"Central Park Arrest" is a song composed by Lynsey de Paul [1] [2] for the vocal trio Thunderthighs, and told the story of a policewoman apprehending a flasher in New York's Central Park. [3] This song in the style of TV cop theme tunes of the day featured police sirens wailing, shots being fired and megaphone radio. The recording was produced by Steve Rowland (who got de Paul to write the song specifically for the trio) [4] with a musical score by British composer, arranger and conductor, John Cameron. [5] According to "Beat Instrumental", de Paul also played the piano on the recording. [6]
The song was a top 30 hit in the UK Singles Chart. [7] It also reached number 3 on the Radio Northsea Toppers chart, [8] number 2 on the Swedish Poporama chart, [9] [10] and was a forecast hit on the New Zealand Pop-o-Meter chart. [11] The release garnered good reviews in the music press, with Record World choosing it as a single pick and saying "Do-do-do ladies from Lou Reed's "Walk on the Wild Side" do their own hit shopping'". [12] [13] The New Musical Express listed it as one of the best songs in 1974 in their year end review. [14] It was released as a track on the compilation album, Dancing On A Saturday Night, Vol. 2, on Philips Records. [15] The recording was released on CD in 1994 on World Hits 1974, a German compilation CD album [16] as well as on Tower Of Strength. [17] In 2009, it was included in the five CD box set 100 Hits Collection 70's. [18]
The song's writer recorded her own version on the B-side to the hit single "No, Honestly" a few months later, as a lighter bongo driven song with de Paul as the producer. More recently, de Paul's version appeared on her anthology album, Into my Music. [19] It is still played on the radio in the US, [20] New Zealand, [21] and the UK. [22] It is listed in the U.S. Catalog of Copyright, Library of Congress [23] and has been mentioned in a number of books on 1970s pop/rock. [24] [25] [26]
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Paul Evans is an American rock and roll singer and songwriter, who was most prominent in the 1950s and 1960s. As a performer, he had hits with the songs "Seven Little Girls Sitting in the Backseat", reaching No. 9 on the Billboard Hot 100 in 1959), "Midnight Special" and "Happy-Go-Lucky Me".
"You Mean the World to Me" is a song by American singer-songwriter Toni Braxton. It was written and produced by Antonio "L.A." Reid, Kenneth "Babyface" Edmonds, and Daryl Simmons for her self-titled debut album (1993). Selected as the album's fourth single, it was released on CD on April 21, 1994, by LaFace and Arista Records. It peaked at number seven on the US Billboard Hot 100 and number three on the Billboard Hot R&B Singles chart, while reaching the top ten of the Canadian Singles Chart. The music video for "You Mean the World to Me" was directed by Lionel C. Martin.
Thunderthighs were a British backing vocal group, who released records in their own right.
"Hey Joe!" is a 1953 popular song written by Boudleaux Bryant. It was recorded by Carl Smith for Columbia Records on 19 May 1953 and spent eight weeks at No. 1 on the US country music chart, marking Bryant's first no. 1 record. He later wrote songs with his wife Felice for The Everly Brothers. The song was first published in New York on July 17, 1953 as "Hey, Joe".
"(Theme from) Valley of the Dolls" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick.
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the UK, Irish and Dutch Top 20s, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
"Rock Bottom" was the British entry in the Eurovision Song Contest 1977, performed in English by Lynsey de Paul and Mike Moran. It was also written and produced by de Paul and Moran and released on the Polydor record label. Originally it was written for the group Blue Mink; and submitted unbeknown to de Paul and Moran as an entry for A Song For Europe by the publishers; when it was selected, de Paul agreed to perform the song if Moran would join her. On 9 March 1977, "Rock Bottom" was selected to represent the UK at the A Song for Europe 1977 event held at the New London Theatre, presented by Terry Wogan.
"Daytona Demon" is the fourth solo single and third UK hit by Suzi Quatro, released in 1973. The song is frequently believed to be a revision of Freddy Cannon's "Tallahassee Lassie" and a reference to Daytona Beach in Florida in which Quatro's lover is equated with a fast car.
English glam rock singer Gary Glitter released seven studio albums, four live albums, 13 compilation albums, one extended play (EP) and 42 singles, including three UK number-one singles. He became known for his energetic live performances and extremely glam rock image of glitter suits, make-up, and platform boots.
