Jazz critic Nat Hentoff wrote about Emily's Remler and her musicians at the liner notes of this album: "She, of course, is hardly the sole reason for how well this album works. Her colleagues are not just casual studio acquaintances. This group has been working together quite a lot, and so these are true conversations, interweaving diverse temperaments and backgrounds into a mosaic full of supple, subtle surprises."[2]
For the AllMusic reviewer Scott Yanow "Although she never became an innovator, Remler certainly had a lot to offer the jazz world and this fairly adventurous effort was one of the finest recordings of her short career."[1]
Writing for JazzFuel, Matt Fripp called the album "a massive step forwards in her career," and commented: "The first of Remler's releases to feature exclusively original compositions, it showcases a melting pot of influences such as Brazilian music, Indian sounds, Latin and African polyrhythms. The album is certainly eclectic."[5]
Gear Diary's Michael Anderson called the album "excellent," and remarked: "She has found a great voice on the guitar, writes solid songs, and has teamed up with musicians who work well with her and keep things going at a very high level throughout."[6]
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