Charles Hill-Tout (1858–1944) was an ethnologist and folklorist, active in British Columbia, born in Buckland, Devon, England, [1] on 28 September 1858.
In his early years, Hill-Tout studied divinity at a seminary in Lincoln and preached in Cardiff. He married Edith Mary Stothert and soon became fascinated with Darwinism. He participated in the Oxford Movement before his departure from England and landed in Toronto, Ontario, where he purchased a 100-acre farm near Port Credit on Lake Ontario. [2] He was eventually offered a teaching position by his mentor, Daniel Wilson of Toronto University. Wilson told Hill-Tout about the indigenous Haida people and their totems, which aroused in him an insatiable curiosity. [2] He set out for Vancouver, British Columbia, where he hoped to conduct ethnographic research on this people. While there, he was offered another teaching position, but was soon informed about the death of one of his children in England, which prompted him to leave the country to be with his family. [2]
In 1891, Charles returned with his family to Vancouver and there became housemaster at Whetham College. For two years he was principal of Trinity College, and then opened Buckland College at Burrard and Robson street. He bought a quarter section of wooded land near Abbotsford and built a log cabin for a summer residence. In 1899 he bought a neighbour's farm and house and made it the family home. [2]
In 1892, he commenced extensive excavations of the Great Marpole Midden in Vancouver for the Art, Historical, and Scientific Association of Vancouver, stimulating study of other middens in the region. [3] The Great Midden, which dates from 2400 to 1600 years BP and was a living village until the first of the great smallpox epidemics in the late 17th century, is today a National Heritage Site of Canada.
In 1896 Hill-Tout interviewed Chief Mischelle of the Nlaka'pamux tribe. In 1899 the Folklore Society published his article "Sqaktktquaclt, or the Benign-Faced, the Oannes of the Ntlaka-pamuq", [4] where he made reference to the myth of Oannes in the Persian Gulf. When the Jesup North Pacific Expedition stopped in Vancouver in 1897, Hill-Tout met Franz Boas, leader of the expedition. Hill-Tout escorted Harlan Smith of the expedition to Lytton for field study. By 1898, Hill-Tout had written his first book on the ethnology of the Haida people. [5]
In 1903 the Royal Society of Canada published his study of totemism. [6] In 1907 he published British North America: I. The far West, home of the Salish and Déné. [7]
Hill-Tout was president of the British Columbia Academy of Science in 1914, and vice president the year before. During the First World War he enlisted in the Canadian Expeditionary Force with the 242nd Battalion, CEF. He died 30 June 1944, in Vancouver. [8]
In 1978 Ralph Maud assembled four volumes of ethnographic writing by Hill-Tout: Thomson and the Okanagan, the Squamish and the Lillooet, the Mainland Halkomelem, the Sechelt and the South-Eastern Tribes of Vancouver Island. [2]
William Ronald Reid Jr. was a Haida artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century.
Haida are an Indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia,, and the Coast Salish communities in Washington and British Columbia.
Charles Frederick Newcombe was a British botanist and ethnographic researcher. He is known for his studies of the First Nations or native people of Canada. The standard author abbreviation C.F.Newc. is used to indicate this person as the author when citing a botanical name.
Charles Marius Barbeau,, also known as C. Marius Barbeau, or more commonly simply Marius Barbeau, was a Canadian ethnographer and folklorist who is today considered a founder of Canadian anthropology. A Rhodes Scholar, he is best known for an early championing of Québecois folk culture, and for his exhaustive cataloguing of the social organization, narrative and musical traditions, and plastic arts of the Tsimshianic-speaking peoples in British Columbia, and other Northwest Coast peoples. He developed unconventional theories about the peopling of the Americas.
The Musqueam Indian Band is a First Nations band government in the Canadian province of British Columbia. It is the only First Nations band whose reserve community lies within the boundaries of the City of Vancouver.
Marpole, originally a Musqueam village named c̓əsnaʔəm, is a mostly residential neighbourhood of 23,832 in 2011, located on the southern edge of the city of Vancouver, British Columbia, immediately northeast of Vancouver International Airport, and is approximately bordered by Angus Drive to the west, 57th Avenue to the north, Ontario Street to the east and the Fraser River to the south. It has undergone many changes in the 20th century, with the influx of traffic and development associated with the construction of the Oak Street Bridge and the Arthur Laing Bridge.
Robert Charles Davidson LL. D. D.F.A., is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Wilson Duff was a Canadian archaeologist, cultural anthropologist, and museum curator.
The Museum of Vancouver (MOV) is a civic history museum located in Vanier Park, Vancouver, British Columbia. The MOV is the largest civic museum in Canada and the oldest museum in Vancouver. The museum was founded in 1894 and went through a number of iterations before being rebranded as the Museum of Vancouver in 2009. It creates Vancouver-focused exhibitions and programs that encourage conversations about what was, is, and can be Vancouver. It shares an entrance and foyer with the H. R. MacMillan Space Centre but the MOV is much larger and occupies the vast majority of the space in the building complex where both organisations sit as well as separate collections storage facilities in another building.
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The Coast Salish is a group of ethnically and linguistically related Indigenous peoples of the Pacific Northwest Coast, living in the Canadian province of British Columbia and the U.S. states of Washington and Oregon. They speak one of the Coast Salish languages. The Nuxalk nation are usually included in the group, although their language is more closely related to Interior Salish languages.
The Indigenous peoples of the Pacific Northwest Coast are composed of many nations and tribal affiliations, each with distinctive cultural and political identities. They share certain beliefs, traditions and practices, such as the centrality of salmon as a resource and spiritual symbol, and many cultivation and subsistence practices. The term Northwest Coast or North West Coast is used in anthropology to refer to the groups of Indigenous people residing along the coast of what is now called British Columbia, Washington State, parts of Alaska, Oregon, and Northern California. The term Pacific Northwest is largely used in the American context.
The Lekwungen or Lekungen nation are an Indigenous North American Coast Salish people who reside on southeastern Vancouver Island, British Columbia in the Greater Victoria area. Their government is the Songhees First Nation, a member of the Te'mexw Treaty Association and the Naut'sa Mawt Tribal Council. Their traditional language is Lekwungen, a dialect of the North Straits Salish language.
The following is an alphabetical list of topics related to Indigenous peoples in Canada, comprising the First Nations, Inuit and Métis peoples.
John Henry Keen (1851–1950) was an Anglican missionary in Canada, known for translating scriptures into Haida. While serving as a missionary, he also contributed to Canada's natural history, writing on insects he discovered; he had a species of mouse and bat named after him.
The Great Marpole Midden, is an ancient Musqueam village and burial site located in the Marpole neighbourhood of Vancouver, British Columbia.
Charles Edward Borden; also Carl Borden; was an American- born Canadian professor of archaeology at the University of British Columbia and the author of seminal works on archaeology, pre-history and pre-contact history. He was of German descent. The Canadian Archaeological Association referred to him as the grandfather of archaeology in British Columbia and especially regarding prehistory and early history and rendered outstanding services to British Columbia. The Borden System was used on all archaeological sites. Borden deemed the Milliken site in the Fraser Canyon, with finds dating back about 9500 years old, making it the oldest known settlement at the time, therefore the most important of the excavations at sites.
Douglas Reynolds Gallery is an art gallery in Vancouver, British Columbia. It is located in the Business Improvement Area of South Granville. The gallery was founded in 1995 by Douglas Reynolds.