Catherine Karkov

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Catherine E. Karkov
OccupationChair of Art History
Academic work
Discipline History of Art | Early medieval history, literature, and culture
Institutions University of Leeds

Catherine E. Karkov is professor of History of Art and head of the School of Fine Art, History of Art and Cultural Studies at the University of Leeds. Her research centres on early medieval art, especially Anglo-Saxon art, and she has published three monographs. Her first concerns Anglo-Saxon art; the second one on the relation between text and image in Anglo-Saxon literature; and the third on how Anglo-Saxon writers imagined England as a place, how Anglo-Saxon England is understood by modern audiences, and the "fraught history of 'Anglo-Saxon' studies". [1]

Contents

Work

Her second book focuses on MS Junius 11, she argues that a complete edition of the manuscript leaves out the many illustrations at its own peril; these illustrations occur at dramatic moments in the four poems and help elucidate the allegorical import of many passages. [2]

As editor of Slow Scholarship, Karkov highlighted the ways in which research quality is measured in the UK (via the Research Excellence Framework), over work, publishing models which reward research that aligns with the status quo, an increasingly precarious workforce in Higher Education all contribute to making new and innovative scholarship difficult. [3] The collection developed theories from the Slow Food movement to propose ways of creating thoughtful, new scholarship. [3]

Publications

Monographs

Edited

Related Research Articles

Old English literature refers to poetry and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. The 7th-century work Cædmon's Hymn is often considered as the oldest surviving poem in English, as it appears in an 8th-century copy of Bede's text, the Ecclesiastical History of the English People. Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle English corpus of literature.

<span class="mw-page-title-main">Emma of Normandy</span> 11th-century queen consort of the English

Emma of Normandy was a Norman-born noblewoman who became the English, Danish, and Norwegian queen through her marriages to the Anglo-Saxon king Æthelred the Unready and the Danish king Cnut the Great. The daughter of the Norman ruler Richard the Fearless and Gunnor, she was Queen of the English during her marriage to King Æthelred from 1002 to 1016, except during a brief interruption in 1013–14 when the Danish king Sweyn Forkbeard occupied the English throne. Æthelred died in 1016, and Emma remarried to Sweyn's son Cnut. As Cnut's wife, she was Queen of England from their marriage in 1017, Queen of Denmark from 1018, and Queen of Norway from 1028 until Cnut died in 1035.

Medieval studies is the academic interdisciplinary study of the Middle Ages.

<span class="mw-page-title-main">Junius manuscript</span>

The Junius manuscript is one of the four major codices of Old English literature. Written in the 10th century, it contains poetry dealing with Biblical subjects in Old English, the vernacular language of Anglo-Saxon England. Modern editors have determined that the manuscript is made of four poems, to which they have given the titles Genesis, Exodus, Daniel, and Christ and Satan. The identity of their author is unknown. For a long time, scholars believed them to be the work of Cædmon, accordingly calling the book the Cædmon manuscript. This theory has been discarded due to the significant differences between the poems.

Lacertines, most commonly found in Celtic, Anglo-Saxon, and Insular art, are interlaces created by zoomorphic forms. While the term "lacertine" itself means "lizard-like," its use to describe interlace is a 19th-century neologism and not limited to interlace of reptilian forms. In addition to lizards, lacertine decoration often features animals such as birds, lions, and dogs.

George Hardin Brown was an American scholar of medieval studies. The focus of his scholarship includes Anglo-Latin and Anglo-Saxon literature, especially the work of the Venerable Bede. Brown had a long academic career at many renowned institutions and has studied under other notable scholars in his field. He died on November 6, 2021.

<span class="mw-page-title-main">St Oswald's Priory, Gloucester</span>

St Oswald's Priory was founded by Æthelflæd, daughter of Alfred the Great, and her husband Æthelred, ealdorman of Mercia, in the late 880s or the 890s. It appears to have been an exact copy of the Old Minster, Winchester It is a Grade I listed building.

The archaeology of Anglo-Saxon England is the study of the archaeology of England from the 5th Century AD to the 11th Century, when it was ruled by Germanic tribes known collectively as the Anglo-Saxons.

