Dog Star Man is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in instalments between 1961 and 1964 and comprises a prelude and four parts. In 1992, Dog Star Man was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.
James Stanley Brakhage was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Carolee Schneemann was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, stating, "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, the London National Film Theatre, and many other venues.
Mothlight is an experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera.
Philip Stewart Solomon was an American experimental filmmaker noted for his work with both film and video. In recent years, Solomon had earned acclaim for a series of films that incorporate machinima made using games from the Grand Theft Auto series. His films are often described as haunting and lyrical.
The Act of Seeing with One's Own Eyes is a 1971 American film by Stan Brakhage. Its title is based on the literal translation of the term autopsy. The film documented the highly graphic autopsy procedures used by forensic pathologists, such as the removal of organs and the embalming process.
Over the course of more than five decades, the American experimental filmmaker Stan Brakhage produced a large body of work. All films in the filmography are assumed to be silent, in color, and are meant to be shown at 24 frames per second, unless otherwise noted. The Brakhage films, comprising his edited originals, intermediate elements, and other original material, are housed at the Academy of Motion Picture Arts and Sciences Film Archive, where a long-term project is underway to preserve and restore his entire film output.
The Millennium Film Workshop is a non-profit media arts center located in New York City. It is dedicated to the exhibition, study, and practice of avant-garde and experimental cinema. It was also where the St. Mark's Poetry Project began. Ken Jacobs stated in 2013 that he chose the name Millennium "...because it would have to be that to actually give out equipment, education, space to work in, etc. for free. Dictionary definition: 'A hoped for period of joy, serenity, prosperity and justice.' "
Eye Myth is an experimental short film by Stan Brakhage, produced in 1967. The film has a running time of only nine seconds, but took about a year to produce.
I... Dreaming is an experimental short film by Stan Brakhage, released in 1988. The film features a soundtrack of Stephen Foster songs, composed by Joel Haertling.
The film-poem is a label first applied to American avant-garde films released after World War II. During this time, the relationship between film and poetry was debated. James Peterson in Dreams of Chaos, Visions of Order said, "In practice, the film poem label was primarily an emblem of the avant-garde's difference from the commercial narrative film." Peterson reported that in the 1950s, overviews of avant-garde films "generally identified two genres: the film poem and the graphic cinema". By the 1990s, the avant-garde cinema encompassed the term "film-poem" in addition to different strains of filmmaking. Film-poems are considered "personal films" and are seen "as autonomous, standing apart from traditions and genres". They are "an open, unpredictable experience" due to eschewing extrinsic expectations based on commercial films. Peterson said, "The viewer's cycles of anticipation and satisfaction derive primarily from the film's intrinsic structure." The film-poems are personal as well as private: "Many film poems document intimate moments of the filmmaker's life."
Jennifer Todd Reeves is a New York-based independent filmmaker. She has also taught as a part time professor of film at Bard College, The Cooper Union, Millennium Film Workshop and the School of Visual Arts.
Unglassed Windows Cast a Terrible Reflection is a 1953 American short film directed by Stan Brakhage. Shot while in Brakhage's native Denver, the film stars Larry Jordan who later went on to become a film director. Filming was done in Nevadaville, Colorado. Like his other films at the time, it was shot on 16mm film, is black and white and features no dialogue.
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