"No, Honestly" is a song written, performed and produced by Lynsey de Paul, that was the theme for London Weekend Television's comedy series of the same name, although the single release was a slightly different version from that used for the TV theme.
"Getting a Drag" was the second single released by Lynsey de Paul. The song was co-written with David Jordan, and featured the de Paul penned b-side "Brandy". Released in November 1972 on MAM Records, the single entered the UK Singles Chart and peaked at number 18 and was still in the charts in early 1973. The single also reached number 46 on the German Singles Chart and had a four week run on the Dutch Single Tip chart where it peaked at number 7. It reached number 1 on the Israeli Galei Tzahal chart, No. 2 on the Radio Northsea International chart, and No. 12 in January 1973 on the Turkish singles chart as published in Milliyet.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
"If I Don't Get You The Next One Will" is a song written, recorded and produced by Lynsey de Paul and released in April 1976 in the UK as her seventh and final single on Jet Records. The B-side of the single was another de Paul song and fan favourite "Season to Season". A longer version of the song was recorded as a track for the 1976 album Take Your Time, but the album was shelved as part of a dispute between de Paul and Arden, and when it was finally released on CD in 1990 in Japan as Before You Go Tonight, the single version was included. This humorous and tongue in cheek song relates many of de Paul's negative dating experiences. One well known muse for the song was former boyfriend, Ringo Starr, who missed a dinner date with de Paul. De Paul herself described the song as being about revenge, after Starr missed a dinner appointment with her because he fell asleep in his office. Stylistically, it was quite a departure from previous releases, with prominent use of synthesiser and a sparse arrangement that received positive reviews. At the time, the Record Mirror wrote "Cleverly constructed song with Lynsey's voice playing leap-frog over itself. Uptempo rhythm that winds itself all over the place, following the intricate vocal patterns" with the Hammersmith & Shepherds Bush Gazette also praising the single.
"School Love" is a song written by Lynsey de Paul and Barry Blue, which was recorded by Blue and released as his third single on Bell Records in 1974. It reached No. 11 on the UK Singles Chart, No. 3 on the Danish charts, No. 9 on the Rhodesian charts No. 24 on the Australian GoSet chart and No. 31 in the Australian Kent Music Report chart, making it Blue's last international hit, although he would go on to have another two UK hit singles later that year. It also reached No. 4 on the Radio Northsea Toppers 20 on 15 March 1974 and No. 5 on the Hessische Rundfunk Hitparade International chart.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul. On the album, de Paul was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"Miss Hit and Run" is a song written by Lynsey de Paul and Barry Blue. Blue released the single in 1974 as a follow-up single to "School Love" on Bell Records in the UK, Germany, Italy and Spain and on the Barclay label in France and recorded it with a "Beach Boys" type of arrangement. Indeed, the Liverpool Echo wrote "Barry Blue could easily have a case of mistaken identity on his hands this week - for on his new release "Miss Hit And Run" he sounds more like the "Beach Boys" than they do themselves". The single sided acetate label of the single reveals that the original title was "Little Miss Hit and Run", confirming what was reported in the music press at the time. The song was Blue's fourth consecutive hit, reaching number 26 on the official UK Singles Chart in August 1974. It also reached number 9 on Capitol Radio's "Capitol Countdown" chart, number 24 on the Melody Maker singles chart and it spent three weeks on the Dutch Tipparade. In some UK regional charts based on sales, it reached the Top 20 The original single version of the song performed by Blue was also a track on the K-Tel album, Music Explosion, Music Power and the Polydor LP "20 Super Power Hits".
"Hot Shot" is a song written by Barry Blue and Lynsey de Paul, that was released as a single on 2 September 1974 on the Bell Record label by Barry Blue. It was Blue's last chart entry with an original song, reaching no. 23 on the UK Singles Chart. Despite this, it is considered as one of Blue's best songs. The song was also his biggest hit in Sweden where it reached no. 1 on the Poporama singles chart, and in Zimbabwe where it peaked at no. 3. "Hot Shot" also reached no. 8 on the Hessischer Rundfunk Hitparade, and spent three weeks on the Dutch Tipparade in 1975.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow-up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol".
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in "The Directory of American 45 R.p.m. Records". It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise.