A snuff tray, also known as a snuff tablet, is a hand-carved tablet or tray that was made for the purpose of inhaling a psychoactive drug (also referred to as being hallucinogenic, entheogenic, or psychedelic), in the form similar to tobacco snuff prepared as a powder using a snuff tube. Snuff trays are best-known from the Tiwanaku culture of the Andes in South America. The principal substance thought to have been inhaled was known as willka ( Anadenanthera colubrina ), also referred to as cebil, and known as yopó in northern South America and cohoba in the Greater Antilles, where it was also prepared from other species of the genus Anadenanthera .
Most snuff trays are made of wood. Some are made of stone or bone, though there are very few examples of these materials being used. [1] Snuff trays are rectangular or trapezoidal in shape, depending on what style they are and have a shallow cavity running through them. [1] Their shape relates to the region as well as the culture that they originate from. Most snuff trays have been associated with the Tiwanaku (Tiahuanaco) or the Wari (Huari) culture. They may be decorated with intricate. hand-carved designs on one end as well as on the sides. Snuff trays with carvings represent iconographic motifs that are found in Tiwanaku and Wari art. [1]
Scientists have tried to categorize these trays based on carvings, geographical significance, time periods and stylistic features. [1] Yet, many trays do not fully represent one style or the other because they are "blank" or lacking significant stylistic features to differentiate them from one style or the other. [1] Snuff trays lacking significant stylistic features make up about 90% of the snuff tray collection to date. [1] Due to this there are mainly two styles of snuff trays. One being the Tiwanaku (Tiahuanaco) style which scientists refer to as the Southern Andean Iconographic style or SAIS. [1] The Tiwanaku (SAIS) style is characterized by a trapezoidal shape, incurving sides and sharp top corners. [1] There are very few snuff trays that represent the Tiwanaku (SAIS) style which makes up about 10% of the collection. [1] While the other 90% are from the Wari (Huari) culture which scientists refer to as the San Pedro de Atacama style or SPA. [1] Due to the abundance of non-Tiwanaku style snuff trays some scientists have tried to better categorize Wari (SPA) trays by creating sub-categories. They have separated the collection from the San Pedro de Atacama (SPA) region into two groups. The first group is referred to as the Circumpueño style. [1] The Circumpueño style trays have been identified through anthropomorphic (human) and zoomorphic (animal) figures performing ceremonial acts or rituals. [1] These trays have been dated back to the Late Intermediate period [1] (100A.D.-1450). The second style of snuff tray is referred to by scientists as the San Pedro style. [1] This style of tray is identified through carved human figures that are not decorated. [1] Scientists have dated San Pedro style trays to the Late Formative period (3500-2000 B.C.) the Middle Horizon (A.D. 700-1000) and the Late Intermediate periods (A.D. 1000-1200). [1] Though these categorize have helped scientists condense the 90% of trays lacking significant stylistic features to 50%, scientists are still lacking distinctive evidence to categorize the remaining trays. [1]
Archaeologists encountered snuff trays while excavating underground tombs and sites in the San Pedro de Atacama region as well as the southern central Andes. [2] Snuff trays were found buried with the elites of ancient societies in their tombs along with other valuable items that lower socioeconomic peoples would not have had access to. [3] Along with snuff trays these mummies have been found with inhaling tubes, spatulas, mortars and pestles, and snuff powder containers. [2] In addition, snuff trays have been found in statues or monolith depictions of mythical ancestral elites or ancestral rulers at Tiwanaku [3] Only so-called presentation monoliths (statues holding a Qiru in the one hand and a snuff tray in the other hand) are holding a snuff tray in one of their hands. [3] Those monoliths are found exclusively at Tiwanaku. [4] This evidence points to snuff trays as having a huge significance in the society and culture of the Tiwanaku state because of their existence. Due to this evidence, scientists and archeologists have concluded that snuff trays were a very significant part of society, culture and the socioeconomic class structure of higher up elite individuals. [3]
Snuff trays were used to inhale hallucinogenic drugs, mainly willka and yopo . [5]
Tiwanaku is a Pre-Columbian archaeological site in western Bolivia, near Lake Titicaca, about 70 kilometers from La Paz, and it is one of the largest sites in South America. Surface remains currently cover around 4 square kilometers and include decorated ceramics, monumental structures, and megalithic blocks. It has been conservatively estimated that the site was inhabited by 10,000 to 20,000 people in AD 800.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
In "Southern Andean Iconographic Series" the Staff God pose is a religious icon and a standardized pose reminiscent in its way of the standardized poses in Byzantine art. The pose shows a front-facing human or human-like figure with vertical attributes, one in each hand. There is no uniform representation of a "Staff God". Dozens of variations of "Staff Gods" exist. Some scholars think that some of these personages are possible depictions of Viracocha or Thunupa. However, there is little evidence to support the idea that these front-facing figures do represent deities. Some researchers point to their attributes and spatial organization which seem to indicate that they are ritual practitioners. Some attributes in their hands were identified as Qirus, Snuff trays and Spear-throwers. The "rays" radiating or sprouting out of the faces of Tiwanaku front-facing figures appear to have approximately the value of an aureole. They may represent flows and distribution of energy. At the Wari site of Conchopata a vessel was found which shows a Staff God in which the "rays" can be interpreted as a Anadenanthera colubrina tree sprouting from its head whereas the circular elements do represent its seed pods.
The Wari were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
Cohoba is a Taíno transliteration for a ceremony in which the ground seeds of the cojóbana tree were inhaled, the Y-shaped nasal snuff tube used to inhale the substance, and the psychoactive drug that was inhaled. Use of this substance produced a hallucinogenic, entheogenic, or psychedelic effect. The cojóbana tree is believed by some to be Anadenanthera peregrina although it may have been a generalized term for psychotropics, including the quite toxic Datura and related genera (Solanaceae). The corresponding ceremony using cohoba-laced tobacco is transliterated as cojibá. This was said to have produced the sense of a visionary journey of the kind associated with the practice of shamanism.
