This article needs additional citations for verification .(April 2014) |
The Ceres series was the first postage stamp series of France, issued in 6 different values from 1849 to 1850 as a representation of the French Republic.
The series bore the effigy of Ceres, goddess of growing plants in Roman mythology. Jacques-Jean Barre did the initial drawing and gravure. Anatole Hulot was in charge of the printing of the Ceres series done in Paris in the 19th century.
The drawing was used again by necessity when the Second Empire fell in 1870, with printing in Paris besieged by German armies and in Bordeaux where the French government fled. Two new Ceres series were issued in the 1930s and 1940s.
As first series of France, these stamps appeared regularly on commemorative stamps for philatelic anniversaries and exhibitions, and on the logo of many philatelic organizations and firms.
The two first postal stamps issued in France were of the Ceres series. They were printed with the effigy of Ceres, goddess of growing plants in Roman mythology. She wore a garland of wheat and a bunch of grapes in her hair. The design, which avoided any specifically republican or Revolutionary connotations, was drawn by Jacques-Jean Barre, general engraver at the Paris Mint, under the supervision of Anatole Hulot, a civil servant who obtained the right to print the stamps at the Mint until 1876. [1]
The issue on the first January 1849 marked the application of a postal reform similar to the one in the United Kingdom of May 1840: to simplify the nationwide postal rates between Metropolitan France, Corsica and French Algeria and to encourage the payment by the sender through the use of postage stamps.
In January 1849, the two first denominations were a 20 centimes black stamp and a 1 franc red. As the postal reform was extended to other rates (local, rural and newspapers), new denominations were issued.
As early as 1849, the first of these stamps that earned philatelic interests afterwards existed. Because the black cancellations can be masked and the 20 centimes black stamp easily reused, the issue of the 40 centimes blue in January was aborted and switched to orange. While the 20 centimes blue was first printed in Spring 1849, it never replaced its black counterpart because of a change of rates in July 1850. In December 1849, part of the much paler red of the 1 franc stamps were recalled by the postal administration because their tint was too close to the 40 centimes orange to be issued in February 1850. The lighter stamps were named "vermilion" by philatelists. Two half-stamps of each tint were stuck on the official order to retrieve the vermilion. [2]
After the coup in December 1851, Prince-President Louis-Napoléon Bonaparte decided to have his effigy on French stamps. The first denominations were issued progressively from September 1852 and throughout the Second Empire.
A poor imitation of the French stamps was used by the Corrientes Province local post in Argentina between 1856 and 1880.
During the Franco-Prussian War, after Republicans abolished the Empire of Napoléon III on 4 September 1870, they faced the siege of Paris by the German armies and the lack of postage stamps from the former rule. Houlot had to print new Ceres stamps [3] until the insurrection of the Paris Commune, in Spring 1871. The printer told afterwards he hid the Ceres series material and was forced by the insurgents to print Napoleon III stamps. [4]
At the same time, in Bordeaux, where the provisional government fled, the printing of Ceres stamps was authorized from the 5 November 1870 to the 4 March 1871 to supply the post offices of non-occupied France. The stamps were printed in lithography (instead of typography) by Augée-Delile. Because of this choice, stamps differ repetitively from one another. [3]
After the war, the Ceres head was kept until 1875, again printed only in Paris by Anatole Hulot. He had to use old material to create new denominations (like the low values created in Bordeaux) because Désiré-Albert Barre, Jacques-Jean's son, broke his association with Hulot in 1866. [5]
In July 1875, the postal administration gave the printing of its postage stamps to the Banque de France to reduce the high cost and delays it accused Hulot. [6] The stamp design was changed too: a competition launched in August 1875 was won by Jules Auguste Sage with its Commerce and Peace uniting and reigning over the world allegory. The new stamps were issued in 1876.
For the philatelic exhibition of Paris in 1937, PEXIP, a minisheet of four bicolored Ceres stamps was issued.
The next year, in 1938, began a new Ceres series with high values (1.75 to 3 francs), alongside the Sower series and the Peace series. The head was kept into a new decorum. All these definitives were retired in 1941 and replaced by Philippe Pétain's effigies, the Iris and Mercury series.
In 1945, a redesign effigy of Ceres by Charles Mazelin was among the numerous definitive series to be issue in liberated France.
The Jacques-Jean Barre's Ceres effigy had appeared again on stamps commemorating the philatelic and postal history of France:
The logo of the philatelic service of La Poste used the Ceres head.
From 1849 to 1924, French Algeria used the same postage stamps and postal rates as in Metropolitan France. The Ceres series from France could be found cancelled in the French colony.
In 1850 and 1851, a little number of colonies used the Second Republic Ceres stamps.
From 1871 to 1877, imperforated [7] Ceres stamps were sent to the colonies to replace the imperforate Napoléon III stamps. They served until the issue of the imperforate Sage stamps in 1876. A way to recognize the colonial Ceres stamps is the cancellation with a three letter code for each colony.
The French post offices in China were among the post offices maintained by foreign powers in China from the mid-19th century until 1922. The first French Post Office in China opened in 1862. Initially, the French government used ordinary French postage stamps for these offices. These forerunner stamps can be shown to have been sold or used in China only by a postmark. Stamps used at Shanghai prior to 1876, for example, can only be identified by diamond-shaped cancel made of a type referred to as a “losange à gros chiffres” with the numbers "5104" in the center of the cancel.
