Carrie Etter (born 1969) is an American-born poet, critic, and academic. Her work explores the articulation of trauma and grief through formal innovation in poetry, the craft of poetry (particularly prose poetry and ecopoetry), 20th and 21st-century poetry criticism, and the contemporary short story. She is internationally published.
Etter's work has been widely published and well reviewed internationally. In the UK, her poems have appeared on the Poetry Society website,[5] in The New Statesman, Poetry Review, The Rialto, The Times Literary Supplement, and elsewhere, while in the US her poems have appeared in The Iowa Review, The New Republic, Seneca Review, and many other journals. She is also an essayist and a critic. Her reviews of contemporary poetry have appeared in The Independent, The Guardian, and The Times Literary Supplement, among others. Etter has published essays on Peter Reading, W. B. Yeats, and Sherman Alexie.[6] Her published poetry collections have appeared with Seren Books and Shearsman Books.[7]
In 2025, Etter launched her own press, Fox and Star Books, aimed at publishing underrepresented poets. [8]
Form and Poetics
Etter's body of work is underpinned by her academic research. Within the craft of poetry, Etter focuses on the specific praxis of formal poetry and prose poetry. Much of her work examines how these forms can address grief and trauma, guilt and family. Etter is also heavily interested in ecopoetry; her work often represents a synthesis between grief and ecology in the face of climate disaster. Her critical work extends to 20th and 21st-century poetry, and the contemporary short story, a broad engagement with literary tradition.
Etter's work on the praxis of prose poetry is regularly cited in academic studies, such as Jane Monson's edited British Prose Poetry: The Poem without Lines (Palgrave, 2018) and Paul Hetherington and Cassandra Atherton's Prose Poetry: An Introduction (Princeton University Press, 2020). This recognition leads to frequent invitations to deliver talks and contribute essays on the subject, reflecting her expertise in both theory and practice. Etter's poems, exploring her core thematics, have been anthologised internationally (see Anthologies), and she is regularly invited to submit work for publication, as well as to conduct readings and workshops, sharing her approaches.
Etter is an outspoken advocate for widening participation in literature and creative writing. She regularly engages with the wider literary community through readings, workshop and collaborations with organisations such as the Bristol Poetry Institute and The Poetry Society.
For her practice in short stories, Etter was the recipient of an Author's Foundation Grant, as well as a Developing Your Own Creative Practice Grant from Arts Council England. This culmination of this funding is a longer piece of fiction, a novel titled All the Way Home, which is currently under submission.
Critical Reception
She won a 2010 London Awards for Art and Performance for a best first collection published in the UK and Ireland in the preceding year for The Tethers.[citation needed] In 2013, she received an Authors' Foundation grant from the Society of Authors for work on her third collection, Imagined Sons, which went on to be shortlisted for the Ted Hughes Award for New Work in Poetry by the Poetry Society.[7]
Of her most recent collection Grief's Alphabet, the poet Rishi Dastidar commented "Etter has the ability to floor you as she explores guilt(...) and makes every day observations that are anything but banal."[9]
Poetry collections
Subterfuge of the Unrequitable: Poets & Poets Press, 1998, ISBN978-0-937013-79-3 (pamphlet/chapbook)
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