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Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
The Wednesday Play is an anthology series of British television plays which ran on BBC1 for six seasons from October 1964 to May 1970. The plays were usually original works written for television, although dramatic adaptations of fiction also featured. The series gained a reputation for presenting contemporary social dramas, and for bringing issues to the attention of a mass audience that would not otherwise have been discussed on screen.
The Stone Tape is a television play directed by Peter Sasdy and starring Michael Bryant, Jane Asher, Michael Bates and Iain Cuthbertson. It was broadcast on BBC Two as a Christmas ghost story in 1972. Combining aspects of science fiction and horror, the story concerns a team of scientists who move into their new research facility, a renovated Victorian mansion that has a reputation for being haunted. The team investigate the phenomena, trying to determine if the stones of the building are acting as a recording medium for past events. However, their investigations serve only to unleash a darker, more malevolent force.
Detective Lloyd (1932) is a 12-chapter Universal movie serial. A co-production between the American company Universal and the British company General Films, it was filmed entirely in Britain with British and Commonwealth actors. It was the only sound serial ever produced in the UK. Although a print was shown on British and Swedish TV as recently as the 1970s, the film is now considered lost.
Where Is Parsifal? is a 1984 British comedy film directed by Henri Helman and starring Tony Curtis, Cassandra Domenica, Erik Estrada, Peter Lawford, Ron Moody, Donald Plesence and Orson Welles.
Double Confession is a 1950 British crime film directed by Ken Annakin and starring Derek Farr, Joan Hopkins, William Hartnell and Peter Lorre. The screenplay, written by William Templeton, is based on the novel, All On A Summer's Day by HLV Fletcher, written under the pen name "John Garden".
Walter Summers (1892–1973) was a British film director and screenwriter.
Yes, Mr Brown is a 1933 British musical comedy film directed by Herbert Wilcox and starring Jack Buchanan, Hartley Power, Elsie Randolph and Margot Grahame. According to the Idaho Falls Post Register, the film was "gay catchy...entertainment with plenty of light comedy", in which "the manager of the Viennese branch of a large American toy firm [played by Buchanan] sets out to entertain his visiting boss [played by Power] in an effort to win a partnership." Yes, Mr. Brown is currently missing from the BFI National Archive, and is listed as one of the British Film Institute's "75 Most Wanted" lost films.
Dr. O'Dowd is a 1940 British drama film directed by Herbert Mason, produced by Sam Sax for Warner Bros and starring Shaun Glenville, Peggy Cummins, Felix Aylmer and Irene Handl. Set in Ireland, it focuses on Marius O'Dowd, an Irish doctor, who works to restore his relationship with his son after his daughter-in-law dies under O'Dowd's care. The film was the onscreen debut for Peggy Cummins, who was only thirteen at the time. It was well received by critics, and Cummins' role was the subject of particular praise. The film is currently missing from the BFI National Archive, and is listed as one of the British Film Institute's "75 Most Wanted" lost films.
London is a 1926 British silent romantic drama film, directed by Herbert Wilcox and starring Dorothy Gish. The film was adapted by Wilcox from a short story by popular author Thomas Burke. The British Film Institute considers this to be a lost film.
Kiss the Bride Goodbye is a 1945 British romantic comedy drama film directed by Paul L. Stein and starring Patricia Medina and Jimmy Hanley. Jean Simmons has an early role, almost two years before she achieved stardom in Great Expectations.
Lily of the Alley is a 1924 British silent film drama directed by Henry Edwards, who also starred in the film with his wife Chrissie White. Lily of the Alley was filmed in 1922 and given trade showings in early 1923, but its general release to cinemas was delayed until February 1924 due to various problems within the British film industry at the time.
The Vulture is a 1937 British quota quickie slapstick comedy film directed by Ralph Ince and starring Claude Hulbert, Hal Walters and Lesley Brook. The film proved very popular with audiences and the following year spawned a sequel The Viper, although this was much less successful.
Tip Toes is a 1927 British silent film comedy-drama, directed by Herbert Wilcox and starring Dorothy Gish and Will Rogers. The film is a loose adaptation of the stage musical Tip-Toes, with the action transferred from Florida to London.
This Man Is Dangerous is a 1941 British thriller film, directed by Lawrence Huntington and starring James Mason and Gordon McLeod. The film is based on the 1934 novel They Called Him Death by David Hume.
Linda is a 1960 British teen drama film, directed by Don Sharp and starring Carol White and Alan Rothwell.
Hammer the Toff is a 1952 British crime film directed by Maclean Rogers and starring John Bentley and Patricia Dainton. The film was based on the 1947 novel of the same name by John Creasey, the 17th in the series featuring upper-class sleuth Richard Rollinson, also known as "The Toff". This film and another Toff adaptation Salute the Toff were shot back-to-back at Nettlefold Studios in the summer of 1951 with identical production credits and many of the same actors. Hammer the Toff was issued to cinemas in March 1952 as the sequel to Salute the Toff. There would be no further entries in the series of films. Although it was once considered lost, appearing on the British Film Institute's "75 Most Wanted" list of missing British feature films, it was released on DVD in March 2016. It was produced by Ernest G. Roy.
Nobody Ordered Love is a lost 1972 British drama film directed by Robert Hartford-Davis and starring Ingrid Pitt, Judy Huxtable and Tony Selby.
The history of horror films is one that was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.
References
- ↑ Chibnall, Steve (2007). Quota Quickies: The Birth Of the British 'B' Film. BFI Publishing. p. 108. ISBN 978-1-844-57155-0.
- 1 2 "Castle Sinister / BFI Most Wanted". British Film Institute. Archived from the original on 3 August 2012. Retrieved 18 October 2010.
