Castlemorton Common Festival | |
---|---|
Genre | Breakbeat Hardcore, Techno, House, Anarcho-punk |
Dates | 22–29 May 1992 |
Location(s) | Malvern, Worcestershire, England |
Years active | 1992 |
Attendance | 20,000 – 40,000 |
The Castlemorton Common Festival was a week-long free festival and rave held in the Malvern Hills near Malvern, Worcestershire, England, between 22 and 29 May 1992. [1] The media interest and controversy surrounding the festival, and concerns as to the way it was policed, inspired the legislation that would eventually become the Criminal Justice and Public Order Act 1994. [2] [3]
In May 1992 Avon and Somerset Police tried to end the annual Avon Free Festival, which had been held in the Bristol area around the May Bank Holiday for several years. [4] As a result, hundreds of new age travellers en route to the area for the expected festival were shunted into neighbouring counties by Avon and Somerset's Operation Nomad police manoeuvres, with West Mercia Police deciding to confine them to common land at Castlemorton. [1]
The first travellers arrived on the common on 22 May, but the high-profile coverage in the national media only served to swell the crowd further as ravers from far afield made their way to join the festival, thus making it an impossible task for the authorities to close the event down. [3] An estimated 20,000–40,000 people gathered on Castlemorton Common for the party which lasted a full week, the biggest of its kind since the Stonehenge Free Festival in the mid-1980s. [5]
Castlemorton hosted many of the large sound systems of the time such as Bedlam, Circus Warp, Spiral Tribe and DiY Sound System, and bands such as Back To The Planet, Xenophobia (fronted by Spiral Tribe's MC Skallywag), AOS3 and Poisoned Electrick Head. [6] [7]
Simon Reynolds wrote retrospectively that, "during the next five days of its existence, Castlemorton will inspire questions in Parliament, make the front page of every newspaper in England and incite nationwide panic about the whereabouts of the next destination on the crusty itinerary." [8]
Days after the festival around twenty travellers were camped outside Worcester police station as their vehicles had been seized by West Mercia Police, preventing them from travelling on. [9]
Speaking in a House of Commons debate, the local MP at the time, Michael Spicer, opined, "new age travellers, ravers and drugs racketeers arrived at a strength of two motorised army divisions, complete with several massed bands and, above all, a highly sophisticated command and signals system. However, they failed to bring latrines. The numbers, speed and efficiency with which they arrived—amounting at one time to as many as 30,000 people—combined to terrorise the local community to the extent that some residents had to undergo psychiatric treatment in the days that followed. Such an incident must never happen again, in my constituency or elsewhere. We need tighter laws, especially to give banning powers to the police; a Cabinet Committee to bring responsible Departments together; quicker and more co-ordinated police action; and a more effective application of existing policies by national and local authorities." [10]
Thirteen members of Spiral Tribe were arrested after the event, and charged with public order offences. After a lengthy and costly trial, they were acquitted. [1]
Concerns about the festival and the way in which it was policed inspired the legislation which developed into the Criminal Justice and Public Order Act 1994. [2] This wide-ranging Act effectively made illegal such outdoor parties playing music that, as defined in section 63(1)(b), incorporates "sounds wholly or predominantly characterised by the emission of a succession of repetitive beats".
Whilst some have argued that Castlemorton, with its attendant publicity, led directly to the Criminal Justice Act and was the "final nail in the coffin of the unlicensed event", [11] others have seen the Act as a draconian piece of legislation which was "explicitly aimed at suppressing the activities of certain strands of alternative culture". [12]
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Peace Love Unity Respect, commonly shortened to PLUR, is a set of principles that is associated with rave culture, originating in the United States. It has been commonly used since the early 1990s when it became commonplace in nightclub and rave flyers and especially on club paraphernalia advertising underground outdoor trance music parties. It has since expanded to the larger rave dance music culture as well.
A free party is a party "free" from the restrictions of the legal club scene, similar to the free festival movement. It typically involves a sound system playing electronic dance music from late at night until the time when the organisers decide to go home. A free party can be composed of just one system or of many and if the party becomes a festival, it becomes a teknival. This typically means that drugs are readily available. The word free in this context is used both to describe the entry fee and the lack of restrictions and law enforcement.
Genesis'88 was a party promotion crew who threw some of the first acid house parties also known as raves in the United Kingdom from 1988 to 1992.
Teknivals are large free parties which take place for several days. They take place most often in Europe and are often illegal under various national or regional laws. They vary in size from dozens to thousands of people, depending on factors such as accessibility, reputation, weather, and law enforcement. The parties often take place in venues far away from residential areas such as squatted warehouses, empty military bases, beaches, forests or fields. The teknival phenomenon is a grassroots movement which has grown out of the rave, punk, reggae sound system and UK traveller scenes and spawned an entire subculture. Summer is the usual season for teknivals.
Spiral Tribe is an arts collective and free party sound system formed in 1990. It organised free parties, festivals and raves in the UK and later Europe in the 1990s. Spiral Tribe was involved in the Castlemorton Common Festival, and members have released music on labels such as Network 23 and Big Life Records. The sound system combined pagan beliefs with New Age traveller culture and rave to form teknivals. After a hiatus, the collective reformed as SP23 in 2011 and continues to organise events.
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The Criminal Justice and Public Order Act 1994 is an Act of the Parliament of the United Kingdom. It introduced a number of changes to the law, most notably in the restriction and reduction of existing rights, clamping down on unlicensed rave parties, and greater penalties for certain "anti-social" behaviours. The Bill was introduced by Michael Howard, Home Secretary of Prime Minister John Major's Conservative government, and attracted widespread opposition.
The Public Order Act 1986 is an Act of the Parliament of the United Kingdom that creates a number of public order offences. They replace similar common law offences and parts of the Public Order Act 1936. It implements recommendations of the Law Commission.
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