Theatre Commons, Berkeley Repertory, and More". Playbill. Retrieved 2021-10-14.{{cite web}}: CS1 maint: url-status (link)
  36. ↑ "The Latinx Theatre Commons Peter Zeisler Memorial Award Acceptance Speech." HowlRound, https://howlround.com/peter-zeisler-memorial-award-acceptance-speech-the-latinx-theatre-commons.
  37. ↑ “About.” HowlRound, https://howlround.com/about.
  38. ↑ "Toward Inclusivity: A message from the LTC." HowlRound, 18 Jan. 2017, https://howlround.com/toward-inclusivity-a-message-from-the-ltc.
  39. ↑ Gahlon, Jamie, and Brian Herrera. “Hot off the Presses! The Latina/o Theatre Commons 2013 National Convening Book.” HowlRound, 12 Jan. 2015, https://howlround.com/hot-presses-latinao-theatre-commons-2013-national-convening-book
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.