Carmen Beuchat | |
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| Born | Carmen Luz Beuchat Leiva 27 December 1941 Santiago, Chile |
| Alma mater | University of Chile |
| Occupation(s) | Choreographer, dancer |
| Awards | Pablo Neruda Order of Artistic and Cultural Merit (2005) |
| Website | carmenbeuchat |
Carmen Luz Beuchat Leiva (born 27 December 1941) is a Chilean artist, choreographer, and dancer recognized for her development of postmodern dance in the United States during the 1960s and 1970s.
Carmen Beuchat was born in Santiago, Chile in 1941. She began her career in classical and modern dance as a student of Yerka Luksic, at four years of age. [1] She continued her studies at the Dance School of the University of Chile with professors such as Patricio Bunster , Joan Turner, and Sigurd Leeder. [2]
In 1964 she formed Trío 65, the first Chilean independent dance company, with dancers Gaby Concha and Rosa Celis. [3] Towards the end of the same decade, she migrated to the United States, actively participating in the New York art scene. A founding member of the collective The Natural History of the American Dancer, [4] Carmen Beuchat developed a link between her visual and choreographic work with a strong emphasis on spatial composition, incorporating the use of mobile structures in her choreography, presenting her work in spaces such as the 112 Greene St. Gallery, Whitney Museum, The Kitchen, Judson Church, Everson Museum of Art, and the Bronx Museum, among many others. [5] [6]
During her life, Carmen Beuchat has collaborated with artists such as Juan Downey, Gordon Matta-Clark, Richard Nonas, and Enrique Castro-Cid. [5] She was an assistant to Robert Rauschenberg, danced in the first company of Trisha Brown, [6] and in Kei Takei's Moving Earth Dance Company. She participated in projects with Jaime and Alfonso Barrios and photographer Marcelo Montealegre.
In Chile she is recognized as the originator of contact improvisation and other postmodern dance techniques. In the midst of the military dictatorship, during her trips to Chile in 1977 and 1985, she conducted dance workshops promoting an aesthetic transformation in the local scene, promoting a philosophy of democratization around the body in movement. [7]
In the 1990s she settled in Chile, serving as director of the Dance School of University ARCIS, and generating a series of creative and educational projects in Santiago and Valparaíso. [6]
She currently lives in Quetroleufú, Araucanía Region, where she receives constant visits from students, dancers, and creators.
Valparaíso is a major city, commune, seaport and naval base facility in Valparaíso Region, Chile.
Juan Downey was a Chilean artist who was a pioneer in the fields of video art and interactive art.
Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance.
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Rosario Orrego Castañeda, also known as Rosario Orrego de Uribe, Rosario Orrego de Chacón, and by her pseudonym Una Madre, was a Chilean novelist, poet, editor, and educator. She is considered Chile's first woman novelist, a pioneer in the poetic field in that country, and one of the forerunners of women's literature in Hispanic America.
Ximena Morla Lynch (1891–1987), also known as Ximena Morla de Subercaseaux, was a Chilean feminist writer and painter. The daughter of writer Luisa Lynch and conservative politician Carlos Morla Vicuña, she had five siblings, including Carlos, a diplomat, and Carmen, a writer. Her granddaughter is the novelist Elizabeth Subercaseaux.
Roser Bru Llop was a Spanish-born Chilean painter and engraver associated with the neo-figurative art movement.
The Pablo Neruda Order of Artistic and Cultural Merit was created in 2004 by the National Council of Culture and the Arts of the government of Chile, as part of the commemoration of the 100th anniversary of the birth of Chilean poet Pablo Neruda.
Paz Errázuriz is a Chilean photographer. Errázuriz documented marginalized communities such as sex workers, psychiatric patients, and circus performers during the military dictatorship of Chile. Errázuriz's has said about her work: "They are topics that society doesn't look at, and my intention is to encourage people to dare to look." She was a teacher at a primary school when Augusto Pinochet overtook Chile's Presidential Palace in 1973, inspiring her to begin her photography career. She is the co-founder of the Association of Independent Photographers (AFI). Originally titled the "Asociación de Fotógrafos Independientes," she helped create the AFI in 1981 to make it easier for artists in Chile to find legal support and organize group art shows.
Sylvia Palacios Whitman is a Chilean-American artist, painter, sculptor, and performer.
Álvaro Casanova Zenteno was a prominent marine painter and of historic naval warfare, a statesman his art is classified as realist, expressionist, classical, and romantic.
Elvira Hernández is a Chilean poet, essayist, and literary critic.
Juana Ross Edwards was a Chilean philanthropist. She built and maintained three hospitals, six nursing homes, a hospice, an orphanage, and countless schools.
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