Charleston Parade | |
---|---|
French | Sur un air de Charleston |
Directed by | Jean Renoir |
Release date |
|
Running time | 17 minutes |
Country | France |
Language | Silent |
Charleston Parade (Sur un air de Charleston) is a short 1927 dance comedy film starring Jean Renoir and Johnny Hudgins. It was directed by Jean Renoir. [1] [2] Hudgins performs in blackface. The film is extant.
Renoir used some of the leftover footage from his previous film Nana . [3] It was shot in a few days and unfinished. It deals with racial roles. [4] The film is set in 2028. [5] It is about an explorer. [6]
The film was shown at the Grand Lyon Film Festival in 2018. [7]
A local white girl teaches a futuristic African airman the Charleston dance in this strange, sensual silent film, which was shot in three days. [8] [9] [10]
The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
Pierre Renoir was a French stage and film actor. He was the son of the impressionist painter Pierre-Auguste Renoir and elder brother of the film director Jean Renoir. He is also noted for being the first actor to play Georges Simenon's character Inspector Jules Maigret in Night at the Crossroads, directed by his brother.
Jean Epstein was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's The Fall of the House of Usher, he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of photogénie.
Jacques Becker was a French film director and screenwriter. His films, made during the 1940s and 1950s, encompassed a wide variety of genres, and they were admired by some of the filmmakers who led the French New Wave movement.
Pierre Braunberger was a French producer, executive producer, and actor.
Sylvia Bataille was a French actress of Romanian-Jewish descent. When she was twenty, she married the writer Georges Bataille with whom she had a daughter, the psychoanalyst Laurence Bataille (1930–1986). Georges Bataille and Sylvia separated in 1934 but did not divorce until 1946. Starting in 1938, she was a companion of the psychoanalyst Jacques Lacan with whom, in 1941, she had a daughter, Judith. Sylvia Bataille married Jacques Lacan in 1953.
Night at the Crossroads is a 1932 French crime film by Jean Renoir, based on the novel of the same title by Georges Simenon and starring Renoir's brother Pierre Renoir as Simenon's popular detective, Inspector Maigret.
Picnic on the Grass is a 1959 French comedy film written and directed by Jean Renoir, starring Paul Meurisse, Fernand Sardou and Catherine Rouvel. It is known in the United Kingdom by its original title or in translation as Lunch on the Grass. A satire on contemporary science and politics, it revolves around a prominent biologist and politician who wants to replace sex with artificial insemination, but begins to reconsider when a picnic he organizes is interrupted by the forces of nature. The film brings up issues of modernity, human reproduction, youth and European integration. It ridicules rationalist idealism and celebrates a type of materialism it associates with classical mythology and ancient Greek philosophy.
René Lefèvre was a French actor and writer. Throughout his career, he worked with several notable directors, like Jean Renoir, Jean-Pierre Melville, Jules Dassin, and René Clair.
Nana is a 1926 French silent drama film directed by Jean Renoir and starring Catherine Hessling, Werner Krauss and Jean Angelo. It was Renoir's second full-length film and is based on the 1880 novel by Émile Zola.
The Cinémathèque québécoise is a film conservatory in Montreal, Quebec, Canada. Its purpose is to preserve, document, film, and television footage and related documents and artifacts for future use by the public. The Cinémathèque's collections include over 35,000 films from all eras and countries, 25,000 television programmes, 28,000 posters, 600,000 photos, 2,000 pieces of historical equipment, 15,000 scripts and production documents, 45,000 books, 3,000 magazine titles, thousands of files, as well as objects, props, and costumes. The conservatory also includes a film theatre, which screens rarely seen films and videos.
Catherine Hessling was a French actress and the first wife of film director Jean Renoir. Hessling appeared in 15, mostly silent, films before retiring from the acting profession and withdrawing from public life in the mid-1930s.
Jean Angelo was a French film actor of silent movies and early talkies. He was often a leading man playing romantic or athletic roles. Angelo was born and died in Paris.
Jean Douchet was a French film director, historian, film critic and teacher who began his career in the early 1950s at Gazette du Cinéma and Cahiers du cinéma with members of the future French New Wave.
Pierre Lestringuez was a French screenwriter and film actor. He wrote the screenplays for several Jean Renoir silent films during the 1920s.
Edmond Castel, real name Edmond Castellino, was a French actor.
Marquitta is a 1927 French silent drama film directed by Jean Renoir and starring Jean Angelo, Marie-Louise Iribe and Henri Debain.
Johnny Hudgins was a vaudeville performer. He sometimes performed in blackface. Hudgins was nicknamed the Wah-Wah Man (wah-wah) and was known for his mime performances accompanied by accomplished trumpeters. He was friends with fellow vaudevillian Josephine Baker who he performed with in the show Chocolate Dandies. He was also in the show Lucky Sambo. He used burnt cork to blacken his face and performed with exaggerated white lips in many of his performances. His performances drew rave reviews and imitators. Hudgins sought to copyright his performance art.
Véra Sergine was a French actress. She was married to actor Pierre Renoir and was the mother of cinematographer Claude Renoir.