Charlotte Zwerin | |
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Born | Charlotte Mitchell August 15, 1931 Detroit, Michigan, U.S. |
Died | January 22, 2004 72) New York City, U.S. | (aged
Occupation(s) | Editor, director |
Charlotte Zwerin (born Charlotte Mitchell, August 15, 1931 –January 22, 2004) was an American documentary film director and editor known for her solo work profiling artists and musicians, and as a pioneer of direct cinema and cinéma vérité, co-directing the documentaries Salesman (1969), Gimme Shelter (1970), and Running Fence (1978) with Albert and David Maysles. [1] [2]
Zwerin grew up in Detroit, Michigan. She studied at Wayne State University and established a film club there which sparked her interest in documentary filmmaking. [3] After this, she moved to New York City and found a job with Drew Associates, who were pioneers of direct cinema in the United States. [4] Here, she met and began to work with Albert and David Maysles. [4] Zwerin went onto edit and co-direct two of the canonical cinéma vérité documentaries with the Maysles brothers: Salesman and Gimme Shelter. [5] Zwerin died of lung cancer in January 2004 at her home in Manhattan, at the age of 72. [6] [7]
Zwerin was an editor who worked on some of the canonical films of the cinéma vérité mode of documentary filmmaking including Salesman and Gimme Shelter.Salesman is concerned with following door-to-door Bible salesmen as they attempt to sell the greatest "best seller in the world." [8] Gimme Shelter monitors the famous London rock band, The Rolling Stones , during their 1969 tour which culminated in the deadly Altamont Free Concert. The film has gained a great deal of notoriety, infamy and controversy for portraying a stabbing which resulted in the killing of Meredith Hunter at the hands of the Hells Angels, who were working as security for the concert. [9]
Zwerin directed several other documentaries with subjects such as Thelonious Monk, "the brilliant and eccentric jazz pianist", the Armenian abstract painter Arshile Gorky, and the legendary singer Ella Fitzgerald, among many others. [6] Her last film credit was as story consultant on the documentary film West 47th Street (2001). [10] [11]
Zwerin's work is often described as following the French documentary style of representation known as cinéma vérité. Her work is also emblematic of the direct cinema style.[ citation needed ]
A documentary film is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". The American author and media analyst Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
Salesman is a 1969 direct cinema documentary film, directed by brothers Albert and David Maysles and Charlotte Zwerin, about door-to-door Bible salesmen.
Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
Arshile Gorky was an Armenian-American painter who had a seminal influence on Abstract Expressionism. He spent the last years of his life as a national of the United States. Along with Mark Rothko, Jackson Pollock and Willem de Kooning, Gorky has been hailed as one of the most powerful American painters of the 20th century. The suffering and loss he experienced in the Armenian genocide had crucial influence at Gorky's development as an artist.
Grey Gardens is a 1975 American documentary film by Albert and David Maysles. The film depicts the everyday lives of two reclusive, upper-class women, a mother and daughter both named Edith Beale, who lived in poverty at Grey Gardens, a derelict mansion at 3 West End Road in the wealthy Georgica Pond neighborhood of East Hampton, New York. The film was screened at the 1976 Cannes Film Festival but was not entered into the main competition.
West 47th Street is a documentary film produced by Lichtenstein Creative Media.
Direct cinema is a documentary genre that originated between 1958 and 1962 in North America—principally in the Canadian province of Quebec and in the United States—and was developed in France by Jean Rouch. It is a cinematic practice employing lightweight portable filming equipment, hand-held cameras and live, synchronous sound that became available because of new, ground-breaking technologies developed in the early 1960s. These innovations made it possible for independent filmmakers to do away with a truckload of optical sound-recording, large crews, studio sets, tripod-mounted equipment and special lights, expensive necessities that severely hog-tied these low-budget documentarians. Like the cinéma vérité genre, direct cinema was initially characterized by filmmakers' desire to capture reality directly, to represent it truthfully, and to question the relationship between reality and cinema.
Albert Maysles and his brother David Maysles were an American documentary filmmaking team known for their work in the Direct Cinema style. Their best-known films include Salesman (1969), Gimme Shelter (1970) and Grey Gardens (1975).
Thelonious Monk: Straight, No Chaser is a 1988 American documentary film about the life of bebop pianist and composer Thelonious Monk. Directed by Charlotte Zwerin, it features live performances by Monk and his group, and posthumous interviews with friends and family. The film was created when a large amount of archived footage of Monk was found in the 1980s.
Barbara Kopple is an American film director known primarily for her documentary work. She is credited with pioneering a renaissance of cinema vérité, and bringing the historic French style to a modern American audience. She has won two Academy Awards, for Harlan County, USA (1977), about a Kentucky miners' strike, and for American Dream (1991), the story of the 1985–86 Hormel strike in Austin, Minnesota, making her the first woman to win two Oscars in the Best Documentary category.
Gimme Shelter is a 1970 American documentary film directed by Albert and David Maysles and Charlotte Zwerin chronicling the last weeks of the Rolling Stones' 1969 US tour which culminated in the disastrous Altamont Free Concert and the killing of Meredith Hunter. The film is named after "Gimme Shelter", the lead track from the group's 1969 album Let It Bleed. Gimme Shelter was screened out of competition as the opening film of the 1971 Cannes Film Festival.
"Gimme Shelter" is a song by the English rock band the Rolling Stones. Written by Jagger–Richards, it is the opening track of the band's 1969 album Let It Bleed. The song covers the brutal realities of war, including murder, rape and fear. It features prominent guest vocals by American singer Merry Clayton.
Christian Blackwood was an American film director and cinematographer.
Susan Steinberg is an American television producer, writer, and director. She is sometimes credited as Sue Steinberg.
Revelation Perth International Film Festival began in 1997. Founded by Richard Sowada to showcase a large range of independent feature films, documentaries, short films, and experimental works, it runs every July in Perth, Western Australia and is regarded as one of the best independent film festivals in Australia.
LaLee's Kin: The Legacy of Cotton is a 2001 American documentary film directed by Deborah Dickson, Susan Froemke, and Albert Maysles. It was nominated for Best Documentary Feature at the 74th Academy Awards.
The 24th Cannes Film Festival was held from 12 to 27 May 1971. The Palme d'Or went to The Go-Between by Joseph Losey.
Bruce Ricker was a jazz and blues documentarian. He is best known for his collaboration with Clint Eastwood on films about jazz and blues legends.
Alain Gomis is a French-Senegalese film director and screenwriter. His 2017 film Félicité was selected as the Senegalese entry for the Best Foreign Language Film at the 90th Academy Awards, making the December shortlist.
Michael Blackwood was a German-born American independent documentary filmmaker who founded Blackwood Productions, now known as Michael Blackwood Productions, in 1966.