This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: https://en.m.wikipedia.org/wiki/Talk:Center_embedding.(December 2024) |
This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(May 2024) |
In linguistics, center embedding is the process of embedding a phrase in the middle of another phrase of the same type. This often leads to difficulty with parsing which would be difficult to explain on grammatical grounds alone. The most frequently used example involves embedding a relative clause inside another one as in:
In theories of natural language parsing, the difficulty with multiple center embedding is thought to arise from limitations of the human short term memory. In order to process multiple center embeddings, we have to store many subjects in order to connect them to their predicates.
An interesting theoretical point is that sentences with multiple center embedding are grammatical, but unacceptable. Such examples are behind Noam Chomsky's comment that, "Languages are not 'designed for parsability' … we may say that languages, as such, are not usable."[ citation needed ]
Some researchers (such as Peter Reich) came up with theories that though single center embedding is acceptable (as in "the man that boy kicked is a friend of mine"), double center embedding is not. The linguist Anne De Roeck and colleagues provided a counter-example: "Isn't it true that example-sentences that people that you know produce are more likely to be accepted?" (De Roeck et al., 1982).
The linguist Fred Karlsson provided empirical evidence in 2007 that the maximal degree of multiple center-embedding of clauses is exactly 3 in written language. He provided thirteen genuine examples of this type from various Indo-European languages (Danish, English, German, Latin, Swedish). No real examples of degree 4 have been recorded. In spoken language, multiple center-embeddings even of degree 2 are so rare as to be practically non-existing. [1]
Center embedding is the focus of a science fiction novel, Ian Watson's The Embedding , and plays a part in Ted Chiang's Story of Your Life .
Embedding on its own refers to clauses occurring as subordinate parts of a superordinate clause. There are three types of subclauses: complement, relative, and adverbial. Subordinators or relative pronouns indicate which type of subclause is being used. A center embedding occurs when words in a superordinate clause occur on both the left and the right of a subclause. Iterated center embedding of the same type of clause is called self-embedding.
Japanese allows a singly nested clause, but an additional nesting makes a sentence unprocessable. [2] Example from, [3] section 13.4.
兄が
older.brother-NOM
妹を
younger.sister-ACC
いじめた
bullied
"My older brother bullied my younger sister."
ベビーシッターは
babysitter-TOP
兄が
older.brother-NOM
妹を
younger.sister-ACC
いじめた
bullied
と
that
言った
said
The babysitter said that my older brother bullied my younger sister.
The following sentence is unprocessable:
おばさんは
aunt-TOP
ベビーシッターが
babysitter-NOM
兄が
older.brother-NOM
妹を
younger.sister-ACC
いじめた
bullied
と
that
言った
said
と
that
思っている
thinks
My aunt thinks that the babysitter said that my older brother bullied my younger sister.
Embedding can be used when two clauses share a common category and can expand a sentence. It is not effective when optional categories are used to create extensive embedding in a sentence.
My brother opened the window. The maid had closed it. -The common category is the window. So this sentence can be expanded to become My brother opened the window the maid had closed.
There is no common category for this sentence. So it should be broken up into multiple sentences to make sense to the reader:
A center embedded sentence is difficult to comprehend when a relative clause is embedded in another relative clause. Comprehension becomes easier when the types of clause are different – when a complement clause is embedded in a relative clause or when a relative clause is embedded in a complement clause. For example: The man who heard that the dog had been killed on the radio ran away.
One can tell if a sentence is center embedded or edge embedded depending on where the brackets are located in the sentence.
In sentence (1), all of the brackets are located on the right, so this sentence is right-embedded. In sentence (2), the brackets are located inside the sentence spaced throughout.
A quotation is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. In oral speech, it is the representation of an utterance that is introduced by a quotative marker, such as a verb of saying. For example: John said: "I saw Mary today". Quotations in oral speech are also signaled by special prosody in addition to quotative markers. In written text, quotations are signaled by quotation marks. Quotations are also used to present well-known statement parts that are explicitly attributed by citation to their original source; such statements are marked with quotation marks.
Japanese is an agglutinative, synthetic, mora-timed language with simple phonotactics, a pure vowel system, phonemic vowel and consonant length, and a lexically significant pitch-accent. Word order is normally subject–object–verb with particles marking the grammatical function of words, and sentence structure is topic–comment. Its phrases are exclusively head-final and compound sentences are exclusively left-branching. Sentence-final particles are used to add emotional or emphatic impact, or make questions. Nouns have no grammatical number or gender, and there are no articles. Verbs are conjugated, primarily for tense and voice, but not person. Japanese adjectives are also conjugated. Japanese has a complex system of honorifics with verb forms and vocabulary to indicate the relative status of the speaker, the listener, and persons mentioned.
In general linguistics, a labile verb is a verb that undergoes causative alternation; that is, it can be used both transitively and intransitively, with the requirement that the direct object of its transitive use corresponds to the subject of its intransitive use, as in "I ring the bell" and "The bell rings." Labile verbs are a prominent feature of English, and also occur in many other languages. When causatively alternating verbs are used transitively they are called causatives since, in the transitive use of the verb, the subject is causing the action denoted by the intransitive version. When causatively alternating verbs are used intransitively, they are referred to as anticausatives or inchoatives because the intransitive variant describes a situation in which the theme participant undergoes a change of state, becoming, for example, "rung".
