Chie Fueki | |
---|---|
Born | 1973 (age 50–51) Yokohama, Japan |
Education | Ringling College of Art & Design |
Alma mater | Yale University |
Known for | Painting |
Awards | American Academy of Arts and Letters; Joan Mitchell Fellowship; John Simon Guggenheim Memorial Foundation Prize; Catherine Doctorow Prize for Contemporary Painting |
Chie Fueki (born 1973) is a Japanese American painter. She has had an active career exhibiting her work in commercial galleries, and has been awarded a Guggenheim Foundation Fellowship. [1] [2] Fueki's intricate paintings combine influences from both Eastern and Western traditions. She currently lives and works in Beacon, New York.
Fueki was born in Yokohama, Japan, in 1973. She spent her childhood in São Paulo, Brazil. [3] [4] Fueki studied at the Ringling College of Art & Design in Sarasota, Florida, receiving a BFA in 1996. She received her MFA from Yale University, in New Haven, Connecticut, in 1998. [3] Fueki then studied at the Yale Norfolk School of Art in Norfolk Connecticut in 1995. [5]
Fueki's intricately patterned and detailed paintings, often created on mulberry paper or wood panel, combine influences from both Eastern and Western decorative and folk arts and range in subject from sports imagery to more traditional subjects such as memento mori and portraits of friends. [6] Laura Newman wrote that the shimmering surfaces in Fueki's paintings "give the works a sensuous, intoxicating delight of the sort more often associated with decoration than with thoughtful contemporary painting." [7]
Fueki's paintings incorporate symbolism from art of the Early Renaissance to ukiyo-e art of Japan and inspiration "from all the great influences in my life," including Piero della Francesca to Philip Guston and her contemporaries. [8] "[The] present moment always looks away. Everyone knows that," said Fueki. [9] Often fragmented, seemingly quilted and embroidered, the cosmic and eternal are evoked in depictions of everyday life, existing between painted layers of paper.
Chie Fueki has had solo exhibitions with Bellwether, Bill Maynes, Mary Boone, and DC Moore galleries in New York; Shoshana Wayne gallery in Santa Monica, California; and the Orlando Museum of Art in Florida. [3] Her paintings have appeared in group exhibitions at MoMA PS1, Frederick Freiser gallery, and Susan Inglett gallery in New York. [10] Fueki's work is held in public collections, including the Modern Art Museum of Fort Worth, Texas; Orlando Museum of Art, Florida; San Jose Museum of Art, California; the Hirshhorn Museum, Washington, D.C.; and the Pizzuti Collection at Columbus Museum of Art, Ohio. [10]
In 2004 Fueki was awarded the Purchase Prize and the Rosenthal Family Foundation Award, Young Painter of Distinction, both from the American Academy of Arts and Letters. In 2021, she was awarded the Purchase Prize again and also won a Joan Mitchell Fellowship from the Joan Mitchell Foundation. [11] In 2022 she received a Guggenheim Foundation Fellowship. [2] In 2023 Fueki received the Catherine Doctorow Prize for Contemporary Painting from the Utah Museum of Contemporary Art. [12] [13] [14]
Vija Celmins is a Latvian American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Her earlier work included pop sculptures and monochromatic representational paintings. Based in New York City, she has been the subject of over forty solo exhibitions since 1965, and major retrospectives at the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Institute of Contemporary Arts, London and the Centre Pompidou, Paris.
Brian Alfred is an artist based in Brooklyn, New York.
Michelle Grabner is an artist, curator, and critic based in Wisconsin. She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught since 1996. She has curated several important exhibitions, including the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer, and FRONT International, the 2016 Portland Biennial at the Oregon Contemporary, a triennial exhibition in Cleveland, Ohio in 2018. In 2014, Grabner was named one of the 100 most powerful women in art and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation.
Federico Solmi is a visual artist based in Brooklyn, New York.
Cora Cohen was an American artist whose works include paintings, drawings, photographs, and altered x rays. Cohen is most known for her abstract paintings and is often identified as continuing the tradition of American Abstraction. In a 2023 review in Artforum Barry Schwabsky suggested that "Cohen’s determination to evade stylistic consistency has made her one of the most underrated painters in New York." The New York Times' critic Michael Brenson wrote of her 1984 exhibition, Portraits of Women: "The works are dense, brooding and yet elated. The turbulence of the paint not only looks but also feels like freedom." Cohen interviewed many other artists also associated with continuing the tradition of American Abstraction for Bomb Magazine including; Ralph Humphrey, Dona Nelson, Craig Fisher, Carl Ostendarp, and Joan Mitchell. Her work has also been identified with traditions of European abstraction, and specifically German abstraction, including the work of Wols, Sigmar Polke, Gerhard Richter. She began exhibiting in Germany in the early nineties and continued to show at some of its most prestigious institutions.
Leslie Hewitt is an American contemporary visual artist.
Amy Pleasant is an American painter living and working in Birmingham, AL.
Amy Feldman is an American abstract painter from Brooklyn, New York.
Mequitta Ahuja is a contemporary American feminist painter of African American and South Asian descent who lives in Baltimore, Maryland. Ahuja creates works of self-portraiture that combine themes of myth and legend with personal identity.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Rochelle Feinstein is a contemporary American visual artist that makes abstract paintings, prints, video, sculpture, and installations that explore language and contemporary culture. She was appointed professor in painting and printmaking at the Yale School of Art in 1994, where she also served as director of graduate studies, until becoming professor emerita in 2017.
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Elena Sisto is an American painter based in New York.
Sigrid Sandström is a Swedish artist and a professor of Painting at the Academy of Fine Arts in Helsinki. Her work is characterized by graphic abstraction, an embrace of color and difference in scale, and an array of techniques used to apply paint and other materials to canvas, ranging from cloths and rugs, to masking with tape, squeegee-ing and smearing, and collaging. She has also worked in film and video, most notably for her 2005 exhibition Her Black Flags at the Mills College Art Museum in Oakland, CA, and in sculpture and installation. Artforum critic Naomi Fry, reviewing a 2007 show at Edward Thorp Gallery, cited the artist's interest in landscape as subject and noted that Sandström "also grapples here with painting’s essential difficulty in the face of the sublime. As the works consistently teeter on the verge of abstraction, the interplay between a more traditional naturalism and geometric fragmentation provides a salient tension."
Firelei Báez is a Dominican Republic-born, New York City-based artist known for intricate works on paper and canvas, as well as large scale sculpture. Her art focuses on untold stories and unheard voices, using portraiture, landscape, and design to explore the Western canon.
Ann Pibal is an American painter who makes geometric compositions using acrylic paint on aluminum panel. The geometric intensity is one of the key characteristics that defines her paintings.
Lilian Garcia-Roig is a Cuban-born, American painter based in Florida. She is mostly known for her large-scale painting installations of densely forested landscapes.
Josephine Halvorson is an American contemporary painter, sculptor, and print maker based in Massachusetts. She is best known for her on-site paintings, drawing from scenes of the natural world and everyday life. Her work bends material fact and immaterial illusion. Halvorson is a Professor of Art and Chair of Graduate Studies in Painting at Boston University.
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
Frances Barth is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works. She emerged during a period in which contemporary painters sought a way forward beyond 1960s minimalism and conceptualism, producing work that combined modernist formalism, geometric abstraction, referential elements and metaphor. Critic Karen Wilkin wrote, "Barth’s paintings play a variety of spatial languages against each other, from aerial views that suggest mapping, to suggestions of perspectival space, to relentless flatness … [she] questions the very pictorial conventions she deploys, creating ambiguous imagery and equally ambiguous space that seems to shift as we look."