Cesar Garcia (born 1985) is a Mexican-born American scholar, writer, curator, and educator. He is the founder and current director and chief curator of The Mistake Room, in Los Angeles.
Born in Mexico and raised in the United States from the age of six, Garcia grew up in the Pico-Union neighborhood of Los Angeles. Upon graduating from Bravo Medical Magnet HS in Boyle Heights, Garcia went on to earn a dual bachelor's degree in Political Science and Chicano Studies from UCLA in 2007. Garcia then attended USC's Roski School of Art and Design, where he completed a Master's in Public Art Studies in 2009. [1] His master's thesis, based on extensive field research, mapped the growth of alternative and artist-run spaces along the U.S.-Mexico border during the height of the violent cartel wars. [2]
In 2009, Garcia received a Eugene V. Cota-Robles Doctoral Fellowship from UCLA's Department of World Arts and Cultures/Dance. [3]
Since 2012, Garcia has been the Founding Director and Chief Curator of The Mistake Room—LA's only independent, non-profit cultural institution solely devoted to an international program of art and ideas. From 2007 to 2012, Garcia served as the associate director and Senior Curator at LAXART, Los Angeles. [4] In 2008, Garcia served on the curatorial team of the 2008 California Biennial at the Orange County Museum of Art (curated by Lauri Firstenberg, PhD) and in 2012 he was one of the curators of Made in L.A. 2012, the first Los Angeles Biennial organized by the Hammer Museum and LAXART. [5] Garcia was the U.S. Commissioner of the 13th International Cairo Biennial, and in 2013 served on the curatorial research committee of the 55th International Venice Biennale curated by Massimiliano Gioni. [5] [6]
Garcia's notable exhibitions and projects include Joel Kyack's freeway puppet theater Superclogger (2010); [7] Marcos Ramirez' ERRE's retrospective exhibition at the Museo de Arte Carrillo Gil, Mexico City (co-curated with Kevin Power); [8] a re-staging of Mark di Suvero's Artists Tower of Protest for the Getty Foundation's Pacific Standard Time Performance and Public Art Festival (2012); [9] the U.S. museum premiere of Egyptian artist Wael Shawky's Cabaret Crusades at the Hammer Museum (2013); [10] and Eduardo Sarabia's mid-career survey at the Instituto Cultural Cabañas in Guadalajara, Mexico (2014), amongst others. [11]
At The Mistake Room, Garcia has organized the first U.S. institutional solo show of Colombia-born, UK-based artist Oscar Murillo (2014); [12] the first Los Angeles solo show of Thailand-born, NY-based artist Korakrit Arunanondchai (2014); [13] a survey of artist Gordon Matta-Clark's films (2014); [14] a focused historical exhibition devoted to the work of American abstract expressionist painter Ed Clark (2015); and the first U.S. solo show of Argentina-born, Guatemala-based artist Vivian Suter (2015). [15]
The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become "the hippest and most culturally relevant institution in town." Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically overlooked and emerging contemporary artists. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
Scott Benzel is an American visual artist, musician, performance artist, and composer. Benzel is a member of the faculty of the School of Art at California Institute of the Arts, Valencia, CA.
My Barbarian is a Los Angeles based collaborative theatrical group consisting of Malik Gaines, Jade Gordon and Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
Andrew Berardini is an American writer known for his work as a visual art critic and curator in Los Angeles. Described as "the most elegant of all art critic cowboys", Berardini works primarily between genres, which he describes as "quasi-essayistic prose poems on art and other vaguely lusty subjects."
Carolyn Christov-Bakargiev is an Italian-American writer, art historian and exhibition maker who served as the Director of Castello di Rivoli Museo d'Arte Contemporanea in Turin in 2009 and from 2016 to 2023. She was also the founding Director of Fondazione Francesco Federico Cerruti from 2017 to 2023. She was Edith Kreeger Wolf Distinguished Visiting Professor in Art Theory and Practice at Northwestern University (2013-2019). She is the recipient of the 2019 Audrey Irmas Award for Curatorial Excellence. She is currently Honorary Guest Professor at FHNW University of Applied Sciences and Arts Northwestern, Switzerland. She has lectured widely at art and educational institutions and Universities for the Arts, including the Goethe University, Frankfurt; Harvard University, Cambridge; MIT, Boston; Jawaharlal Nehru University, New Dehli; Cooper Union, New York; The Courtauld Institute of Art, London; Monash University, Melbourne; Di Tella University, Buenos Aires; Northwestern University, Chicago, and UNITO, Università di Torino, Turin.