This is a survey of the postage stamps and postal history of the German territory of the Saar. As a border region contested between France and Germany, the Saar has a somewhat complicated philatelic history.
During its time as a French colony, Obock issued its own postage stamps. At first the inhabitants used the general stamps of the French Colonies, but in 1892 they were overprinted with "OBOCK", as were stamped post cards. Later in the year some of these were also surcharged with values from 1 centime to 5 francs. By the end of the year, a supply of the omnibus Navigation and Commerce issues became available, inscribed OBOCK in red or blue.
Yvert et Tellier is a postage stamp dealer and a philatelic publishing company founded in 1895 in the northern French city of Amiens, where the head office is still located. The logo is a circle divided into a snowflake and a smiling sun. It is a pun on the name of the company: hiver, été liés sounds a lot like the French pronunciation of Yvert et Tellier.
This is a survey of the postage stamps and postal history of Romania.
The Chalon Head is the name of a number of postage stamp series whose illustration was inspired by a portrait of Queen Victoria by Alfred Edward Chalon (1780–1860).
Louis Yvert was the co-founder of French philatelic publisher Yvert et Tellier with printer Théodule Tellier, from the family-printing company established in the 1830s by his grandfather, legitimist journalist Eugène Yvert.
This is an overview of the postage stamps and postal history of the Indian Ocean island of Mayotte, one of the Comoros Archipelago islands located on the south-east side of Africa.
Anatole Auguste Hulot was a French civil servant who directed the designing and printing of the first postage stamps of France between 1848 and 1876.
The Académie de philatélie is a French philatelic voluntary association created in 1928. Its goal is to promote philately and philatelic studies.
The postage stamps of Vietnam were issued by a variety of states and administrations. Stamps were first introduced by the French colonial administration. Stamps specifically for Vietnam were first issued in 1945. During the decades of conflict and partitioning, stamps were issued by mutually hostile governments. The reunification of Vietnam in 1976 brought about a unified postal service.
The local mail and rayon stamps of 1850 and 1852 constituted the first series of postage stamps issued by the Swiss Post. In philately, they are among the most sought-after Swiss stamps, with a 5 rappen Rayon I stamp selling for the record price of CHF 348,000 at auction in 2008.
The postal history of Monaco can be traced to the principality’s first postmark in 1704. Stampless covers are known with both manuscript and handstamp postmarks for Monaco and Fort d'Hercule ; as the principality was once much larger, postmarks of the communes of Menton and Roquebrune prior to their 1848 secession might also be included. Monaco used Sardinian stamps from 1851 until 1860, when by the Treaty of Turin, Sardinia ceded to France the surrounding county of Nice and relinquished its protectorate over Monaco; French stamps with Monaco or Monte-Carlo postmarks were used thereafter. Two forms of cancellation are known for the French period. With the first, the postmark is on the cover away from the stamps; an obliterator with an identifying post office number 4222, or later 2387, inside a diamond of ink dots cancelled the actual stamps. The second applied the postmark directly on the stamps, as both a date stamp and cancel. All of these postal forerunners, particularly usages of Sardinian stamps with Monaco cancels, are far more valuable than the same stamps postally used in the issuing countries.
This is a survey of the postage stamps and postal history of Fezzan and Ghadames, both now part of Libya.
This is a survey of the postage stamps and postal history of France.
The Greek god Hermes, messenger of the Gods in the Greek mythology, is the representation chosen, in 1860, by the Kingdom of Greece to illustrate its first postal stamps.
"Type Sage" is a reference to the definitive series of postage stamps issued by the post office of France between 1876 and 1900. Printed in a variety of colors and shades, the two central figures are allegories of Peace (left) and Commerce (right), giving rise to the name of the series. The name "Type Sage" comes from the tendency of French stamp collectors to refer to the series by the name of the designer of the artwork, in this case Jules Auguste Sage, whose name appears as "J. A. SAGE INV" along the lower left edge of the stamp beneath the word "REPUBLIQUE" of "REPUBLIQUE FRANCAISE."
Albert Désiré Barre, was a French engraver, medalist, and the 18th Chief Engraver of the Paris Mint from 27 February 1855 to his death. He was the son of Jacques-Jean Barre who preceded him as the Chief Engraver. His brother Jean-Auguste Barre, a French sculptor and medalist, succeeded him as Chief Engraver after his death in Paris.
Epaulettes is the name given by philatelists to the first series of postage stamps issued by Belgium. The stamps, which depicted King Leopold I with prominent epaulettes from which the name derives, became legally usable on 1 July 1849. Two denominations with the same design were issued simultaneously: a brown 10 centimes and a blue 20 centimes. They were produced as the result of a series of national reforms to the postal system in Belgium, based on the success of similar British measures adopted in 1840. The stamps allowed postal costs to be pre-paid by the sender, rather than the receiver, and led to a sharp increase in the volume of mail. Although quickly superseded by new types, Epaulettes proved influential and have since inspired several series of commemorative stamps.