Cheryl Ann Fulton is an American harpist. Fulton performs, records, teaches, and researches the harp. She is a performer of historical harps, and one of the few harpists to play triple harp, medieval harp, and lever harps. [1]
Fulton has performed on over thirty albums and soundtracks broadly ranging from medieval, baroque, orchestral, and contemporary music to Celtic music and film scores, on records labels such as PolyGram, Koch International Classics, Nonesuch, Gourd Music, and others. [1] Her first solo album, The Airs of Wales, brought her recognition. She is a composer as well as a performer, and her original compositions from her second solo album, The Once & Future Harp (Gourd Music), have been featured on National Public Radio. [1]
Fulton earned a B.S. degree in pedal harp, and an M.M. and D.M. in early music/historical harp from the School of Music of Indiana University, Bloomington. Her doctoral thesis on the history of the triple harp won her the Burton E. Adams Prize for Academic Research. Fulton is a Fulbright scholar who, in 1987, received a Fulbright Award for research and performance in Lisbon, Portugal, where she served as principal harpist for Portugal's orchestra, the Orchestre Gulbenkian. She is a contributing scholar for the new edition of the New Grove Dictionary of Music and Musicians and has written a chapter for A Performers Guide to Medieval Music. [2]
Fulton was the producer, director, and featured performer with her Celtic harp group The White Horse Harpers, on the 2001 recording Christmas in an Irish Castle. A founding member of Ensemble Alcatraz, she has worked with many professional ensembles including Anonymous 4, Sequentia, Les Idees Heureuses, American Bach Soloists, The Boston Camerata, and Chanticleer. With her friend Diana Stork, she performs in the duo Twin Harps. She founded and directs the medieval harp choir Angelorum and is the founding president of the Historical Harp Society. [2]
Her music is also featured in the video game Braid .
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments.
Caroline Léonardelli is a French-Canadian concert harpist. Born in France, she graduated from the Conservatoire de Paris at age of 18 and came to Canada to study at McGill University where she completed an Artist Diploma. Based in Canada's National Capital Region, she performs for CBC national broadcasts and for Radio Canada. Her recordings are featured by Apple Music in the top ten playlist of master harp recordings and her recording label is distributed worldwide by NAXOS. She is the Principal Harpist with the Ottawa Symphony and Orchestre symphonique de Gatineau.
Liao Zilan is an international concert circuit performer on the guzheng. She has performed at the Royal Albert Hall and Royal Festival Hall, and has toured internationally. She also participated at the WOMAD Recording Week in Bath, Somerset.
Gourd Music is a record label featuring acoustic instrumental music with various ensembles of guitar, cello, flute, oboe, harp, fiddle, hammered and mountain dulcimer, banjo and mandolin.
The triple harp is a type of multi-course harp employing three parallel rows of strings instead of the more common single row. One common version is the Welsh triple harp, used today mainly among players of traditional Welsh folk music.
The pedal harp is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.
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Sylvia Woods is an American harpist and composer, and is perhaps best known for her role in the worldwide renaissance of the Celtic harp, or cláirseach. Woods began selling and writing music for Celtic harps in the 1970s, when the instrument was not widely known in the United States, contributing to a groundswell of interest in the Celtic harp and music. Woods was named one of the “most influential harp forces of the twentieth century” by HarpColumn magazine.
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