East to Wes | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1988 | |||
Recorded | May 1988 | |||
Studio | Penny Lane Studios, New York | |||
Genre | Jazz, hard bop | |||
Length | 50:19 | |||
Label | Concord Jazz | |||
Producer | Carl E. Jefferson | |||
Emily Remler chronology | ||||
|
East to Wes is a studio album by the jazz guitarist Emily Remler. She was accompanied by the pianist Hank Jones, who had played on Firefly (1981), her first record, the double bass player Buster Williams and the drummer Marvin "Smitty" Smith.
The recording was Remler's tribute to Wes Montgomery. [1] For the liner notes, Nat Hentoff wrote that Remler said about her composition "East to Wes" that it was an "impression of the earlier bossa nova stuff he did. Wes was one of the greater improvisers I ever heard. His feeling was happy, his soul was beautiful." [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [1] |
The Rolling Stone Jazz & Blues Album Guide | [4] |
The Virgin Encyclopedia of Jazz | [5] |
For the AllMusic reviewer, Ken Dryden, this is a highly recommended recording, considering that "The late guitarist's last CD to be released before her premature death is her finest effort". [3]
In the 9th edition of The Penguin Guide to Jazz Recordings , Richard Cook and Brian Morton awarded the album a full 4 stars, calling it "impeccable" and "the best example of her work." They wrote: "While conceived as a Montgomery homage, Remler's playing actually shows how unlike Wes she really was: harder of tone, her solos more fragmented yet equally lucid." [1]
Critic John Fordham stated that Remler's Wes Montgomery tributes "are as good a tribute to the boss as anyone has come out with, full of that breezily funky swing and singing sound." [6]
Writing for JazzFuel, Matt Fripp commented: "East To Wes may have all the hallmarks of a tribute album, but in reality it used the music of the guitar great as a springboard for her own explorations... Whilst not necessarily her most original work East to Wes is considered by many to be an excellent example of her skills as a guitarist." [7]
Gear Diary's Michael Anderson remarked: "The song selection is great, as are her compositions; but for me the highlight is Remler's playing. Going from Firefly to THIS is simply stunning – she has complete harmonic mastery of the instrument and tosses off complex structures and builds amazing harmonies in every song." [8]
Writer Tom Williams called the album "Remler's most celebrated work," and noted that it "balances tradition with modernity well." He stated: "The technical faculty demonstrated on the album is incredible and, yet, to the author's knowledge, is certainly not widely taught." [9]
No. | Title | Length |
---|---|---|
1. | "Daahoud" (Clifford Brown) | 5:16 |
2. | "Snowfall" (Claude Thornhill) | 6:36 |
3. | "Hot House" (Tad Dameron) | 5:41 |
4. | "Sweet Georgie Fame" (Blossom Dearie - Sandra Harris) | 5:36 |
5. | "Ballad for a Music Box" (Emily Remler) | 7:22 |
6. | "Blues for Herb" (Emily Remler) | 6:24 |
7. | "Softly, as in a Morning Sunrise" (Sigmund Romberg - Oscar Hammerstein II) | 8:11 |
8. | "East to Wes" (Emily Remler) | 6:12 |
John Leslie "Wes" Montgomery was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb, and for his extensive use of octaves, which gave him a distinctive sound.
"Hot House" is a bebop standard, composed by American jazz musician Tadd Dameron in 1945. Its harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?". The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the bebop movement in American jazz. The most famous and referred to recording of the tune is by Parker and Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts:
Emily Remler was an American jazz guitarist, active from the late 1970s until her death in 1990.
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. The opening notes of the song's melody resemble Gershwin's "Someone To Watch Over Me".
Charles Anthony "Buster" Williams is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock's early 1970s group, as well as working with guitarist Larry Coryell, the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson.
So Much Guitar! is an album by American jazz guitarist Wes Montgomery, released by Riverside Records in 1961. It was reissued by Fantasy Records as a part of the Original Jazz Classics series.
Sheryl Bailey is an American jazz guitarist and educator. She teaches guitar at the Berklee College of Music in Boston.
Groove Yard is an album by The Montgomery Brothers, released in 1961.
Road Song is an album by the jazz guitarist Wes Montgomery, released in 1968. It reached number one on the Billboard Jazz album chart and number 39 on the R&B chart. It also reached number 94 on the Billboard 200. It was his final recording before his death of a heart attack on June 15, 1968.
Firefly is the debut album by jazz guitarist Emily Remler. She was accompanied by pianist Hank Jones, bassist Bob Maize, and drummer Jake Hanna.
Art is an album by trumpeter Art Farmer, featuring performances recorded in 1960 and originally released on the Argo label. Farmer stated in 1995 that the album, which consists mainly of ballads, was his favorite.
Together is a jazz album by the American guitarists Larry Coryell and Emily Remler, released by Concord Jazz in 1985. They recorded it directly to two track the same year.
Joshua Breakstone is an American jazz guitarist.
On the Wings of an Eagle is an album by pianist John Hicks, recorded in 2006.
Cedars of Avalon is an album by guitarist Larry Coryell which was recorded in 2001 and released on the HighNote label the following year.
Take Two is the second studio album by jazz guitarist Emily Remler. The record is credited to The Emily Remler Quartet, and Remler was joined on the recording by pianist James Williams, bassist Don Thompson, and drummer Terry Clarke. Williams was best known at the time for his four years with The Jazz Messengers, and Thompson and Clarke frequently worked together as part of the Jim Hall Trio.
Transitions is the third studio album by jazz guitarist Emily Remler. She was accompanied by John D'earth on the trumpet and by bassist Eddie Gomez and drummer Bob Moses in the rhythm section.
Catwalk is an album by guitarist Emily Remler. She was accompanied by John D'earth on trumpet, Eddie Gomez on bass and Bob Moses on drums. The seven compositions were written by Remler.
This is Me is the seventh studio album by jazz guitarist Emily Remler. It was her first excursion into electric jazz-pop and her last recording, completed shortly before her death. It is an ambitious production in which up to 14 musicians participated at the 11 original Remler cuts that make up this work.
Remember: A Tribute to Wes Montgomery is an album by jazz guitarist Pat Martino. It was recorded on August 9 & 10, 2005 in New York City, and was released by Blue Note Records in 2006. In addition to Martino, the album features David Kikoski on piano, John Patitucci on bass, Scott Allan Robinson on drums, and Daniel Sadownick on percussion.