"No, Honestly" | ||||
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Single by Lynsey de Paul | ||||
B-side | "Central Park Arrest" | |||
Released | October 18, 1974 | |||
Genre | Pop | |||
Length | 3:31 | |||
Label | Jet Records | |||
Songwriter(s) | Lynsey de Paul | |||
Producer(s) | Lynsey de Paul | |||
Lynsey de Paul singles chronology | ||||
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"No, Honestly" is a song written, performed and produced by Lynsey de Paul, that was the theme for London Weekend Television's comedy series of the same name, although the single release was a slightly different version from that used for the TV theme.
The song was the first released on 18 October 1974 on the Jet Records label established by Don Arden. [1] It peaked at No. 7 on the UK Singles Chart, [2] [3] and No. 4 on the Northern Ireland chart at the beginning of December that year. [4] It also climbed to the No. 3 spot on Capitol Radio's Capital Countdown on 23 November 1974, as compiled by the Media Research Information Bureau (MRIB). [5]
The B-side of the single was de Paul's version of "Central Park Arrest"; [6] a hit earlier in the year that she had originally written for the female group, Thunderthighs. [7] In 1975, de Paul received an Ivor Novello Award for Best Theme from a Radio or TV Production. [8] An instrumental version of the song was used as the theme for the second series, Yes, Honestly . [9]
The song still gets airplay on various radio stations around the world, [10] [11] and it was played on Weatherfield Hospital Radio by DJ Geoff on the ITV soap opera Coronation Street on 20 July 2020. [12]
It was covered by the Brazilian singer Jeannie, on the various artists album, Discoteca Hippopotamus, in 1975. [13] [14] A Danish version of "No Honestly" was released as a single by Vivian in 1976. [15] [16] The Bruce Baxter Orchestra, The Ray Hartley Orchestra and The Starshine Orchestra have performed versions for albums of famous TV theme songs. [17] [18] [19]
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, scoring another chart-topping hit in Switzerland and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Thunderthighs were a British backing vocal group, who released records in their own right.
Christopher Gunning was an English composer of concert works and music for films and television.
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the UK, Irish and Dutch Top 20s, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
Tigers and Fireflies is an album recorded in 1978 and released by Lynsey de Paul in April 1979 on the Polydor record label in the UK, Europe, Japan, Hong Kong, Singapore, Malaysia and South America. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound Studios, New York and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on Tigers and Fireflies was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018. The story behind the recording of the album was also discussed in the book Dervish Dust: The Life and Words of James Coburn. Speaking to Music Week about the album, Jim Cook said "Throw away all of your preconceived ideas about Lynsey de Paul".
"School Love" is a song written by Lynsey de Paul and Barry Blue, which was recorded by Blue and released as his third single on Bell Records in 1974. It reached No. 11 on the UK Singles Chart, No. 3 on the Danish charts, No. 9 on the Rhodesian charts No. 24 on the Australian GoSet chart and No. 31 in the Australian Kent Music Report chart, making it Blue's last international hit, although he would go on to have another two UK hit singles later that year. It also reached No. 4 on the Radio Northsea Toppers 20 on 15 March 1974 and No. 5 on the Hessische Rundfunk Hitparade International chart.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul, who was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
Before You Go Tonight also known as Take Your Time is a Lynsey de Paul album recorded in 1976 for Jet Records, but shelved out of spite by then manager Don Arden, and not released until 1990. Then it appeared as a CD release in Japan on Century Records, and again on the Vivid Sound under licence from Trojan Records. The album was originally called Singer-Songwriter and was finally released on de Paul's music store as Take Your Time, albeit with a slightly different track listing. All of the songs were written by de Paul, except the amusing "You've Either Got It or You Ain't", which was co-written with David Jordan. The album was produced by de Paul. The track "If I Don't Get You The Next One Will" was released as a single in 1976 and this version is included. "My One and Only" is de Paul's version of a song recorded and released in 1975 by her label mates at the time, the British female vocal trio Bones.
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she had co-written and had been a hit for the Fortunes earlier that year.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
"So Good to You" is a song that was written by Lynsey de Paul, and first released by Zakatek as the B-side to his 1973 single, "I Gotcha Now", which also penned by de Paul. The single was released on 2 March 1973 and both songs were produced and arranged by de Paul. Her own version appeared in October 1973 as the B-side to her award-winning single "Won't Somebody Dance with Me", which was arranged by Christopher Gunning and produced by de Paul. In Japan and some South American countries, however, "So Good to You" was released as the A-side of the single release with "Won't Somebody Dance with Me" being relegated to the B-side on its release in 1974. AllMusic lists "So Good to You" as one of De Paul's song highlights. It was also a radio hit in Italy and ranks as one of de Paul's biggest songs there according to Radiocorriere magazine. It is still played on radio stations around the world.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
Just a Little Time is an album by Lynsey de Paul. It was originally released on 30 September 1994 on the Music Deluxe label but has since been released on the Tring International PLC label and on Arc Records/The Magic Collection. All of the songs on the album are written or co-written by de Paul.
"Hot Shot" is a song written by Barry Blue and Lynsey de Paul, that was released as a single on 2 September 1974 on the Bell Record label by Barry Blue. It was Blue's last chart entry with an original song, reaching no. 23 on the UK Singles Chart. Despite this, it is considered as one of Blue's best songs. The song was also his biggest hit in Sweden where it reached no. 1 on the Poporama singles chart, and in Zimbabwe where it peaked at no. 3. "Hot Shot" also reached no. 8 on the Hessischer Rundfunk Hitparade, and spent three weeks on the Dutch Tipparade in 1975.
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in the "The Directory of American 45 R.p.m. Records" It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. "Surprise" had been released a little more than a month earlier and this song was in a different style.
Sugar and Beyond is a double compilation album by the British singer-songwriter Lynsey de Paul released on 18 March 2013, together with a second double album, Into My Music. De Paul personally oversaw the project and was involved in the digital remastering of the tracks from the original tapes. The CD includes all her hits as well as the two LPs released in the period between 1972 and 1974.