The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
Dorothy Mackaill was a British-American actress, most active during the silent-film era and into the pre-Code era of the early 1930s.
No Man of Her Own is a 1932 American pre-Code romantic comedy-drama film starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The film was directed by Wesley Ruggles, and originated as an adaptation of No Bed of Her Own, a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title from Lewton's novel. It is not related to the 1950 film of the same name.
Shore Leave is a 1925 American silent comedy film directed by John S. Robertson and starring Richard Barthelmess and Dorothy Mackaill. It was produced by Barthelmess's production company, Inspiration, and released by First National Pictures.
Curtain at Eight is a 1933 American pre-Code mystery film directed by E. Mason Hopper and starring C. Aubrey Smith, Dorothy Mackaill and Paul Cavanagh.
Convoy is a 1927 American silent World War I drama film directed by Joseph C. Boyle and Lothar Mendes, starring Lowell Sherman and Dorothy Mackaill, and released through First National Pictures. The film is an early producing credit for the Halperin Brothers, Victor and Edward, later of White Zombie fame, and is the final screen appearance of Broadway stars Gail Kane and Vincent Serrano.
Just Another Blonde is a 1926 American silent romantic comedy / adventure film distributed by First National Pictures. Based on the short story "Even Stephen" by Gerald Beaumont, the film was directed by Alfred Santell and stars Dorothy Mackaill, Jack Mulhall, and Louise Brooks.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Ranson's Folly is a 1926 American silent Western film produced by and starring Richard Barthelmess and co-starring Dorothy Mackaill. It is based on a Richard Harding Davis novel and 1904 play, Ranson's Folly, and was filmed previously in 1910 and in 1915 by Edison.
Party Husband is a 1931 American pre-Code comedy film produced by First National Pictures and released through their parent company Warner Bros. It was directed by Clarence G. Badger and stars Dorothy Mackaill. It is preserved at the Library of Congress.
Waterfront is a 1928 American synchronized sound comedy drama film released with sound effects and music, produced and released by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was directed by William A. Seiter and starred Dorothy Mackaill and Jack Mulhall, then a popular duo under the First National banner.
Hard to Get is a 1929 American all-talking sound pre-Code comedy film directed by William Beaudine and starring Dorothy Mackaill, Charles Delaney and James Finlayson.
Subway Sadie is a 1926 American silent comedy-drama film directed by Alfred Santell. Adapted from Mildred Cram's 1925 short story "Sadie of the Desert", the film focuses on a relationship between New York salesgirl Sadie Hermann and subway guard Herb McCarthy, who meet on the subway and become engaged. However, after Sadie receives a promotion, she must choose between her new job and marrying Herb. The cast also includes Charles Murray, Peggy Shaw, Gaston Glass, and Bernard Randall.
Their Mad Moment is a 1931 American pre-Code comedy drama film directed by Chandler Sprague and starring Dorothy Mackaill, Warner Baxter and ZaSu Pitts. An uncredited Hamilton MacFadden also directed some scenes. It is based on the 1927 novel Basquerie by Eleanor Mercein Kelly. A Spanish-language version Mi último amor was also produced.
Beyond Victory is a 1931 American pre-Code war film starring Bill Boyd, James Gleason, Lew Cody, and ZaSu Pitts. While John Robertson received directing credit, Edward H. Griffith supposedly took extensive re-takes after production ended and the film was deemed not audience ready. Two actresses with major roles in the original version were completely cut from the final release, Helen Twelvetrees and June Collyer. The original screenplay was written by Horace Jackson and James Gleason. While the film might not have made a profit at the box office, it was well received by critics.
The Chief is a 1933 American pre-Code comedy film directed by Charles Reisner and written by Arthur Caesar and Robert E. Hopkins. The film stars Ed Wynn, Charles "Chic" Sale, Dorothy Mackaill, William "Stage" Boyd, Effie Ellsler and C. Henry Gordon. The film was released on November 3, 1933, by Metro-Goldwyn-Mayer.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
The Fair Cheat is a 1923 American silent comedy film directed by Burton L. King and starring Edmund Breese, Wilfred Lytell, and Dorothy Mackaill.
The Making of O'Malley is a 1925 American silent drama film directed by Lambert Hillyer and written by Eugene Clifford. The film stars Milton Sills, Dorothy Mackaill, Helen Rowland, Warner Richmond, Thomas Carrigan and Julia Hurley. The film was released on June 28, 1925, by First National Pictures. The Gerald Beaumont short story was also the basis of the 1937 Warner Bros. film The Great O'Malley, directed by William Dieterle and starring Pat O'Brien and Humphrey Bogart.
Revenge at Monte Carlo is a 1933 American pre-Code mystery film directed by B. Reeves Eason and starring June Collyer, José Crespo and Wheeler Oakman. It is also known by the alternative title of Mystery at Monte Carlo.