Eric Wesley is an American artist. Wesley was born in Los Angeles, California, where he continues to live and work. He has held solo exhibitions in galleries internationally as well as at the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy.
Cornelia H. "Connie" Butler is an American museum curator, author, and art historian. Since 2023, Butler is the Director of MoMA PS1. From 2013 to 2023, she was the Chief Curator at the Hammer Museum in Los Angeles.
Karl Haendel, is an American artist who lives and works in Los Angeles, California. Haendel is represented by Vielmetter Los Angeles, Mitchell-Innes & Nash, New York and Wentrup Gallery, Berlin.
Karin Higa was a curator and specialist in Asian American art.
Tony Greene was a visual artist whose work combines photographic imagery with an overlay of thickly applied decorative patterns or calligraphic letterforms. Rarely exhibited during his lifetime, his work has subsequently staged what the Los Angeles Times describes as "a remarkable posthumous comeback," including a mini-retrospective of Greene's work as part of the 2014 Whitney Biennial exhibition, and additional exhibitions held in Chicago and Los Angeles during 2014, including the UCLA Hammer Museum's biennial "Made in LA" exhibition.
Public Fiction is a curatorial project and quarterly publication based in Los Angeles. It was founded in 2010 by Lauren Mackler.
Jennifer Pastor is an American sculptor and Professor of Visual Arts at the University of California Irvine. Pastor examines issues of space encompassing structure, body and object orientations, imaginary forms, narrative and progressions of sequence.
Ann Philbin is an American museum director. Since 1999, she has been director of the Hammer Museum in Los Angeles; before this she was the director of the Drawing Center in New York City.
Mario García Torres is a visual and conceptual artist. He has used various media, including film, sound, performance, ‘museographic installations’ and video as a means to create his art.
Erin Christovale is a Los Angeles–based curator and programmer who currently works as a curator at the Hammer Museum at the University of California, Los Angeles. Together with Hammer Museum Senior Curator Anne Ellegood, Christovale curated the museum's fourth Made in L.A. biennial in June 2018. She also leads Black Radical Imagination, an experimental film program she co-founded with Amir George. Black Radical Imagination tours internationally and has screened at MoMA PS1; Museum of Contemporary Art, Los Angeles; and the Museo Taller Jose Clemente Orozco, among other spaces. Christovale is best known for her work on identity, race and historical legacy. Prior to her appointment at the Hammer Museum, Christovale worked as a curator at the Los Angeles Municipal Art Gallery. She has a bachelor's degree from the University of Southern California School of Cinematic Arts.
Ugochukwu-Smooth C. Nzewi is a Nigerian artist, art historian, and curator, currently curator in the Department of Painting and Sculpture at Museum of Modern Art in New York City. He was raised in Enugu and studied under sculptor El Anatsui at the University of Nigeria, Nsukka, before traveling as an artist and curator. In the United States, he completed his doctorate at Emory University in 2013 and became the curator of African art at Dartmouth College's Hood Museum of Art. In 2017, he moved to the Cleveland Museum of Art. Nzewi has curated the Nigerian Afrika Heritage Biennial three times, the Dak'Art biennial in 2014, and independent exhibitions at Atlanta's High Museum of Art and New York's Richard Taittinger Gallery. Nzewi also exhibited internationally as an artist and artist-in-resident.
Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.
Anna Sew Hoy is an American sculptor based in Los Angeles, California. She utilizes sculpture, ceramics, public art and performance to connect with our environment, and to demonstrate the power found in the fleeting and handmade. Her work has been at the forefront of a re-engagement with clay in contemporary art, and is identified with a critical rethinking of the relationship between art and craft.
Isabel Castro, also known as Isabel Castro-Melendez, is a Mexican American artist born in Mexico City. She was raised and still resides in Los Angeles, California. Aside from being an artist, Castro's career includes curatorial work, education, journalism and photography.
Korakrit Arunanondchai is a video and multimedia artist originally from Bangkok who now splits his time between Brooklyn and Bangkok. He is best known for his 2017 installation, With history in a room filled with people with funny names 4, which received widely positive reviews and was recognized with an award at the International Film Festival Rotterdam.