The Puerto Rican Traveling Theater is a theater company based at the 47th Street Theater in New York City. It was founded as El Nuevo Círculo Dramatico (The New Drama Circuit) by Míriam Colón and Roberto Rodríguez.
It was one of the first Puerto Rican theater companies to be founded and is credited with kickstarting the Hispanic and Puerto Rican theater scene in New York. The first production by the company was La Carreta (The Oxcart) in 1953, written by René Marqués and directed by founder Roberto Rodríguez. Although the success of El Nuevo Círculo Dramatico was short, the spirit of the company lived on when Colón went on to found the Puerto Rican Traveling Theater Company.
In the 1940s and 50s Hispanic theater waned, only surviving in mutual aid societies, church halls, and lodges for smaller audiences. In 1940, Puerto Rican dramatist René Marqués began to develop an awareness of the Puerto Rican experience in the United States while studying playwriting in New York. After returning to San Juan, he wrote the play La Carreta. [1] The story of La Carreta dramatized a family dislocated from their farm and resettling into a slum in San Juan, and then to New York City. It resonated with many immigrant families who felt that their history, language and culture of the working class were represented in a serious dramatic form. [2]
The play was first produced in 1953, directed by Roberto Rodríguez and starring the young actress Miriam Colón. The success of the play allowed Rodríguez and Colón to form the first permanent Hispanic theatrical group to have its own space, Teatro Arena, [2] located in Manhattan on Sixth Avenue between 43rd and 44th street. The group was very successful at the start, allowing many important Latino/a figures to start their careers and giving Rodríguez the title as the father of modern Puerto Rican drama in the United States. However, the building was closed by the fire department in the 1960s, and the company could not survive past its fifth year of existence. [3] Despite its short life though, it still had a huge impact on the Puerto Rican theater scene. Many new groups began to form, inspired by the success of El Nuevo Círculo Dramatico and another group, La Farándula Panamericana. Some of these groups include: El Nuevo Teatro Pobre de las Américas, Teatro Orilla, Teatro Guazabara, Teatro Jurutungo, and most notably Teatro Cuatro, which still exists to this day. [2]
Though El Nuevo Círculo Dramatico could not continue, Colón went on to form the Puerto Rican Traveling Theater company in 1967 after starring in an off-Broadway production of The Oxcart (an English translated version of La Carreta) in 1966. [4] The Puerto Rican Traveling Theater company (or PRTT) performed in both English and Spanish, traveling around the boroughs of New York City [5] with the focus of bringing theater to those who desperately needed it. [6] Supported by a joint sponsorship from Mayor Lindsay's Summer Task Force Program and the Parks Department, Colón began by touring a production of The Oxcart through various neighborhoods, [7] often to audiences who had never seen theater before. The tours were immensely popular, drawing crowds of people. [8] The summer tours continued for years after their start, providing free, bilingual theater to different neighborhoods in New York City. After five years, the company gained a permanent location in the Chelsea district in Manhattan until Colón was able to secure a former fire house in the heart of the Theater District, where the company still operates today. [7]
In November 2013, Bronx based Pregones Theater, founded and directed by Rosalba Rolón, and the Puerto Rican Traveling Theater Company announced plans to merge. [9]
Míriam Colón Valle was a Puerto Rican actress. She was the founder and director of New York City's Puerto Rican Traveling Theater. Beginning her career in the early 1950s, she performed on Broadway and on television. She appeared on television programs from the 1960s to the 2010s, including Sanford and Son and Gunsmoke. She is best known as Mama Montana, the mother of Al Pacino's title character in Scarface. In 2014, she received the National Medal of Arts from President Barack Obama. She died of complications from a pulmonary infection on March 3, 2017, at the age of 80.
The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans. It originated in the late 1960s and early 1970s in neighborhoods such as Loisaida, East Harlem, Williamsburg, and the South Bronx as a means to validate Puerto Rican experience in the United States, particularly for poor and working-class people who suffered from marginalization, ostracism, and discrimination.
René Marqués was a Puerto Rican short story writer and playwright.
Puerto Rican literature is the body of literature produced by writers of Puerto Rican descent. It evolved from the art of oral storytelling. Written works by the indigenous inhabitants of Puerto Rico were originally prohibited and repressed by the Spanish colonial government.
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Esther Sandoval was a Puerto Rican actress and a pioneer in Puerto Rico's television.
Gladys Rodríguez is a Puerto Rican actress, comedian, and television host. She is also a Christian pastor and a priest at an Episcopalian church in Oviedo, Florida, near Orlando, United States.
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La Carreta is a 1953 play by Puerto Rican playwright René Marqués. The story follows a family of "jíbaros", or rural peasants, that in an effort to find better opportunities end up moving to the United States.
Lawrence La Fountain-Stokes is a gay Puerto Rican author, scholar, and performer. He is better known as Larry La Fountain. He has received several awards for his creative writing and scholarship as well as for his work with Latino and lesbian, gay, bisexual, and transgender (LGBT) students. He currently resides in Ann Arbor, Michigan.
Jorge B. Merced is a New York-based Puerto Rican actor, theatre director, and gay activist. He is associate artistic director of Pregones Theater, a bilingual (Spanish/English) Puerto Rican/Latino theater company located near Hostos Community College in the Bronx, New York City. He is best known for his role as Loca la de la locura [The Queen of Madness] in Pregones's play El bolero fue mi ruina [The Bolero Was My Downfall].
Sandra María Esteves is a Latina poet and graphic artist. She was born and raised in the Bronx, New York, and is one of the founders of the Nuyorican poetry movement. She has published collections of poetry and has conducted literary programs at New York City Board of Education, the Caribbean Cultural Center, and El Museo del Barrio. Esteves has served as the executive director of the African Caribbean Poetry Theater. She is the author of Bluestown Mockinbird Mambo and Yerba Buena. She lives in the Bronx.
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Jorge Alfonso Huerta is a Chicano scholar, author, and theater director. He specializes in Chicano and United States Latinx Theatre. He has written and edited several books specializing in Chicano theatre and is considered to be an authoritative expert in his field.