Children's street culture

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Young boys playing in a New York City street, 1909 Children playing in street, New York.jpg
Young boys playing in a New York City street, 1909
Children playing leap frog in a Harlem street, ca. 1930 Black children playing leap frog in a Harlem street, ca. 1930 - NARA - 541880.jpg
Children playing leap frog in a Harlem street, ca. 1930
Young boys playing on a sidewalk, 2013, Tehran Tehran Snapshot 01103.JPG
Young boys playing on a sidewalk, 2013, Tehran

Children's street culture refers to the cumulative culture created by young children. Collectively, this body of knowledge is passed down from one generation of urban children to the next, and can also be passed between different groups of children (e.g. in the form of crazes, but also in intergenerational mixing). It is most common in children between the ages of seven and twelve. It is strongest in urban working-class industrial districts where children are traditionally free to "play outside" in the streets for long periods without supervision.

Contents

Difference from mass media culture

Children's street culture is invented and largely sustained by children themselves, although it may come to incorporate fragments of media culture and toys in its activities. It is not to be confused with the commercial media-culture produced for children (e.g., comics, television, mass-produced toys, and clothing), although it may overlap.

Location and play materials

Drawing by Marguerite Martyn of children playing in the rush of water from a street-cleaning wagon, St. Louis, Missouri, 1914 Drawing by Marguerite Martyn of children enjoying a shower from a street-cleaning wagon, 1914.jpg
Drawing by Marguerite Martyn of children playing in the rush of water from a street-cleaning wagon, St. Louis, Missouri, 1914

Young children's street culture usually takes place on quiet backstreets and sidewalks, and along routes that venture out into local parks, playgrounds, scrub and wasteland, and to local shops. It can often incorporate many found and scavenged materials such as old car seats, tires, planks, bricks, etc. Sometimes found materials will be combined to create objects (e.g. making guys for Guy Fawkes Night [1] ).

Play will often incorporate crazes (sometimes incorporating seasonal elements that are freely collected, such as conkers, snowballs, sycamore seeds). It also imposes imaginative status on certain sections of the urban realm (local buildings, street objects, road layouts, etc.).

In summer, children may use scavenged materials to create a temporary and semi-hidden "den" or "hideout" or "HQ" in a marginal area near their homes, which serves as an informal meeting and relaxation place. [2] An urban area that looks faceless or neglected to an adult may have deep "spirit of place" meanings in children's street culture.

History and research

Although children's street activity varies from place to place, research shows that it appears to share many commonalities across many cultures. [3] As a traditional phenomenon it has been closely investigated and documented in the western world during the 20th century by anthropologists and folklorists such as Iona Opie; street photographers such as Roger Mayne, Helen Levitt, David Trainer, Humphrey Spender [4] and Robert Doisneau; urbanists such as Colin Ward and Robin Moore, as well as being described in countless novels of childhood. The research of Robin Moore stresses children's need for "marginal" unsupervised areas "within running distance" of homes (scrubby bushes and hedges, disused buildings).[ citation needed ] Two academic journals emerged to discuss this area, the Journal of Children's Geographies and Play & Folklore.

Children's street-culture has occasionally been central to feature films, such as the Our Gang ("Little Rascals") series (1922 onwards), Ealing's Hue and Cry (1947) and some Children's Film Foundation productions such as Go Kart, Go! (1963) and The Soap Box Derby (1958).

The spread of distractions such as video games, the Internet, and television has raised concerns about the vitality or survival of children's street culture. [5] The effects of the automobile on society have also been blamed for a decline in children's street-culture, due to safety concerns about children playing outside; between 1922 and 1933, over 12,000 children in England and Wales were killed in accidents involving motor vehicles. [6] The designating of play streets ("home zones") militates against such decline.

Children's urban legends

Many informal groups of small children will develop some level of superstitious beliefs about their local area. For instance, they may believe that there are certain places that are "unlucky" to step on (e.g.: certain large cracks in a sidewalk) or touch (e.g.: gateposts of a certain color) or pass beyond (such as the end of the sidewalk, beyond which is another dimension inhabited by the bogeyman), or that an old woman is a "witch", or that an abandoned house is "haunted". But in some extreme circumstances, a consistent myth may emerge among young children, and across a large area. One example dates from 1997; the Miami New Times published Lynda Edwards' report "Myths Over Miami", [7] which describes a huge consistent mythology spreading among young homeless children in the American South. The story has been picked up and reprinted many times on internet blogs and websites. [8] There is no known verification or confirmation that the mythology she describes actually exists, [9] but these "secret stories" are clearly based on known elements of street culture, such as labeling certain places "haunted" or recycling legends of dangerous spirits such as Bloody Mary. The article was the basis for Mercedes Lackey's novel Mad Maudlin, co-written with Rosemary Edghill.

