Caroline Monnet | |
---|---|
Born | Ottawa, Ontario, Canada | April 3, 1985
Nationality | Kitigan Zibi Anishinabeg First Nation, Canadian, French [1] |
Education | University of Ottawa B.A. |
Website | carolinemonnet |
Caroline Monnet is an Anishinaabe French and Canadian contemporary artist and filmmaker known for her work in sculpture, installation, and film. [2]
Monnet is a multidisciplinary contemporary artist and filmmaker based in Montreal, Quebec, Canada. She grew up in both Douarnenez, France, and Outaouais, Quebec, Canada.
Her father emigrated to Canada from France, and Monnet has French citizenship through him. [1] Her mother is Canadian and a member of the Kitigan Zibi First Nation. [1]
She is the younger sister of artist and playwright Émilie Monnet. [3]
Monnet has B.A in communications and sociology from the University of Ottawa and has studied at the University of Granada in Spain. She is an alumnus of the Berlinale Talents and TIFF Talent Lab 2016. [4]
Much of her work explores her Algonquin (Quebec) and French (France) heritage. [5] [6]
Monnet began her film career making short films. In 2010, Caroline Monnet released the short film Warchild, which made its debut at the Présence Authochtone Montréal First Peoples' Festival in August 2011. [7] In 2012, Monnet released Gephyrophobia, a short film about two individuals sharing the Outaouais River that was featured at Talent Tout court at Cannes Film Festival. [2] In 2014, Monnet's short film, The Black Case, was screened at the Vancouver Latin American Film Festival; this piece uses inspiration from real events to demonstrate the unbearable traumas experienced in residential schools. [8]
She was nominated for a Canadian Screen Awards for Best Short Drama for Roberta (2014) and Best Short Documentary for Tshiuetin (2016). [9] [10] In 2015, released a short film, Mobilize, which uses old footage from the National Film Board of Canada archives, set to a score by Tanya Tagaq. [11] [12] She won a Golden Sheaf Award at the Yorkton Film Festival for Best Experimental Film for Mobilize. [13]
Her first feature film entitled Bootlegger produced by Microclimat Films was selected for both CineMart and Berlinale Co-Production Market 2016. [14] [15] She was the first Canadian filmmaker selected for the 33rd session of the prestigious Cannes Film Festival's Cinéfondation residency in Paris (from October 2016 to February 2017). [16] Monnet is also a founding member of the Aboriginal digital arts collective ITWÉ. [17]
In 2017, Monnet released her documentary entitled Emptying the Tank through CBC. [18]
In 2019, she was one of seven directors, alongside Kaveh Nabatian, Juan Andrés Arango, Sophie Deraspe, Karl Lemieux, Ariane Lorrain and Sophie Goyette, to direct segments of the anthology film The Seven Last Words (Les sept dernières paroles). [19]
Monnet is one of the co-founders of daphne, the first Indigenous artist-run centre in Québec, along with Skawennati, Hannah Claus and Nadia Myre. [20]
Monnet is primarily a self-taught artist. [21] This allows her to approach her art with a level of freedom and naivety. Although Monnet wishes she had returned to school to pursue her arts, she strongly believes that the most valuable lessons are not taught in school. [2] She is widely known for her sculpting, work in film and installation.
Monnet's work in film, painting, and sculpture deals with complex ideas around Indigenous identity and bicultural living through the examination of cultural histories. [22] She is interested in themes of identity, representation, and modernity. [21] Monnet has made a signature for working with industrial materials, combining the vocabulary of popular and traditional visual culture with the tropes of modernist abstraction to create unique hybrid forms. [21]
Her works have been exhibited at the Palais de Tokyo (Paris) and Haus der Kulturen der Welt (Berlin), as part of Rencontres Internationales (Paris/Berlin/Madrid), Axenéo7, Plug in ICA, Arsenal Montréal, Arsenal Contemporary NY, Walter Phillips Gallery, Winnipeg Art Gallery, McCord Museum, and Museum of Contemporary Art (Montréal) among others. [23]
Movie | Year | |
---|---|---|
Warchild | 2010 | [7] |
Gephyrophobia | 2012 | [2] |
Roberta | 2014 | |
The Black Case | 2014 | [8] |
Tshiuetin | 2016 | |
Emptying the Tank | 2018 | [18] |
Bootlegger | 2021 |
Alanis Obomsawin, is an Abenaki American-Canadian filmmaker, singer, artist, and activist primarily known for her documentary films. Born in New Hampshire, United States and raised primarily in Quebec, Canada, she has written and directed many National Film Board of Canada documentaries on First Nations issues. Obomsawin is a member of Film Fatales independent women filmmakers.
