Carol Haerer | |
|---|---|
 Carol Haerer in 1974 | |
| Born | Jan 23, 1933 [1] Salina, Kansas, USA |
| Died | July 20, 2002 Bennington, VT, USA |
| Nationality | American |
| Education | University of Nebraska, Lincoln; Sorbonne, Paris; University of California, Berkeley |
| Known for | Lyrical abstraction, Minimalism |
| Style | Abstract painting |
| Spouse | Phillip Wofford |
| Awards | Guggenheim Fellowship |
Carol Haerer (1933-2002) was an American artist known for abstract painting in the vein of Minimalism and Lyrical abstraction.
Haerer is best known for her White Painting series of works. [2] Her work was included in the Lyrical Abstraction exhibition at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. [3] In 1990, the Rothko Foundation at Artists Space sponsored a three-person exhibition of Ed Clark, Carol Haerer and Ted Kanshare, which was reviewed by Arts Magazine. [4] [5] Her large-scale paintings were often stretched on supports with rounded corners, creating a sense of objecthood with luminous surface quality. [6]
Haerer graduated from the University of Nebraska, Lincoln in 1954, and went on receive a Fulbright Fellowship to attend the Sorbonne in Paris for two years. She then attended the University of California, Berkeley, where she received a Masters of Fine Arts. [7]
Haerer received a Guggenheim Fellowship for Creative Art in 1988. [8]
Her work is included in the collections of the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, [9] the Brooklyn Museum, [10] the Sheldon Museum of Art, [2] the Spencer Museum of Art, [11] the Museum of Nebraska Art, [12] the Hood Museum, [13] the Zimmerli Art Museum, [14] and other collections. [15] [16]
Agnes Bernice Martin was an American abstract painter known for her minimalist style and abstract expressionism. Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950. Martin's artistic journey began in New York City, where she immersed herself in modern art and developed a deep interest in abstraction. Despite often being labeled a minimalist, she identified more with abstract expressionism. Her work has been defined as an "essay in discretion, inwardness and silence."
The Sheldon Museum of Art is an art museum in the city of Lincoln, in the state of Nebraska in the Midwestern United States. Its collection focuses on 19th- and 20th-century art.
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Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting:
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