Casa de los babys

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Casa de los Babys
Casa de los babys.jpg
Theatrical release poster
Directed by John Sayles
Screenplay byJohn Sayles
Produced by Alejandro Springall
Lemore Syvan
Starring Marcia Gay Harden
Maggie Gyllenhaal
Daryl Hannah
Susan Lynch
Mary Steenburgen
Lili Taylor
CinematographyMauricio Rubinstein
Edited byJohn Sayles
Music by Mason Daring
Production
companies
IFC Films
Springall Pictures
Distributed byIFC Films
Release dates
  • September 5, 2003 (2003-09-05)(Venice Film Festival)
  • September 19, 2003 (2003-09-19)(United States)
Running time
95 minutes
CountriesMexico
United States
LanguagesEnglish
Spanish
Budget$800,000
Box office$475,940

Casa de los Babys ("House of the Babies") is a 2003 drama film written, directed, and edited by filmmaker John Sayles. It features an ensemble cast, including Marcia Gay Harden, Maggie Gyllenhaal and Daryl Hannah.

Contents

Plot

The film tells the story of six white American women, impatiently waiting out their lengthy residency requirements in an unidentified South American country before picking up their adoptive babies.

Cast

Reception

Box-office and distribution

The film was first presented at the Venice Film Festival on September 5, 2003. [1]

The film was screened at various film festivals, including the Toronto International Film Festival, Canada; the Istanbul FilmOctober Film Week, Turkey; and others.

It opened both in New York City and Los Angeles on September 19, 2003. The first week's gross was $36,456 (nine screens) and the total receipts for the run were $475,940. In its widest release the film was featured in 71 theaters. The motion picture was in circulation 10 weeks. [2]

Critical response

Critic Stephen Holden, writing for The New York Times, liked the film message and wrote, "Casa de los Babys, adheres to the same essayistic format as many of its forerunners...Despite its emotionally loaded theme, the film is a scrupulously suds-free examination of motherhood as it is viewed in first- and third-world countries. The closest it gets to misty-eyed is in its panoramic shots of wide-eyed Latino infants who will soon be transported from a nation mired in poverty to a land of plenty ... the movie's even-handed portrayal of two cultures uneasily transacting the most personal business resonates with truth." [3]

Critic Roger Ebert lauded the film and wrote, "Sayles handles this material with gentle delicacy, as if aware that the issues are too fraught to be approached with simple messages. He shows both sides; the maid Asuncion gave up her baby and now imagines her happy life in El Norte, but we feel how much she misses her. The squeegee kids on the corner have been abandoned by their parents and might happily go home with one of these rich Americanas. Sayles sees like a documentarian, showing us the women, listening to their stories, inviting us to share their hopes and fears and speculate about their motives. There are no answers here, just the experiences of waiting for a few weeks in the Casa de los Babys." [4]

Critics Frederic and Mary Ann Brussat also liked the film's message and wrote, "The overall tone of Casa de los Babys promotes the spiritual practice of openness, which is the ability to see clearly, without preference or prejudice, and with empathy. Sayles continues his special mission of exploring the nuances that go into the creation of cross-cultural tensions and misunderstandings." [5]

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References

  1. ↑ Kaufman, Anthony (August 27, 2003). "Venice Year 60 — Our First Peek at Oscar Contenders and Critics Faves". IndieWire . Retrieved June 30, 2022.
  2. ↑ "Casa de los Babys (2003) - Financial Information". The Numbers . Retrieved January 27, 2008.
  3. ↑ Holden, Stephen (September 19, 2003). "FILM REVIEW; Six Characters in Search of an Infant". The New York Times . Retrieved January 27, 2008.
  4. ↑ Ebert, Roger (October 3, 2003). "Casa de los Babys movie review (2003)". RogerEbert.com . Retrieved January 27, 2008.
  5. ↑ Brussat, Frederic; Brussat, Mary Ann (2003). "Casa de los Babys". Spirituality & Practice. Retrieved January 27, 2008.
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