Charleston Parade | |
---|---|
French | Sur un air de Charleston |
Directed by | Jean Renoir |
Release date |
|
Running time | 21 minutes |
Country | France |
Language | Silent |
Charleston Parade (Sur un air de Charleston) is a short 1927 futuristic sensual dance fantasy film directed by Jean Renoir, starring Renoir's wife Catherine Hessling and the African American mime artist Johnny Hudgins. [1] [2] Hudgins performs in blackface.
Originally titled Sur un air de Charleston, the film was released as Charleston Parade in English-speaking countries. Renoir would later remark that he directed this avant-garde film because he had "just discovered American jazz." He used some of the leftover footage from his previous film Nana . [1] [3] The film was shot in a three days in the autumn of 1926, but remained unfinished and is rarely shown. The film reverses racial stereotypes and is set in 2028. [4] [5] Censorship boards in some areas of the US and Europe protested against Catherine Hessling's near-nude dance performance. [1] According to Renoir, the film was favourably reviewed by the press, "but this did nothing to open the doors of the popular cinemas." [3]
A restored version of the film was shown at the Grand Lyon Film Festival in 2018. [6]
2028. Europe has been destroyed by a devastating war. An African scientist decides to explore in a flying bubble. Arriving over what remains of Paris, he sets his craft down on the roof of a Morris advertising column, which serves as shelter for a beautiful white aboriginal wild woman, whose only companion is a monkey. When the wild woman discovers that the foreign explorer has arrived, she ties him to the column and performs a sensual ritual dance for him. The prisoner realises that this is a Charleston, the original dance of his people, traces of which have been lost for ages. The white dancer frees the explorer and teaches him to dance. Happily—but to the great despair of the monkey—they both climb into the flying bubble and take off for Africa. And a cardboard box warns us that this is how the dance of the white aborigines entered Africa. [n. 1]
Pierre-Auguste Renoir was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
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Catherine Hessling was a French actress and the first wife of film director Jean Renoir. Hessling appeared in 15, mostly silent, films before retiring from the acting profession and withdrawing from public life in the mid-1930s.
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Johnny Hudgins was a vaudeville performer. He sometimes performed in blackface. Hudgins was nicknamed the Wah-Wah Man (wah-wah) and was known for his mime performances accompanied by accomplished trumpeters. He was friends with fellow vaudevillian Josephine Baker who he performed with in the show Chocolate Dandies. He was also in the show Lucky Sambo. He used burnt cork to blacken his face and performed with exaggerated white lips in many of his performances. His performances drew rave reviews and imitators. Hudgins sought to copyright his performance art.