Cathérine Hug (born 1976) is a Swiss art historian and curator.
Hug was born in 1976 in Basel, Switzerland. With her parents and siblings she grew up in Saint-Ursanne and Delémont, Switzerland.
Hug studied Computer Science, Media Science and Art History at the Chairs of Rolf Pfeiffer, Heinz Bonfadelli and Stanislaus von Moos at the University of Zurich.
From 2000 until 2007 she was curatorial assistant at the Kunsthaus Zurich, where she worked closely with Bice Curiger and Tobia Bezzola.
From 2005 until 2008 she was assistant of the Art Unlimited Curator Simon Lamunière at the Art Basel. As freelance curator she organized among others Unloaded (Oberschan 2002–03) with Giovanni Carmine; In The Alps with Tobia Bezzola (Kunsthaus Zurich, 2006); and Carola Giedion-Welcker and Modernism (Kunsthaus Zurich, 2007).
From 2008 until 2013 she was curator at the Kunsthalle Wien in Vienna, where she curated among others Thomas Ruff (2009), 1989. End of History or Beginning of the Future? (2009–10) with Gerald Matt, Street And Studio. From Basquiat to Séripop (2010) with Thomas Mießgang, Space. About A Dream (2011) with Walter Famler, Lucy Skaer – Force Justify (2012), WWTBD – What Would Thomas Bernhard Do and Salon der Angst with Nicolaus Schafhausen (both 2013). From 2011 until 2013 she was in the works council and supervisory board (Betriebsrat and Aufsichtsrat) of Kunsthalle Wien.
Since 2013 she is curator at the Kunsthaus Zurich, where she curated among others Von Matisse zum Blauen Reiter (2014) with Timothy Benson (LACMA, Los Angeles); Europa. The Future of History (2015) with Robert Menasse; Tomi Ungerer. Incognito (2015) in collaboration with Folkwang Essen; Dadaglobe Reconstructed (2016) with Adrien Sudhalter in collaboration with MoMA New York; and Francis Picabia. A retrospective (2016) with Anne Umland in collaboration with MoMA New York.
As guest curator she curated Feiert das Leben! with Robert Menasse and Manuela Laubenberger at the Kunsthistorisches Museum Wien in Vienna (2015–16). Hug is further project leader of the digitalization of the Kunsthaus Dada Collection (2013–16).
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