Charles Munch (born 1945) is an American artist.
Munch and his four brothers and sisters, including his twin sister, were raised and attended public schools in Webster Groves, a suburb of St. Louis, Missouri where he was born. They spent summers in Door County, Wisconsin, where Munch was impressed by the clarity of light and color on the shore of Lake Michigan.
After spending two years at Reed College, Portland, Oregon, and beginning his training as an artist with realist painter Willard Midgette, Munch attended the Portland Art Museum School and the New York Studio School of Drawing, Painting and Sculpture. He returned to Reed College and graduated Phi Beta Kappa in 1968, majoring in painting.
Munch apprenticed himself to William Suhr, who was paintings conservator for the Frick Collection in New York City. He worked part-time as a freelance paintings conservator for the next 45 years. In 1970 he and his partner Jane Furchgott began two years of travel, visiting most of the major museums in the United States and western Europe. They finally settled in Sturgeon Bay, Wisconsin, where Munch developed a detailed realistic style of painting.
During the course of six months in 1981, Munch transitioned from his realistic paintings to a style that was brightly colored, formally simplified, and emotionally expressive—a blend of elements including early Italian Renaissance, Post-Impressionism, and Pop Art. His distinctive form of representation uses broad outlines and contrasting interior colors to create luminous light and atmosphere. The deceptively simple forms and large areas of clear color in his paintings combine to create unforgettable icons of psychological drama. His subjects vary, but the emphasis is on northwoods landscapes and the animals and people that inhabit them.
Since 1982 Munch has lived on a remote hilltop near Lone Rock, Wisconsin. He has exhibited extensively, including major exhibitions at the Milwaukee Art Museum, The Chicago Cultural Center, The Madison Museum of Contemporary Art, and retrospectives at the Fairfield Gallery, Sturgeon Bay WI, and the Museum of Wisconsin Art, West Bend WI. He has shown regularly at the Tory Folliard Gallery, Milwaukee; the Abel Contemporary Gallery, Stoughton WI .
Edvard Munch was a Norwegian painter. His 1893 work, The Scream, has become one of Western art's most acclaimed images.
Tom Uttech is an American landscape painter and photographer. His inspiration has come from travels to northern Minnesota and the Quetico Provincial Park in Ontario.
John Wilde was a painter, draughtsman and printmaker of fantastic imagery. Born near Milwaukee, Wilde lived most of his life in Wisconsin, save for service in the U.S. Army during World War II. He received bachelor and master degrees in art from the University of Wisconsin–Madison, where he taught for some 35 years. Wilde was associated with the Magic Realism movement and Surrealism in the United States. His darkly humorous figurative imagery often included self-portraits through which he interacted with the people, animals and surreal objects that populate his fantasy world.
Scott Reeder is a multi-disciplinary artist in Chicago, IL. He is currently represented by Canada in New York, NY and Kavi Gupta in Chicago, IL.
Carl Robert Holty (1900–1973) was a German-born American abstract painter. Raised in Wisconsin, he was the first major abstract painter to gain notoriety from the state. Harold Rosenberg described Holty as "a figure of our art history," known for his use of color, shape and form.
Deflected Jets is a public artwork by American artist Guido Peter Brink located on the Fire Engine Company #29 grounds, which is at 3529 South 84th Street in Milwaukee, Wisconsin, in the United States. Commissioned in 1987 and installed the following year, the work consists of a stainless steel abstract form atop a red brick base, to which a placard is affixed. The total size of the piece is approximately 136 by 35 by 35 inches.
Aleksander Balos is a Romani-Polish-American artist and figurative painter, known for his classical photorealistic paintings depicting contemporary subject matter and narrative. He currently lives in the United States and is a naturalised American.
Truman Tennis Lowe (Ho-Chunk) was an American sculptor and installation artist. A professor of fine art at the University of Wisconsin, Lowe also served as a curator of contemporary art at the National Museum of the American Indian. He is known for large site-specific installation pieces using natural materials.
Eric Aho is an American painter living in Vermont. DC Moore Gallery in New York City represents his work.
Evan Gruzis is a contemporary artist born in 1979 in Milwaukee, Wisconsin, United States. He has lived and worked in Los Angeles and New York City, and, since 2012, has lived in Wisconsin with his partner, Nicole Rogers, and their child. Gruzis first became known for his vivid paintings, which have been described as "extremely flat sculptures." His work also includes elaborate installations as well as collaborations which blur the lines of curation and production. In addition to his artistic practice, Gruzis owns and operates The Heights, a collaborative restaurant in Madison, Wisconsin, and teaches painting and drawing at the School of the Art Institute of Chicago.
John Geldersma is known for his wooden sculptures of what he calls "contemporary tribalism".
Decatur Gibson Byrd (1923–2002), was an American painter of Shawnee ancestry known for landscape and figurative paintings. He was a master of coloristic subtleties and atmospheric effects, and his work often emphasized social commentary and injustice, and the angst and banality of modern materialism.
Leslie Smith III is a contemporary African American visual artist. He currently lives and works in Madison, Wisconsin.
Jan Serr is an American visual artist who produces a wide range of art including oil paintings, drawings, photographs and prints such as monotypes, lithographs, and etchings.
Jessie Kalmbach Chase was a fine art painter based in Wisconsin. Much of her work showing Wisconsin landscapes was inspired by the views available in her native Door County.
Emily Parker Groom (1876–1975) was an American artist born in Wayland, Massachusetts. She remained an active painter until the age of 97, spending nearly her entire career in Wisconsin, and died in Milwaukee, Wisconsin.
Santos Ision Jackson Zingale (1908–1999) was an American artist known for his regionalist and social realist paintings.
Martha Nessler Hayden is an American artist, known for Modernist landscape painting and artist books. Hayden lives and works in Sharon, Wisconsin, in a historic Victorian home.
William Nichols is an American artist known for highly detailed, tactile landscape paintings that combine physical scale with intimacy. His work depicts unassuming gardens, forests, ponds, and streams rather than grand vistas, in dense, close-up screens of foliage, thicket or water that immerse viewers within the experience rather outside it. Nichols developed his mature style in the 1970s, combining painterly traditions going back to Impressionism with reemerging movements such as Realism and Photorealism; critic John Perreault called his approach, "Photo-Impressionism." He has exhibited throughout the United States and abroad, including at OK Harris Gallery in New York (1979–2013), the San Francisco Museum of Modern Art, Milwaukee Museum of Art, Butler Institute of American Art, Kaohsiung Museum of Fine Arts (Taiwan), and Gulbenkian Museum (Lisbon); his work belongs to many private and public museum collections. In addition to reviews in national publications, Nichols's work appears in several art historical surveys of Realism and landscape painting, including The Artist and the American Landscape and Contemporary American Realism Since 1960, among others. Critic Mac McCloud observed that Nichols's "meticulous craft and precise observation of shape, edge, color and light" rendered his work "almost beyond reality […] alive with growth and transformation, teeming with insects and sweltering weather and yet, in the eternal aesthetic paradox it is motionless." Gallerist Ivan Karp wrote, "the vital pulse" of Nichols's paintings defies "the conviction that 400 years of depictions of the natural world nullify the ability of living artists to produce landscapes of high consequence."
Fred Berman, born Fred Jean Berman, was a Jewish American abstract artist.