The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Xalam is a traditional lute from West Africa with 1-5 strings.
The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako.
Kita is a town and urban commune in western Mali. The town is the capital of the Kita Cercle in the Kayes Region. It lies on the eastern slope of Mount Kita, known for its caves and rock paintings. Today, the town is known for its music, its annual Roman Catholic pilgrimage and its role as a processing center for the surrounding cotton- and peanut-growing region. Kita lies on the Dakar-Niger Railway and is the largest transit hub between Bamako and Kayes. In the 2018 census the urban commune had a population of 463,787.
Toumani Diabaté is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles. In 2006, the London-based newspaper The Independent named Diabaté one of the fifty best African artists.
Massa Makan Diabaté was a Malian historian, author, and playwright.
Djelimady Tounkara is a Malian musician and one of the foremost guitarists in Africa.
Habib Koité is a Malian musician, singer, songwriter and griot based in Mali. His band, Bamada, was a supergroup of West African musicians, which included Kélétigui Diabaté on balafon.
Bob Carlin is an American old-time banjo player and singer.
Sona Jobarteh is a Gambian multi-instrumentalist, singer and composer. She is from one of the five principal kora-playing griot families of West Africa, and is the first female professional kora player to come from a griot family. She is the cousin of the celebrated kora player Toumani Diabate, and is the sister of the diaspora kora player Tunde Jegede.
The ngoni is a string instrument and a traditional West African guitar. Its body is made of wood or calabash with dried animal skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam. This is called a jeli ngoni as it is played by griots at celebrations and special occasions in traditional songs called fasas in Mandingo. Another larger type, believed to have originated among the donso is called the donso ngoni. This is still largely reserved for ceremonial purposes. The donso ngoni, or "hunter's harp," has six strings. It is often accompanies singing along with the karagnan, a serrated metal tube scraped with a metal stick. The donso ngoni was mentioned by Richard Jobson in the 1620s, describing it as the most commonly used instrument in the Gambia. He described it as an instrument with a great gourd for a belly at the bottom of a long neck with six strings.
Lucy Durán is a British ethnomusicologist, record producer and radio presenter. In the 1980s, Durán worked as a curator at the British Library National Sound Archive. She joined SOAS University of London in 1993, and is Professor of Music with special reference to Africa and Cuba, in the School of Arts. She is the daughter of Spanish composer and civil war veteran Gustavo Durán and the sister of poet Jane Duran and author Cheli Duran.
Chopteeth is a Washington, D.C.- based afrofunk big-band. Although rooted in Fela Kuti's Nigerian afrobeat, Chopteeth's music is an amalgam of Ghanaian highlife, Senegalese rumba, Jamaican ska, Mande griot music, 1970's West African funk, Ewe dance drum rhythms, Kenyan Taita afropop, soul-funk, and jazz. Chopteeth's writing and arrangements feature unique driving syncopations, and occasional odd meters. Chopteeth vocalists sing in eight different languages including English, Nigerian Pidgin, Swahili, Wolof, Mande, Twi, Taita, and French.
Mamadou Diabaté is a Malian musician known for his work with the kora. He began playing quite early in his life, became known as a musician in the area of Mali in which he lived, and has since moved to the United States, recording several albums.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
Trio Da Kali is a griot music group from Mali constituted of three members: Hawa Kassé Mady Diabaté (vocals), Lassana Diabaté (balafon) and Mamadou Kouyaté (ngoni). Hawa is the daughter of a griot Kassé Mady Diabaté. The latter is the son of the Ngoni master Bassekou Kouyate.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.
