Carmel Vitullo

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Carmel Vitullo (born July 16, 1925) is an American street photographer whose imagery of Rhode Island have been acquired for a number of collections. [1]

Contents

Biography

Carmel Vitullo was born in Providence, Rhode Island, on July 16, 1925, into the small Italian community of Federal Hill. After high school Vitullo enrolled in a major in painting at the Rhode Island School of Design (RISD), but abandoned it for the medium of photography about which she was more passionate. In further study at the New York Institute of Photography [2] she discovered the work of Henri Cartier Bresson and she continued to be an exponent and practitioner of street photography. [3] A majority of her photographs depict the neighbourhood of Rhode Island in the 1950s and the first Newport Jazz Festival. She ran a studio in a South Water Street warehouse in the 1960s. [4] Her commercial practice was in portrait [5] and industrial photography and in her sixties after her retirement, and while living in North Providence, she was working as a producer in cable television. [6]

Recognition

In the 1950s Vitullo approached Edward Steichen with her portfolio. He selected her photograph of displaced refugees at Grand Central Terminal en route to a relocation centre, for the Museum of Modern Art world-touring exhibition The Family of Man , which was seen by 9 million visitors. Her print was exhibited in the section ‘Rebels’ at the end of a row of six, hard against the adjoining wall, [7] [8] in sympathy with the entrapment of the subjects who are seated, frieze-like, along a bench parallel to the picture plane. Stacked on a cart in front of them are their suitcases labeled with stickers of the NCWC (National Catholic Welfare Conference), the social Catholic organization helping immigrants relocate to the United States [9] and confirming their identity as immigrants. Disquieting, confusing spots of light from the skylight fall across the scene and add to the pervasive anxiety evident in the expressions of the men, women, and children. The inclusion in The Family of Man and its accompanying catalogue [10] (which has never been out of print) came as a breakthrough for Vitullo. Since then she has exhibited alongside Harry Callahan, O. Winston Link and others and her work has been collected by major institutions.

Exhibitions

Collections

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References

  1. ↑ "Carmel Vitullo: Photographer". Bert Gallery. Retrieved 10 August 2021.
  2. ↑ NYIP Famous Alumni
  3. 1 2 "Bert Gallery, Providence, Rhode Island". bertgallery.com. Retrieved 2021-01-27.
  4. 1 2 3 "Block Island Historical Society Features Carmel Vitullo Exhibit – Bert Gallery". Bert Gallery. May 21, 2009. Archived from the original on 2015-04-23. Retrieved 2021-01-27.
  5. ↑ Advertisement, Bristol Phoenix, (Rhode Island), November 21, 1969
  6. ↑ "Local programming gies a shot at fame", North Adams Transcript (North Adams, Massachusetts) Saturday, 14 Dec 1991, p.5
  7. ↑ Hurm, Gerd, 1958-, (editor.); Reitz, Anke, (editor.); Zamir, Shamoon, (editor.) (2018), The family of man revisited : photography in a global age, London I.B.Tauris, ISBN   978-1-78672-297-3, 133-156
  8. ↑ Madeline Ferretti-Theilig/ Jochen Krautz, 'Speaking Images of Humanity. »The Family of Man« Exhibition as an Exemplary Model of Relational Aesthetic and Pictorial Practice' in IMAGE, Ausgabe 26, 07/2017,p.20
  9. ↑ Petit, Jeanne: Our Immigrants Coreligionist. The National Catholic Welfare Conference as an Advocate for Immigrants in the 1920s. In: Buff, Rachel Ida (ed.): Immigrant Rights in the Shadows of Citizenship. New York [NYU P] 2008, cited in Madeline Ferretti-Theilig/ Jochen Krautz, 'Speaking Images of Humanity. »The Family of Man« Exhibition as an Exemplary Model of Relational Aesthetic and Pictorial Practice' in IMAGE, Ausgabe 26, 07/2017
  10. ↑ Steichen, Edward; Steichen, Edward, 1879-1973, (organizer.); Sandburg, Carl, 1878-1967, (writer of foreword.); Norman, Dorothy, 1905-1997, (writer of added text.); Lionni, Leo, 1910-1999, (book designer.); Mason, Jerry, (editor.); Stoller, Ezra, (photographer.); Museum of Modern Art (New York, N.Y.) (1955). The family of man : the photographic exhibition. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.{{cite book}}: |author6= has generic name (help)CS1 maint: multiple names: authors list (link)
  11. ↑ Hurm, Gerd; Reitz, Anke; Zamir, Shamoon. The family of man revisited: photography in a global age. London. ISBN   978-1-78672-297-3. OCLC   1018942141.
  12. ↑ "Photographs from the Museum Collection". The Museum of Modern Art. Museum of Modern Art. Retrieved 2021-01-27.
  13. ↑ Doe, Doug. "Research Guides: Museum of Art, 1926-2025: 1956-1960". risd.libguides.com. Retrieved 2021-01-27.
  14. ↑ RISD Museum of Art exhibition “Urban America, 1930–1970,” Friday, December 1, to February 25, 2007 Archived 2018-08-04 at the Wayback Machine
  15. ↑ "On Exhibit". Bert Gallery. 2009. Archived from the original on 2014-08-22. Retrieved 2021-01-27.
  16. ↑ "The Phoenix > Museum And Gallery > Photos: Documenting a Moment, a Place, an Era". events.thephoenix.com. Retrieved 2021-01-27.
  17. ↑ "2011 Gallery Night Season". www.goprovidence.com. 2011-10-12. Retrieved 2021-01-27.
  18. ↑ Janet Butler, "R.I. art galleries, exhibits, May 18 weekend", Providence Journal, May 17, 2017
  19. ↑ Channing Gras, "Carmel Vitullo’s candid photos of midcentury R.I. on exhibit in Providence, Warwick", Providence Journal, May 10, 2017
  20. ↑ "The Providence Album, Vol I: Carmel Vitullo and Harry Callahan". rihumanities.org. Retrieved 2021-01-27.
  21. ↑ "Carmel E. Vitullo. Newport Jazz Festival. 1940-58 | MoMA". The Museum of Modern Art. Retrieved 2021-01-30.
  22. ↑ ""Street Pose", Providence, RI | RISD Museum". risdmuseum.org. Retrieved 2021-01-27.
  23. ↑ Bert Gallery exhibition Carmel Vitullo: Rhode Island 1950 - 1960, July 14th - August 28th, 2009
  24. ↑ "Archives". Clervaux - cité de l'image. Retrieved 2021-01-27.
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