Chela Sandoval | |
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Born | 31 July 1956 San Jose |
Chela Sandoval (born July 31, 1956), associate professor of Chicana Studies at University of California, Santa Barbara, [1] is a noted theorist of postcolonial feminism and third world feminism. Beginning with her 1991 pioneering essay 'U.S. Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World', [2] Sandoval emerged as a significant voice[ among whom? ] for women of color and decolonial feminism. [3]
Sandoval was born and raised in San Jose, California. [4] She has described her working-class parents as a "machinist/philosopher father", Jose Machlavio Lucero-Sandoval and a "warehouse-fork-lift driver/spiritual-activist mother", Pearl Antonia Doria-Sandoval. She has four sisters, Janet, Robin, Sandy and Julie. [5]
Sandoval received a bachelor of arts and a bachelor of science from UC Santa Cruz. She became interested in feminism in 1971 when she enrolled in a course "Women in Literature". As a result of this course, she became involved in the Santa Cruz Women's Media Collective, a group that made television programming for a local public access channel. In 1978, Sandoval moved to New York to intern at ABC News, a position arranged for her by Barbara Walters. However, ultimately Sandoval decided to pursue a doctorate rather than documentary film career. In a 2005 interview, Sandoval explained her decision as motivated by a desire to make activism more effective.
"I felt the activism was...frustrating; we were repeating the same practices over and over again. I really needed to think about what we were committing our lives to, to see if there was another way to make positive social change. That's when I applied to HistCon to learn from activist- theorists and philosophers, in those early stages." [6]
Her professors in the History of Consciousness program included Stephen Heath, Teresa de Lauretis, Vivian Sobchack and Janey Place. [7] She has cited Hayden White, Donna Haraway, James Clifford and Teresa de Lauretis as her mentors at Santa Cruz. [8] Although she initially intended to write a dissertation on women and video, Sandoval's reading led her to philosophy. Her dissertation developed her first major theoretical contribution, the idea of oppositional consciousness. [9]
Even as a graduate student, Sandoval played an important role in US feminism. She wrote a report on behalf of the Third World Women's Alliance following a divisive splintering around the 1981 National Women's Studies Association conference's theme of women and racism. [10] [11]
Her most important work, Methodology of the Oppressed, developed fully her idea of a differential oppositional consciousness, a mode of "ideology-praxis" rooted in the experiences of US Third World that resists binary categories of identity in favor of a fluidity that moves between them. [12] She credits Frederic Jameson with recognizing the idea of oppositional consciousness in her work and encouraging her to develop it, [13] although her work is both a critique of and extension of Jameson's own work. [14]
Sandoval's work has been widely influential within second wave feminism and her notion of oppositional consciousness is central to Donna Haraway's cyborg feminism. However the concept has been adopted by scholars working in many fields. [15]
In more recent years, Sandoval has joined her earlier interests in culture with her work on oppositional consciousness to focus on what she terms artivism, a neologism she developed with Guisella LaTorre to describe activist art. [16]
Sandoval has proposed anti-gender feminism as a type of feminism which regards gender as a harmful social construct based on the model of anti-racism discourse. [17]
Sandoval is included in Brown University's Feminist Theory Archives. [18]
Donna J. Haraway is an American professor emerita in the history of consciousness and feminist studies departments at the University of California, Santa Cruz, and a prominent scholar in the field of science and technology studies. She has also contributed to the intersection of information technology and feminist theory, and is a leading scholar in contemporary ecofeminism. Her work criticizes anthropocentrism, emphasizes the self-organizing powers of nonhuman processes, and explores dissonant relations between those processes and cultural practices, rethinking sources of ethics.
Teresa de Lauretis is an Italian author and Distinguished Professor Emerita of the History of Consciousness at the University of California, Santa Cruz. Her areas of interest include semiotics, psychoanalysis, film theory, literary theory, feminism, women's studies, lesbian- and queer studies. She has also written on science fiction. Fluent in English and Italian, she writes in both languages. Additionally, her work has been translated into sixteen other languages.