See also

Related Research Articles

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Folklore is the whole of oral traditions shared by a particular group of people, culture or subculture. This includes tales, myths, legends, proverbs, poems, jokes, and other oral traditions. They include material culture, such as traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, and the forms and rituals of celebrations such as Christmas, weddings, folk dances, and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain from a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another, either through verbal instruction or demonstration. The academic study of folklore is called folklore studies or folkloristics, and it can be explored at the undergraduate, graduate, and Ph.D. levels.

<span class="mw-page-title-main">Nursery rhyme</span> Traditional song or poem for children

A nursery rhyme is a traditional poem or song for children in Britain and many other countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes.

<span class="mw-page-title-main">Eeny, meeny, miny, moe</span> Childrens counting-out rhyme

"Eeny, meeny, miny, moe"—which can be spelled a number of ways—is a children's counting-out rhyme, used to select a person in games such as tag, or for selecting various other things. It is one of a large group of similar rhymes in which the child who is pointed to by the chanter on the last syllable is chosen. The rhyme has existed in various forms since well before 1820 and is common in many languages using similar-sounding nonsense syllables. Some versions use a racial epithet, which has made the rhyme controversial at times.

<span class="mw-page-title-main">English folklore</span> Myths and legends of English culture

English folklore consists of the myths and legends of England, including the English region's mythical creatures, traditional recipes, urban legends, proverbs, superstitions, and folktales. Its cultural history is rooted in Celtic, Christian, Nordic and Germanic folklore.

<span class="mw-page-title-main">Conkers</span> Childrens game

Conkers is a traditional children's game in Great Britain and Ireland played using the seeds of horse chestnut trees—the name 'conker' is also applied to the seed and to the tree itself. The game is played by two players, each with a conker threaded onto a piece of string: they take turns striking each other's conker until one breaks.

<span class="mw-page-title-main">London Bridge Is Falling Down</span> Nursery rhyme from England

"London Bridge Is Falling Down" is a traditional English nursery rhyme and singing game, which is found in different versions all over the world. It deals with the dilapidation of London Bridge and attempts, realistic or fanciful, to repair it. It may date back to bridge-related rhymes and games of the Late Middle Ages, but the earliest records of the rhyme in English are from the 17th century. The lyrics were first printed in close to their modern form in the mid-18th century and became popular, particularly in Britain and the United States, during the 19th century.

<span class="mw-page-title-main">Singing game</span>

A singing game is an activity based on a particular verse or rhyme, usually associated with a set of actions and movements. As a collection, they have been studied by folklorists, ethnologists, and psychologists and are seen as important part of childhood culture. The same term is also used for a form of video game that involves singing.

<span class="mw-page-title-main">Ring a Ring o' Roses</span> Folk song

"Ring a Ring o' Roses", "Ring a Ring o' Rosie", or "Ring Around the Rosie", is a nursery rhyme, folk song and playground singing game. Descriptions first emerge in the mid-19th century, but are reported as dating from decades before, and similar rhymes are known from across Europe. It has a Roud Folk Song Index number of 7925.

<span class="mw-page-title-main">Red Rover</span> Childrens game

Red Rover is a team game played primarily by children on playgrounds, requiring 10+ players.

<span class="mw-page-title-main">Easter bonnet</span> Hat worn as an Easter tradition

An Easter bonnet is any new or fancy hat worn by tradition as a Christian headcovering on Easter. It represents the tail end of a tradition of wearing new clothes at Easter, in harmony with the renewal of the year and the promise of spiritual renewal and redemption.

A children's song may be a nursery rhyme set to music, a song that children invent and share among themselves or a modern creation intended for entertainment, use in the home or education. Although children's songs have been recorded and studied in some cultures more than others, they appear to be universal in human society.