<span class="mw-page-title-main">Anglo-Saxon riddles</span> Part of Anglo-Saxon literature

Anglo-Saxon riddles are a significant genre of Anglo-Saxon literature. The riddle was a major, prestigious literary form in early medieval England, and riddles were written both in Latin and Old English verse. The pre-eminent composer of Latin riddles in early medieval England was Aldhelm, while the Old English verse riddles found in the tenth-century Exeter Book include some of the most famous Old English poems.

Æthelwynn, often spelled Ethylwynn, Ethylwyn, or Ethelwynn (10th-century) was an English noblewoman and textile artist. She was known for her embroidery work and her miraculous encounter with Saint Dunstan.

Dame Rosemary Jean Cramp, was a British archaeologist and academic specialising in the Anglo-Saxons. She was the first female professor appointed at Durham University and was Professor of Archaeology from 1971 to 1990. She served as president of the Society of Antiquaries of London from 2001 to 2004.

<span class="mw-page-title-main">Paris, BN, lat. 4404</span> Medieval manuscript

Paris, Bibliothèque nationale de France, MS lat. 4404 is a medieval manuscript from the 9th century containing, among other legal texts, the Breviary of Alaric, and is notable also for containing illustrations of rulers.

John D. Niles is an American scholar of medieval English literature best known for his work on Beowulf and the theory of oral literature.

Fred Lionel Orton is an English art historian. His initial training was at Coventry College of Art in painting as a Dip.A,D student. He extended his experience in the History and Development of Art initially at the Courtauld Institute in London and then professionally as a scholar of art history and art theory at the University of Leeds.

Helen Damico was a Greek-born American scholar of Old English and Old English literature.

Roberta Frank is an American philologist specializing in Old English and Old Norse language and literature. She is the Marie Borroff Professor Emeritus of English at Yale University.

<span class="mw-page-title-main">Guilden Morden boar</span> Anglo-Saxon copper alloy figure of a boar

The Guilden Morden boar is a sixth- or seventh-century Anglo-Saxon copper alloy figure of a boar that may have once served as the crest of a helmet. It was found around 1864 or 1865 in a grave in Guilden Morden, a village in the eastern English county of Cambridgeshire. There the boar attended a skeleton with other objects, including a small earthenware bead with an incised pattern, although the boar is all that now remains. Herbert George Fordham, whose father originally discovered the boar, donated it to the British Museum in 1904; as of 2018 it was on view in room 41.

<span class="mw-page-title-main">Horncastle boar's head</span> 7th-century Anglo-Saxon ornament depicting a boar

The Horncastle boar's head is an early seventh-century Anglo-Saxon ornament depicting a boar that probably was once part of the crest of a helmet. It was discovered in 2002 by a metal detectorist searching in the town of Horncastle, Lincolnshire. It was reported as found treasure and acquired for £15,000 by the City and County Museum, where it is on permanent display.

Carol L. Neuman de Vegvar is an art historian and Professor of Fine Arts at Ohio Wesleyan University.

Stephen David Baxter is a British historian. He has been Barron Fellow and Tutor in Medieval History at St Peter's College, Oxford, since 2014, and in 2020 he was awarded the title of Professor of Medieval History by the University of Oxford. He specialises in lordship in late Anglo-Saxon and early Norman England, and the Domesday Book.

References

  1. Garner, Lori Ann (1 October 2021). "Catherine E. Karkov, Imagining Anglo-Saxon England: Utopia, Heterotopia, Dystopia". Speculum. 96 (4): 1186–1188. doi:10.1086/716445. ISSN   0038-7134. S2CID   244259152.
  2. Russom, Geoffrey (2003). "Rev. of Karkov, Text and Picture in Anglo-Saxon England". Speculum . 78 (2): 541–42. doi:10.1017/s0038713400169143. JSTOR   20060690.
  3. 1 2 "SEHEPUNKTE - Rezension von: Slow Scholarship - Ausgabe 20 (2020), Nr. 7/8". www.sehepunkte.de. Retrieved 2 February 2022.
  4. Ericksen, Janet Schrunk (2004). "Rev. of Karkov, Text and Picture in Anglo-Saxon England". The Journal of English and Germanic Philology . 103 (2): 258–61. JSTOR   27712420.