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As it is in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000s been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world.
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the mandoliny and kabosy owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous djembe originated in mainland Africa and the valiha—the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes.
Taarab is a music genre popular in Tanzania and Kenya. It is influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent. Taarab rose to prominence in 1928 with the advent of the genre's first star, Siti binti Saad.
Música criolla, creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
The Ewe people are a Gbe-speaking ethnic group. The largest population of Ewe people is in Ghana, and the second largest population is in Togo. They speak the Ewe language which belongs to the Gbe family of languages. They are related to other speakers of Gbe languages such as the Fon, Gen, Phla Phera, Gun, Maxi, and the Aja people of Togo and Benin.
Following Tanganyika's independence (1961) and unification with Zanzibar (1964), leading to the formation of the state of Tanzania, President Julius Nyerere emphasised a need to construct a national identity for the citizens of the new country. To achieve this, Nyerere provided what has been regarded by some commentators as one of the most successful cases of ethnic repression and identity transformation in Africa.
Dances in Iran or Iranian dances are dance styles indigenous to Iran. Genres of dance in Iran vary depending on the area, culture, and language of the local people, and can range from sophisticated reconstructions of refined court dances to energetic folk dances. The population of Iran includes many ethnicities, such as Kurds, Azerbaijanis, Arabs, Baluchis, Turkmen, Jews, Armenian, Georgian peoples, in addition to numerous Iranian tribal groups which can be found within the borders of modern-day Iran. Each group, region, and historical epoch has specific dance styles associated with it. Raghs is the Arabic word for dance, and is almost exclusively the word used for dance in Persian, as the Persian word for dance, paykubi, is no longer in common usage. It is also the word in Azerbaijani for dance (Reqs). The Kurdish word for dance is Halperke, and the Lurs from Lorestan use the word Bākhten for dance.
Turkish folk dances are the folk dances of Turkey. Facing three seas, straddling important trade routes, Turkey has a complex, sophisticated culture, reflected in the variety of its dances. The dominant dance forms are types of line dance. There are many different types of folk dances performed in various ways in Turkey. Zeybek, Teke Zortlatması in Aegean region, Bar in Erzurum province, Halay in the central, southern, eastern, and southeastern parts of the country, Hora in Thrace, Horon in the eastern Black Sea region, Spoon dances in and around Konya, and Lezginka in Kars and Ardahan are some of the best known examples of these.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
Festejo is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many regards as one of the greatest representations of Peruvian culture.
Siti binti Saad was a pioneering Tanzanian musician in the taarab musical style. Through her music she was also an anti-colonial activist, feminist and Swahili cultural icon of 20th century. She produced over 250 phonograph records throughout her lifetime, becoming the first East African vocalist to release commercial recordings in the 1920s and 1930s. She also added a brand-new dance and pantomime component to taarab music called "natiki," which was inspired by Indian dance. She was a trailblazer as a female performer in the genre during a time when men artists controlled the industry. She performed in a variety of languages, but most significantly in Swahili, in contrast to earlier vocalists who solely sang in Arabic. She sang in cities of the coast of Tanganyika and Zanzibar.
Them Mushrooms is a musical band from Kenya, playing mostly Chakacha, some Benga and also some reggae. They are most famous for the Swahili 1982 song Jambo Bwana. The band is composed of Teddy Kalanda, Henry Ndenge Saha and Ben Mutwiwa. They mainly do covers of previously written hit songs.
Bango is a music style created and made popular on the East African coast by Joseph Ngala. It fuses traditional Portuguese music genres, Arabic influenced taarab music, jazz and music genres of local coastal Bantu languages. It resembles easy listening music styles of Latin America such as bossa nova and music styles of many Indian Ocean islands such as Seychelles and Mauritius. Ngala is a renowned Kenyan bango musician who comes from Freretown, Mombasa, and also the founder of the genre. He performed in the past with famous groups such as the Hodi Boys and was also the founder and band leader of the 1960s and 1970s group Bahari Boys. In the band, he was the main composer and inspiration. Mzee Ngala's song "Bango" is the originator of the name bango. The resilience of the name, bango, is testament to the genre created by Ngala.
Masha Mapenzi is an African Gospel and Afro-fusion singer.
"Jungle Fever" is a 1971 track performed by Belgian producers the Chakachas, written by pianist and arranger Willy Albimoor and first issued in Belgium by Swineyard, an independent record label.
Bhangra is a type of traditional folk dance of Punjab area of the Indian subcontinent. It is done in the season of harvesting. According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival.
Son mexicano is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son. The term son literally means "sound" in Spanish, and is also applied to other unrelated genres, most notably son cubano.
The Dhow Countries Music Academy (DCMA) is the first and only music school in Zanzibar, Tanzania, located in Vuga (Culture Music Club Building) in Stone Town. The academy promotes and preserves music heritage of the "Dhow Region" which include countries along the shores of the Indian Ocean and the Persian Gulf. Particular emphasis is being placed on teaching traditional music styles, such as Taarab, Kidumbaki or Ngoma.
Singeli or sometimes called Sengeli is a Tanzanian music genre that originated with the Zaramo in the Mtogole neighborhood of the Tandale ward in Kinondoni District of Dar es Salaam Region around the mid-2000s. The genre has since the late 2010s spread throughout Tanzania, and since 2020 the surrounding Great Lakes. Singeli is a ngoma music and dance where a MC performs over fast tempo taarab music, often at between 200 and 300 beats per minute (BPM) while females dance. Male and female MCs are near equally common, however styles between MC gender typically differ significantly. Male MCs usually perform in fast-paced rap, while female MCs usually perform kwaya.
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