Bufotenin is a tryptamine derivative, more specifically, a DMT analog, related to the neurotransmitter serotonin. It is an alkaloid found in some species of mushrooms, plants and toads, especially the skin.
The Chachapoyas, also called the "Warriors of the Clouds", was a culture of the Andes living in the cloud forests of the southern part of the Department of Amazonas of present-day Peru. The Inca Empire conquered their civilization shortly before the Spanish conquest in the 16th century. At the time of the arrival of the conquistadors, the Chachapoyas were one of the many nations ruled by the Incas, although their incorporation had been difficult due to their constant resistance to Inca troops.
Anadenanthera colubrina is a South American tree closely related to yopo, or Anadenanthera peregrina. It grows to 5–20 m (16–66 ft) tall and the trunk is very thorny. The leaves are mimosa-like, up to 30 cm (12 in) in length and they fold up at night. In Argentina, A. colubrina produces flowers from September to December and bean pods from September to July. In Brazil A. colubrina has been given "high priority" conservation status.
Constantino Manuel Torres, known as Manuel Torres, is an archaeologist and ethnobotanist specialising in the ethnobotany of pre-columbian South America and the Caribbean. In particular, he has shed much light on the Taíno use of Anadenanthera snuff Cohoba, its paraphernalia and associated archaeology.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design. The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
The Chakana is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square. Chakana means 'bridge', and means 'to cross over' in Quechua. The Andean cross motif appears in pre-contact artifacts such as textiles and ceramics from such cultures as the Chavín, Wari, Chancay, and Tiwanaku, but with no particular emphasis and no key or guide to a means of interpretation. The anthropologist Alan Kolata calls the Andean cross "one of the most ubiquitous, if least understood elements in Tiwanaku iconography". The Andean cross symbol has a long cultural tradition spanning 4,000 years up to the Inca Empire.
The Sarcophagi of Carajía are unusually large pre-Inca Chachapoyas culture sarcophagi at the archaeological site of Carajía in the Utcubamba Valley, located 18 km northwest of the city of Chachapoyas, Peru in Luya Province, Amazonas Region. The site contains eight Chachapoyan mummies located on a cliffside, referred to by local residents as the “ancient wise men”.
The Atacama people, also called Atacameño, are an Indigenous people from the Atacama Desert and altiplano region in the north of Chile and Argentina and southern Bolivia, mainly the Antofagasta Region.
The Wari Empire or Huari Empire was a political formation that emerged around 600 AD (CE) in Peru's Ayacucho Basin and grew to cover much of coastal and highland Peru. The empire lasted for about 500 years, until 1100 CE. It existed during the same era as the Tiwanaku culture, and at one time, was thought to have been derived from it. In 2008, archeologists found a precolumbian city, the Northern Wari ruins near modern Chiclayo. The find was the first extensive settlement related to the Wari culture discovered that far north. Archaeological discoveries have continued over the past decade. In 2023, archaeologists discovered a 1200-year-old Wari ritual complex in Arequipa. While more discoveries are being made regarding the Wari Empire, archaeologists are able to draw more conclusions about the Wari Empire's culture.
Pumapunku or Puma Punku is a 6th-century T-shaped and strategically aligned man-made terraced platform mound with a sunken court and monumental structure on top that is part of the Pumapunku complex, at the Tiwanaku Site near Tiwanacu, in western Bolivia. The Pumapunku complex is an alignment of plazas and ramps centered on the Pumapunku platform mound. Today the monumental complex on top of the platform mound lies in ruins.
Heather Lechtman is an American materials scientist and archaeologist, and Director at the Center for Materials Research in Archaeology and Ethnology (CMRAE) at the Massachusetts Institute of Technology. She specializes in prehistoric technology of the Andean area of South America, and in particular metallurgy.
The Andean civilizations were South American complex societies of many indigenous people. They stretched down the spine of the Andes for 4,000 km (2,500 mi) from southern Colombia, to Ecuador and Peru, including the deserts of coastal Peru, to north Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of coastal Peru is the oldest known civilization in the Americas, dating back to 3500 BCE. Andean civilization is one of the six "pristine" civilizations of the world, created independently and without influence by other civilizations.
The history of human habitation in the Andean region of South America stretches from circa 15,000 BCE to the present day. Stretching for 7,000 km (4,300 mi) long, the region encompasses mountainous, tropical and desert environments. This colonisation and habitation of the region has been affected by its unique geography and climate, leading to the development of unique cultural and socn.
The Tiwanaku Polity was a Pre-Columbian polity in western Bolivia based in the southern Lake Titicaca Basin. Tiwanaku was one of the most significant Andean civilizations. Its influence extended into present-day Peru and Chile and lasted from around 600 to 1000 AD. Its capital was the monumental city of Tiwanaku, located at the center of the polity's core area in the southern Lake Titicaca Basin. This area has clear evidence for large-scale agricultural production on raised fields that probably supported the urban population of the capital. Researchers debate whether these fields were administered by a bureaucratic state (top-down) or through a federation of communities with local autonomy. Tiwanaku was once thought to be an expansive military empire, based mostly on comparisons to the later Inca Empire. However, recent research suggests that labelling Tiwanaku as an empire or even a state may be misleading. Tiwanaku is missing a number of features traditionally used to define archaic states and empires: there is no defensive architecture at any Tiwanaku site or changes in weapon technology, there are no princely burials or other evidence of a ruling dynasty or a formal social hierarchy, no evidence of state-maintained roads or outposts, and no markets.