The Changos, also known as Camanchacos or Camanchangos, are an Indigenous people or group of peoples who inhabited a long stretch of the Pacific coast from southern Peru to north-central Chile, including the coast of the Atacama desert. Although much of the customs and culture of the Chango people have disappeared and in many cases they have been considered extinct, in Chile they are legally recognized as an original indigenous people since 2020, and about 4,725 people self-declare that they belong to this ethnic group.
The Diaguita people are a group of South American indigenous people native to the Chilean Norte Chico and the Argentine Northwest. Western or Chilean Diaguitas lived mainly in the Transverse Valleys that incise semi-arid mountains. Eastern or Argentine Diaguitas lived in the provinces of La Rioja and Catamarca and part of the provinces of Salta, San Juan and Tucumán. The term Diaguita was first applied to peoples and archaeological cultures by Ricardo E. Latcham in the early 20th century.
Luis Enrique Tábara was a master Ecuadorian painter and teacher representing a whole Hispanic pictorial and artistic culture.
The Gate of the Sun, also known as the Gateway of the Sun (in older literature simply called " monolithic Gateway of Ak-kapana", is a monolithic gateway at the site of Tiahuanaco by the Tiwanaku culture, an Andean civilization of Bolivia that thrived around Lake Titicaca in the Andes of western South America around 500-950 AD.
The Larco Museum is a privately owned museum of pre-Columbian art, located in the Pueblo Libre District of Lima, Peru. The museum is housed in an 18th-century vice-royal building. It showcases chronological galleries that provide a thorough overview of 5,000 years of Peruvian pre-Columbian history. It is well known for its gallery of pre-Columbian erotic pottery.
The Pre-Columbian Art Museum is an art museum in Cusco, Peru, dedicated to the display of archaeological artifacts and examples of pre-Columbian artworks drawn from all regions of pre-Columbian Peru. The museum is situated on Plazoleta de las Nazarenas in Cusco's San Blas district, and has on permanent display exhibitions of some 450 individual representative artifacts that are drawn from the wider collection of its parent museum, the Larco Museum in the Peruvian capital Lima.
The Museu Barbier-Mueller d'Art Precolombí was the only museum in Europe devoted exclusively to the artistic legacy of the pre-Columbian cultures of the Americas. It was located in the Catalan capital of Barcelona, Spain. The museum was established in 1997 to house the pre-Columbian art collection formerly held by its parent museum, the Barbier-Mueller Museum in Genève, Switzerland, which was loaned to the city of Barcelona. In 2012, the museum was unable to reach a purchase agreement with the collection's owner Jean Paul Barbier-Mueller. Subsequently, the world's most important Pre-Columbian collection in private hands was split and auctioned at Southeby's on 22 March 2013.
Museo de Arte Precolombino (Spanish) or Pre-Columbian Art Museum (English) may refer to:
The Pre-Columbian Gold Museum is a museum in San José, Costa Rica. It is located in a subterranean building underneath the "Plaza de la Cultura" and is owned and curated by the Banco Central de Costa Rica. The museum has an archaeological collection of 3,567 Pre-Columbian artifacts made up of 1,922 ceramic pieces, 1,586 gold objects, 46 stone objects, 4 jade, and 9 glass or bead objects. The gold collection dates from 300 to 400 BC to 1550 AD. The collection includes animal figurines, amulets, earrings, erotic statuettes and several dioramas including El Guerrero, a life sized gold warrior figure adorned with gold ornaments in a glass case and a detailed scale model of a Pre-Columbian village. There is also a replica of a pre-Columbian grave containing 88 gold objects which was unearthed on a banana plantation in southeastern Costa Rica in the 1950s. In Costa Rican history, gold was considered a symbol of authority and the items are testament to the craftmanship of the Pre-Columbian period.
The Plaza de Armas is the main square of Santiago, the capital of Chile. Plaza de Armas metro station is located under the square. Surrounding the square are some historic buildings, including the Metropolitan Cathedral of Santiago, Central Post Office Building, Palacio de la Real Audiencia de Santiago, and the building that serves as the seat of local government for Santiago, which was formerly occupied by the Cabildo of the city before being remodeled. There are also other architecturally significant buildings that face the square, including the Capilla del Sagrario, the Palacio arzobispal, the Edificio Comercial Edwards, and the Portal Fernández Concha. The Casa Colorada, the Cuartel General del Cuerpo de Bomberos de Santiago and the Museo Chileno de Arte Precolombino are located a short walk from the square.
The Palacio de los Tribunales de Justicia de Santiago is the building housing the Supreme Court of Chile, the Court of Appeals of Santiago, and the Court-martial Court of the Chilean Army, Chilean Air Force and Carabineros de Chile. It occupies a full block-front of Compañía Street between Bandera and Morandé Streets. The building diagonally faces the Palacio de la Real Aduana, which houses the Museo Chileno de Arte Precolombino, and Montt Varas Square sits in front.
Samy Mauricio Benmayor Benmayor is a Chilean painter who formed part of the Generation of '80 movement.
Carlos Eduardo Maturana Piña, better known by his artistic pseudonym Bororo, is Chilean artist born in Santiago, Chile, on November 10, 1953. Along with Samy Benmayor, Omar Gatica, Matías Pinto D'Aguiar and Ismael Frigerio among others, he formed part of Chilean art’s 80s Generation. Bororo was his childhood nickname.
Laura Rodig was a Chilean painter, sculptor, illustrator and educator. She was one of the leaders of the Pro-Emancipation Movement of Chilean Women (MEMCH).
The Museum of Pre-Columbian and Indigenous Art is an ethnographic museum located in Ciudad Vieja, Montevideo, Uruguay, dedicated to the indigenous cultures of different parts of Latin America.
Cecilia Puga is a Chilean architect, educator and the director of the Chilean Museum of Pre-Columbian Art.
Sergio Larraín García-Moreno was a Chilean architect, founder of the Chilean Museum of Pre-Columbian Art. He is considered among the most important exponents of the generation of architects who traveled to Europe and came into contact with Le Corbusier, the Bauhaus design school and the artistic trends of the modern movement. This experience definitely marked his professional career, which stood out for his innovative and avant-garde nature.
Ernesto David Durán Castro is a Chilean visual artist, ceramic craftsman and sculptor. His work focuses mainly on pottery and ceramics from pre-Columbian cultures, along with the representation of the ancestral human figure. His technique is inspired by his artisan family heritage of santeros and potters.
Plaza de Armas 
