Caroline Trevor | |
---|---|
Born | 1958 (age 65–66) England |
Occupation | Classical contralto |
Organizations |
Caroline Trevor (born 1958) is an English contralto, focused on early music and Baroque music in historically informed performance. She has been one of two alto voices in the award-winning ensemble The Tallis Scholars since 1982.
Trevor's first musical experience was singing in a church choir led by her father. [1] She has performed frequently with the singers and players of the Taverner Consort, [2] conducted by Andrew Parrott. [2] They recorded Bach cantatas such as Christ lag in Todes Banden, BWV 4. [2]
Since March 1982 Trevor has been one of two regular singers in the alto section of the a cappella ensemble The Tallis Scholars. [2] As of 3 November 2003, she had performed 800 concerts with the group, which had then given 1297 concerts; their 2000th concert was in September 2015. [3] [4] She is the wife of the ensemble's founder and director Peter Phillips. [5] The Tallis Scholars have focused on rarely performed music from the Renaissance to contemporary. [1] One example is their recording of three masses based on the same "Western Wind" secular tune, Western Wind Masses, by Tudor composers John Taverner, Christopher Tye and John Sheppard. [6] She has performed internationally with the ensemble, which has won prizes including Gramophone Awards during her tenure. [7] The Tallis Scholars celebrated their 25th anniversary in 1998 with a tour that included concerts at New York's Church of St. Ignatius Loyola, singing music by English composers of the Tudor period (Thomas Tallis, William Byrd, and William Mundy, among others), and by continental composers such as Palestrina and Nicolas Gombert. [5] James R. Oestreich of The New York Times noted that the group's "characteristic sound, bright, clear and balanced, has become a model for many other choirs". [5]
Trevor appeared as a soloist on a 1989 recording, Elizabethan Christmas Anthems, with the ensembles Red Byrd and the Rose Consort of Viols, singing William Byrd's Lullaby. [8] She subsequently was the soloist with the Rose Consort of Viols and lutenist Jacob Heringman on a 1992 recording, John Dowland's Lachrimae. [9] In 2011, she was the first woman to be engaged by St Paul's Cathedral in London for a singing position in the traditionally male cathedral choir, [10] breaking the tradition of male voices only which had been observed for nine centuries. [11] [12]
Alfred George Deller, CBE, was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
Thomas Tallis was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one of England's greatest composers, and is honoured for his original voice in English musicianship.
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century.
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could consist of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in the households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era, consort music was absorbed into chamber music.
Dame Carolyn Emma Kirkby, is an English soprano and early music specialist. She has sung on over 100 recordings.
The Taverner Choir, Consort and Players is a British music ensemble which specialises in the performance of Early and Baroque music. The ensemble is made up of a Baroque orchestra, a vocal consort and a Choir. Performers place emphasis on a historically informed performance practice and players work with restored or replicated period instruments.
Fretwork is a British consort of viols, established in 1985. It specialises in English music for viol consort from approximately the time of William Byrd to that of Henry Purcell, but also performs Renaissance and contemporary repertoire.
The Tallis Scholars is a British professional early music vocal ensemble established in 1973. Normally consisting of two singers per part, with a core group of ten singers, they specialise in performing a cappella sacred vocal music. The founder and conductor is Peter Phillips. The group has released over 60 discs through its own label, Gimell Records. In 2013 they were elected to the Gramophone Hall of Fame. In 2023, to mark the group's 50th anniversary, Gramophone published a special edition of its magazine, dedicated to The Tallis Scholars.
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English Renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class.
Phantasm is a viol consort currently based in Germany. It was founded in 1994 by Laurence Dreyfus. It catapulted into international prominence when its debut CD won a Gramophone Award for the Best Baroque Instrumental Recording of 1997. Since then, they have released seventeen further recordings, won several awards, and in the words of their website, "have become recognised as the most exciting viol consort active on the world scene today".
Andrew Carwood is the Director of Music at St Paul's Cathedral in London and director of his own group, The Cardinall's Musick.
Robin Blaze is a British countertenor.
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label.
The Rose Consort of Viols is an English ensemble of viol players who perform mainly early consort music, including works by Orlando Gibbons, John Dowland, and Henry Purcell.
David Skinner is a British musicologist and choir director. He works at the University of Cambridge, where he is the director of music at Sidney Sussex College and is an affiliated lecturer, teaching historical and practical topics from the medieval and Renaissance periods. He is the founder of the vocal consort Alamire, and the cofounder of the vocal ensembles Magdala and The Cardinall's Musick. He has produced more than 25 recordings. He has been associated with a number of award-winning projects.
Peter Thomas Nardone BA FRCO is primarily a freelance conductor, singer and composer. He has sung with the Monteverdi Choir, The King’s Consort and the Tallis Scholars. He has been Director of Music at Chelmsford Cathedral and was subsequently Organist and Director of Music at Worcester Cathedral.
Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.
Osbert Parsley was an English Renaissance composer and chorister. Few details of his life are known, but he evidently married in 1558, and lived for a period in the parish of St Saviour's Church, Norwich. A boy chorister at Norwich Cathedral, Parsley worked there throughout his musical career. He was first mentioned as a lay clerk, was appointed a "singing man" in c. 1534, and was probably the cathedral's unofficial organist for half a century. His career spanned the reigns of Henry VIII and all three of his children. After the Reformation of 1534, the lives of English church musicians changed according to the official policy of each monarch.
David Cordier is an English countertenor. He made an international career based in Germany, and appeared both in concert and opera. While focused on roles by Handel such as Radamisto, he has also performed in contemporary opera, including works by Aribert Reimann and Péter Eötvös.
Tessa Bonner was a soprano, specialising in repertoire of the Renaissance, Baroque and Classical eras. She sang with The Tallis Scholars for 25 years, with whom she recorded 37 albums and performed in 1,100 concerts. Bonner co-founded Musica Secreta, an ensemble specialising in performing the music of 17th century female composers.