Charles Benjamin Amirkhanian (born January 19, 1945; Fresno, California) is an American composer. He is a percussionist, sound poet, and radio producer of Armenian origin. He is mostly known for his electroacoustic and text-sound music. Performance artist Laurie Anderson praises his work: "The art of audio collage has been reinvented here... A brilliant sense of imaginary space." [1]
Amirkhanian received his Master of Fine Arts from Mills College in 1980, where he studied electronic music and techniques of sound recording. [2] He was music director of Pacifica Radio's KPFA-FM in Berkeley, California, from 1969 to 1992, and he was a lecturer in the Interdisciplinary Creative Arts Department at San Francisco State University from 1977 to 1980. [2] He co-directed the Telluride Institute's Composer to Composer festival in Telluride, Colorado, between 1988 and 1991. Amirkhanian is the executive director and artistic director of the Other Minds Music Festival in San Francisco, which he co-founded with Jim Newman in 1992. He has played a key role in recording and championing the work of Conlon Nancarrow and George Antheil, among others. [3]
In 1984, the American Music Center awarded him its Letter of Distinction for service to American composers through his work at KPFA FM in Berkeley, California. This was followed in 2005 by another for his co-founding and directing the Other Minds Festival in San Francisco. [4] From ASCAP in 1989 he received the Deems Taylor Award, also for service to American composers. Amirkhanian received a 1997 Foundation for Contemporary Arts Grants to Artists Award. In 2009, Chamber Music America and ASCAP honored him for his Adventurous Programming of Contemporary Music with Other Minds. [5] In 2017, the American Composers Forum honored him with its Champion of New Music award. [6]
Tape works unless otherwise noted; † indicates optional live voice(s).
Samuel Conlon Nancarrow was an American-Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his Studies for Player Piano, being one of the first composers to use auto-playing musical instruments, realizing their potential to play far beyond human performance ability. He lived most of his life in relative isolation and did not become widely known until the 1980s.
Alvin Augustus Lucier Jr. was an American experimental composer and sound artist. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which also included Robert Ashley, David Behrman, and Gordon Mumma. Much of Lucier's work explores psychoacoustic phenomena and the physical properties of sound.
KPFA is a public, listener-funded talk radio and music radio station located in Berkeley, California, broadcasting to the San Francisco Bay Area. KPFA airs public news, public affairs, talk, and music programming. The station signed on the air April 15, 1949, as the first Pacifica Radio station and remains the flagship station of the Pacifica Radio Network.
Other Minds is an American nonprofit organization based in San Francisco. It was founded In 1992 by Charles Amirkhanian and Jim Newman. According to their mission statement, the organization is dedicated to the "encouragement and propagation of contemporary music."
The San Francisco Girls Chorus, established in 1978 by Elizabeth Appling, is a regional center for music education and performance for girls and young women, ages 4–18, based in San Francisco. Each year, more than 300 singers from 45 Bay Area cities participate in SFGC's programs. The organization consists of a professional-level performance, recording, and touring ensemble and a six-level Chorus School training program.
İlhan Kemaleddin Mimaroğlu was a Turkish American musician and electronic music composer.
The Del Sol Quartet is a string quartet based in San Francisco, California that was founded in 1992 by violist Charlton Lee.
Alarm Will Sound is a 20-member chamber orchestra that focuses on recordings and performances of contemporary classical music. Its performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the Financial Times and as "a triumph of ensemble playing" by the San Francisco Chronicle. The New York Times said that Alarm Will Sound is "one of the most vital and original ensembles on the American music scene."
Trevor Wishart is an English composer, based in York. Wishart has contributed to composing with digital audio media, both fixed and interactive. He has also written extensively on the topic of what he terms "sonic art", and contributed to the design and implementation of software tools used in the creation of digital music; notably, the Composers Desktop Project.
Stephen Rowley Montague is an American composer, pianist and conductor who grew up in Idaho, New Mexico, West Virginia and Florida.
Roger Kleier is an American composer, guitarist, improviser, and producer.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Maggi Payne is an American composer, flutist, video artist, recording engineer/editor, and historical remastering engineer who creates electroacoustic, instrumental, vocal works, and works involving visuals.
Charles Shere was an American composer. He studied composition briefly with Robert Erickson and Luciano Berio but was largely self-taught. His music was primarily in unconventional notations and open form through the 1970s and early 1980s, but turned to more conventional forms thereafter. He was Music Director of radio KPFA in Berkeley in the late 1960s, a producer at KQED-TV in San Francisco from 1967 to 1971, and music critic of the Oakland (California) Tribune from 1971 to his retirement in 1988, and taught music history at Mills College from 1971 to 1986.
Timothy Wesley John Brady is a Canadian composer, electric guitarist, improvising musician, concert producer, record producer and cultural activist. Working in the field of contemporary classical music, experimental music, and musique actuelle, his compositions utilize a variety of styles from serialism to minimalism and often incorporate modern instruments such as electric guitars and other electroacoustic instruments. His music is marked by a synthesis of musical languages, having developed an ability to use elements of many musical styles while retaining a strong sense of personal expression. Some of his early recognized works are the 1982 orchestral pieces Variants and Visions, his Chamber Concerto (1985), the chamber trio ...in the Wake..., and his song cycle Revolutionary Songs (1994).
American Standard is an early ensemble work by noted American composer John Adams. The work is named for American Standard Brand appliances although Adams says that the title also reflects that the constituent movements are "indigenous musical forms" of the United States.
Marc Battier is a French composer and musicologist.
Adam Fong is an American composer, performer and producer active in the San Francisco Bay area. He studied English and Music at Stanford University earning an M.A. in 2004. He then completed an M.F.A. in media studies at Cal Arts in 2006 where his teachers included James Tenney and Wadada Leo Smith.
1750 Arch Records was an independent record label that focused on experimental and avant garde music, jazz, and classical music.
Robert Grove Hughes (1933–2022) was an American composer, conductor, bassoonist and music scholar based in the San Francisco Bay Area. He was known for his wide-ranging artistic interests—extending to poetry, performance art and social commentary—and advocacy of contemporary, often experimental music. San Francisco Chronicle critic Joshua Kosman described Hughes as a visionary and "musical Zelig" who "played a key role in a vast range of ambitious and influential musical projects." In the 1960s, Hughes co-founded the long-running Cabrillo Festival of Contemporary Music and co-founded and led the award-winning Oakland Symphony Youth Orchestra. In subsequent decades he co-founded and led the Arch Ensemble for Experimental Music with baritone vocalist Thomas Buckner and co-directed the performance group MA FISH CO with his wife, artist Margaret Fisher.
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