A relative clause is a clause that modifies a noun or noun phrase and uses some grammatical device to indicate that one of the arguments in the relative clause refers to the noun or noun phrase. For example, in the sentence I met a man who wasn't too sure of himself, the subordinate clause who wasn't too sure of himself is a relative clause since it modifies the noun man and uses the pronoun who to indicate that the same "man" is referred to in the subordinate clause.
In linguistic typology, nominative–accusative alignment is a type of morphosyntactic alignment in which subjects of intransitive verbs are treated like subjects of transitive verbs, and are distinguished from objects of transitive verbs in basic clause constructions. Nominative–accusative alignment can be coded by case-marking, verb agreement and/or word order. It has a wide global distribution and is the most common alignment system among the world's languages. Languages with nominative–accusative alignment are commonly called nominative–accusative languages.
In syntax, verb-second (V2) word order is a sentence structure in which the finite verb of a sentence or a clause is placed in the clause's second position, so that the verb is preceded by a single word or group of words.
A cleft sentence is a complex sentence that has a meaning that could be expressed by a simple sentence. Clefts typically put a particular constituent into focus. In spoken language, this focusing is often accompanied by a special intonation.
A verbum dicendi, also called verb of utterance, is a word that expresses speech or introduces a quotation. English examples of verbs of speaking include say, utter, ask and rumble. Because a verbum dicendi often introduces a quotation, it may grammaticalize into a quotative.
Japanesepronouns are words in the Japanese language used to address or refer to present people or things, where present means people or things that can be pointed at. The position of things and their role in the current interaction are features of the meaning of those words. The use of pronouns, especially when referring to oneself and speaking in the first person, vary between gender, formality, dialect and region where Japanese is spoken.
In linguistics, a complementizer or complementiser is a functional category that includes those words that can be used to turn a clause into the subject or object of a sentence. For example, the word that may be called a complementizer in English sentences like Mary believes that it is raining. The concept of complementizers is specific to certain modern grammatical theories. In traditional grammar, such words are normally considered conjunctions. The standard abbreviation for complementizer is C.
In linguistics, quirky subjects are a phenomenon where certain verbs specify that their subjects are to be in a case other than the nominative. These non-nominative subjects are determiner phrases that pass subjecthood tests such as subject-oriented anaphora binding, PRO control, reduced relative clause, conjunction reduction, subject-to-subject raising, and subject-to-object raising.
In formal syntax, tough movement refers to sentences in which the syntactic subject of the main verb is logically the object of an embedded non-finite verb. Because the object of the lower verb is absent, such sentences are also sometimes called "missing object constructions". The term tough movement reflects the fact that the prototypical example sentences in English involve the word tough.
"Suzukake no Ki no Michi de 'Kimi no Hohoemi o Yume ni Miru' to Itte Shimattara Bokutachi no Kankei wa Dō Kawatte Shimau no ka, Bokunari ni Nannichi ka Kangaeta Ue de no Yaya Kihazukashii Ketsuron no Yō na Mono" – also commonly abridged/known as "Kimi no Hohoemi wo Yume ni Miru" or "Suzukake Nanchara" – is the 34th single by the Japanese idol girl group AKB48. It was released in Japan on December 11, 2013.
Tsukasa Fushimi is a Japanese author of light novels. He made his debut in 2006 with the novel series Jūsanbanme no Alice. This was followed in 2008 by his well-known novel series Oreimo, which spawned a media franchise encompassing multiple manga, anime, and video game adaptations. In 2013, Fushimi began writing his novel series Eromanga Sensei which ended in 2022.
Youn-a is a South Korean model who is affiliated with Binari.
The grammatical particles used in the Kagoshima dialects of Japanese have many features in common with those of other dialects spoken in Kyūshū, with some being unique to the Kagoshima dialects. Like standard Japanese particles, they act as suffixes, adpositions or words immediately following the noun, verb, adjective or phrase that they modify, and are used to indicate the relationship between the various elements of a sentence.
The Hachijō language shares much of its grammar with its sister language of Japanese—having both descended from varieties of Old Japanese—as well as with its more distant relatives in the Ryukyuan language family. However, Hachijō grammar includes a substantial number of distinguishing features from modern Standard Japanese, both innovative and archaic.
Younger Sister's Day is a Japanese holiday established by manga artist and author Kunio Hatada in 1991, celebrated on September 6 of each year.
The Person I Loved Asked Me to Die in My Sister's Stead: Why Is the Unrequited Love Who Married My Sister Comes to Me Now? I Wonder is a Japanese light novel series created by Mizuki Nagano and illustrated by Saori Toyota. It was serialized online from November 2020 to September 2022 on the user-generated novel publishing website Shōsetsuka ni Narō. It was later acquired by TO Books, who has published six volumes since September 2021. After October 2022, the published novel on Shōsetsuka ni Narō is no longer accessible.
Kikuo is a Japanese songwriter and Vocaloid producer. As an independent artist, he produces the lyrics and music for each of his songs under his own record label, "Kikuo Sound Works," often with vocals provided by popular Crypton Future Media voicebank, Hatsune Miku. His unique style of music production is characterized by detailed, high-tempo sound design, with several overlaying instruments and effects to create colorful and upbeat harmonies, often juxtaposed by unsettling lyrics.