"A Cyborg Manifesto" is an essay written by Donna Haraway and published in 1985 in the Socialist Review (US). In it, the concept of the cyborg represents a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." Haraway writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles in society has been conceptualized, or thought about, can be traced back to Mary Wollstonecraft's A Vindication of the Rights of Woman (1792) and William Thompson's utopian socialist work in the 1800s. Ideas about overcoming the patriarchy by coming together in female groups to talk about personal problems stem from Carol Hanisch. This was done in an essay in 1969 which later coined the term 'the personal is political.' This was also the time that second wave feminism started to surface which is really when socialist feminism kicked off. Socialist feminists argue that liberation can only be achieved by working to end both the economic and cultural sources of women's oppression.
Gloria Evangelina Anzaldúa was an American scholar of Chicana feminism, cultural theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work. She also developed theories about the marginal, in-between, and mixed cultures that develop along borders, including on the concepts of Nepantla, Coyoxaulqui imperative, new tribalism, and spiritual activism. Her other notable publications include This Bridge Called My Back: Writings by Radical Women of Color (1981), co-edited with Cherríe Moraga.
Postmodern feminism is a mix of post-structuralism, postmodernism, and French feminism that rejects a universal female subject. The goal of postmodern feminism is to destabilize the patriarchal norms entrenched in society that have led to gender inequality. Postmodern feminists seek to accomplish this goal through opposing essentialism, philosophy, and universal truths in favor of embracing the differences that exist amongst women to demonstrate that not all women are the same. These ideologies are rejected by postmodern feminists because they believe if a universal truth is applied to all women of society, it minimizes individual experience, hence they warn women to be aware of ideas displayed as the norm in society since it may stem from masculine notions of how women should be portrayed.
Cyberfeminism is a feminist approach which foregrounds the relationship between cyberspace, the Internet, and technology. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general. The first use of the term cyberfeminist has been attributed to the art collective VNS Matrix's A Cyberfeminist Manifesto for the 21st Century which was published online in 1991.
Standpoint feminism is a theory that feminist social science should be practiced from the standpoint of women or particular groups of women, as some scholars say that they are better equipped to understand some aspects of the world. A feminist or women's standpoint epistemology proposes to make women's experiences the point of departure, in addition to, and sometimes instead of men's.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Feminist epistemology is an examination of epistemology from a feminist standpoint.
This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa, first published in 1981 by Persephone Press. The second edition was published in 1983 by Kitchen Table: Women of Color Press. The book's third edition was published by Third Woman Press until 2008, when it went out of print. In 2015, the fourth edition was published by State University of New York Press, Albany.
Norma Alarcón is a Chicana author and publisher in the United States. She is the founder of Third Woman Press and a major figure in Chicana feminism. She is Professor Emerita of Chicano/Latino Studies at the University of California, Berkeley.
A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought.
Caren Kaplan is professor emerita of American Studies at University of California at Davis, and a figure in the academic discipline of women's studies. Together with Inderpal Grewal, Kaplan has worked as a founder of the field of transnational feminist cultural studies or transnational feminism.
Chicana literature is a form of literature that has emerged from the Chicana Feminist movement. It aims to redefine Chicana archetypes in an effort to provide positive models for Chicanas. Chicana writers redefine their relationships with what Gloria Anzaldúa has called "Las Tres Madres" of Mexican culture by depicting them as feminist sources of strength and compassion.
Cindy Cruz is an urban ethnographer and educational researcher. She is an associate professor in the Department of Teaching, Learning and Sociocultural Studies at the University of Arizona. She is also a member of the National Association of Chicana/o Studies, the American Educational Research Association, and the American Anthropological Association. Her research looks at the embodied practices of resistance in homeless LGBT youth communities, violence and youth, problems in testimonio methods, and the school-to-prison pipeline. She is also interested in decolonial feminist theory, community-based learning, race and schooling, and U.S. Third World feminism.
Multiracial feminist theory refers to scholarship written by women of color (WOC) that became prominent during the second-wave feminist movement. This body of scholarship "does not offer a singular or unified feminism but a body of knowledge situating women and men in multiple systems of domination."
Emma Pérez is an American author and professor, known for her work in queer Chicana feminist studies.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism'. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.