<span class="mw-page-title-main">British bulldog (game)</span> Playground game and outdoor sports

British Bulldog is a tag-based playground and sporting game, commonly played in schoolyards and on athletic fields in the UK, Canada, South Africa, Australia, and related Commonwealth countries, as well as in the U.S. and Ireland. The object of the game is for one player to attempt to intercept other players who are obliged to run from one designated area to another. British Bulldog is characterised by its physicality and is often regarded as violent, leading it to be banned from many schools due to injuries to the participants.

<span class="mw-page-title-main">Nuts in May (rhyme)</span> Nursery rhyme

"Nuts in May" is a singing game played by children with the aim of pairing a boy and girl from within two teams of participants. It was first recorded in the second half of the 19th century and has Roud Folk Song Index 6308.

Latin American childlore, the childlore of Latin American countries, has still not been studied to the same extent as that of other countries. The study of British children carried out by Iona and Peter Opie suggests that childlore is more conservative than adult culture. A similar study carried out in a Latin American country might therefore discover among indigenous children verses unchanged since before the conquest, or perhaps, in a large city, traditions preserved from the civilization of Granada.

Iona Margaret Balfour Opie, and Peter Mason Opie were an English married team of folklorists who applied modern techniques to understanding children's literature and play, in studies such as The Oxford Dictionary of Nursery Rhymes (1951) and The Lore and Language of Schoolchildren (1959). They were also noted anthologists, assembled large collections of children's literature, toys, and games and were regarded as world-famous authorities on children's lore and customs.

<span class="mw-page-title-main">Childlore</span> Folk culture of young people

Childlore is the folklore or folk culture of children and young people. It includes, for example, rhymes and games played in the school playground. The best known researchers of the field were Iona and Peter Opie.

The Folklore Society (FLS) is a registered charity under English law based in London, England for the study of folklore. It shares its premises with the Royal Anthropological Institute of Great Britain and Ireland.

<span class="mw-page-title-main">Truce term</span> Temporary respite during a game or activity

A truce term is a word or short phrase accepted within a community of children as an effective way of calling for a temporary respite or truce during a game or activity, such as tag or its variants. Common examples in English speaking cultures are barley, fainites, crosses, kings and exe(s) in the United Kingdom, pegs and nibs in New Zealand and variants of barley in Australia. In the United States, terms based on time-out have, from the 1950s onwards, largely supplanted earlier common terms based on kings and exe(s). Since the late 1980s time-out has been recorded in other English-speaking cultures besides the US. Examples of use of truce terms are if a child has a stitch or wants to raise a point on the rules of the game.

"One potato, two potato" is a traditional children's counting-out rhyme with accompanying hand actions. It has a Roud number of 19230.

<span class="mw-page-title-main">Playground</span> Place with a specific design for children to be able to play there

A playground, playpark, or play area is a place designed to provide an environment for children that facilitates play, typically outdoors. While a playground is usually designed for children, some are designed for other age groups, or people with disabilities. A playground might exclude children below a certain age.

References

  1. Beck 1984
  2. Sobel, 2001
  3. Moore, Robin C. (6 December 2017) [1986]. Childhood's Domain: Play and Place in Child Development. Psychology Library Editions: Child Development, Volume 6. Routledge. ISBN   9781351348652 . Retrieved 30 May 2023. Street-play is a universal cultural phenomenon which will occur even if traffic levels are high and space differentiation is low.
  4. "Spender's Worktown - Images - Children Page 1". Archived from the original on 2006-04-30.
  5. Hanna Rosin (April 2014). "The Overprotected Kid". The Atlantic . The child culture from my Queens days, with its own traditions and codas, its particular pleasures and distresses, is virtually extinct.
  6. "The history of play streets - London Play". www.londonplay.org.uk. Archived from the original on 2021-04-15. Retrieved 2020-01-05.
  7. Lynda Edwards (5 June 1997). "Myths Over Miami". Miami New Times. Archived from the original on 2012-04-16. Retrieved 6 April 2012.
  8. Allie Conti, How a 1997 New Times Feature on Homeless Kids' Folklore Exploded the Internet. New Times, September 5, 2013.
  9. Ian Simmons, Twenty Years of Myths Over Miami. Fortean Times, Christmas 2017.

Works cited

Further reading

Non-fiction

The 1911 Encyclopædia Britannica entry for "Children's games" recommends: "the following works: A. B. Gomme's Traditional Games of Great Britain (2 vols., Nutt, 1894-1898); Gomme's Children's Singing Games (Nutt, 1904); ... Newell's Games of American Children (Harper Bros., New York, 1884)."

Photography books

Television documentaries