Michelle Latimer is a Canadian actress, director, writer, and filmmaker. She initially rose to prominence for her role as Trish Simkin on the television series Paradise Falls, shown nationally in Canada on Showcase Television (2001–2004). Since the early 2010s, she has directed several documentaries, including her feature film directorial debut, Alias (2013), and the Viceland series, Rise, which focuses on the 2016 Dakota Access Pipeline protests; the latter won a Canadian Screen Award at the 6th annual ceremony in 2018.
Tshiuetin Rail Transportation Inc. is a rail company that owns and operates a 217-kilometre (135 mi) Canadian regional railway that stretches through the wilderness of western Labrador and northeastern Quebec. It connects Emeril, Labrador with Schefferville, Quebec, on the interprovincial boundary. The company also operates a 356-kilometre (221 mi) railway that connects Sept-Îles, Quebec to Emeril. The company is the first railway in North America owned and operated by Indigenous peoples, specifically by the Innu Nation of Matimekush-Lac John, the Naskapi Nation of Kawawachikamach, and the Innu Takuaikan Uashat Mak Mani-Utenam.
The imagineNATIVE Film + Media Arts Festival is the world's largest Indigenous film and media arts festival, held annually in Toronto. The festival focuses on the film, video, radio, and new media work of Indigenous, Aboriginal and First Peoples from around the world. The festival includes screenings, parties, panel discussions, and cultural events.
Anne Émond is a Canadian film director and screenwriter, currently based in Montreal, Quebec.
Searchers is a 2016 Inuktitut-language Canadian drama film directed by Zacharias Kunuk and Natar Ungalaaq, which premiered at the Toronto International Film Festival. Based in part on the 1956 John Ford film The Searchers, the film is set in Northern Canada in 1913. It centres on Kuanana, a man who returns from hunting to discover that much of his family has been killed and his wife and daughter have been kidnapped.
Blind Vaysha is a 2016 animated short by Theodore Ushev, produced by Marc Bertrand for the National Film Board of Canada, with the participation of ARTE France. Based on a story by Georgi Gospodinov, the film tells the story of a girl who sees the past out of her left eye and the future from her right—and so is unable to live in the present. Montreal actress Caroline Dhavernas performed the narration for the film, in both its French and English language versions. The film incorporates music from Bulgarian musician and composer Kottarashky and is his and Ushev's fourth collaboration.
Amanda Strong is a stop-motion animation filmmaker who resides inVancouver, Canada. She has exhibited work and her films have been screened at festivals worldwide, including Cannes Film Festival, Toronto International Film Festival, Vancouver International Film Festival, and the Ottawa International Animation Festival. Strong is Red River Metis and a member of the Manitoba Metis Federation. Michif (Métis).
Tshiuetin is a 2016 Canadian short documentary film directed by Caroline Monnet.
Hochelaga, Land of Souls is a 2017 Canadian historical drama film directed and written by François Girard and starring Gilles Renaud, Samian and Tanaya Beatty. Dramatizing several centuries of Quebec history and the local history of Montreal in particular, the story depicts Quebec archaeology revealing the past of indigenous peoples, explorers and 1837 rebels.
Deragh Campbell is a Canadian actress and filmmaker. She is known for her acclaimed performances in independent Canadian cinema. Her collaborations with filmmaker Sofia Bohdanowicz—Never Eat Alone (2016), Veslemøy's Song (2018), MS Slavic 7 (2019), and Point and Line to Plane (2020)—have screened at film festivals internationally. Campbell has also starred in three of Kazik Radwanski's feature films; she played a small role in How Heavy This Hammer (2015), the lead role in Anne at 13,000 Ft. (2019), and opposite Matt Johnson in Matt and Mara (2024).
Meryam Joobeur is a Tunisian Canadian film director. She is most noted for her 2018 short film Brotherhood (Ikhwène), which won the Toronto International Film Festival Award for Best Canadian Short Film at the 2018 Toronto International Film Festival and was nominated for the Academy Award for Best Live Action Short Film at the 92nd Academy Awards.
Beans is a 2020 Canadian drama film directed by Mohawk-Canadian filmmaker Tracey Deer. It explores the 1990 Oka Crisis at Kanesatake, which Deer lived through as a child, through the eyes of Tekehentahkhwa, a young Mohawk girl whose perspective on life is radically changed by these events.
Sophie Goyette is a Canadian film director and screenwriter. She is most noted for her 2012 short film The Near Future , which was a Canadian Screen Award nominee for Best Live Action Short Drama at the 1st Canadian Screen Awards, and a Prix Jutra nominee for Best Short Film at the 15th Jutra Awards.
Bootlegger is a Canadian drama film, directed by Caroline Monnet and released in September 2021. The film centres on Mani, an indigenous graduate student in university who returns to her reserve in Quebec to advocate for a community referendum banning the sale of alcohol, placing her at odds with Laura, a bootlegger who profits from the sale of alcohol in the community.
{{cite web}}
: CS1 maint: unfit URL (link)