 Chill cover, Pacesetter Edition | |
| Designers | Gali Sanchez, Garry Spiegle, Mark Acres, Louis J. Prosperi, David Ladyman, Jeff R. Leason |
|---|---|
| Publishers | Pacesetter Ltd, Mayfair Games, Growling Door Games, Salt Circle Games |
| Publication |
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| Genres | Horror |
| Systems | Percentile based (d100) |
Chill is an investigative and modern horror role-playing game originally published by Pacesetter Ltd in 1984 that captures the feel of 20th-century horror films. [1]
Chill is inspired by, and attempts to capture the feel of, 20th-century horror films, where usual foes are vampires, werewolves, mummies, ghosts, and ghouls. [2] Players take on the role of envoys, [3] members of a secret organization known as S.A.V.E. (Societas Argenti Viae Eternitata, or, The Eternal Society of the Silver Way) [4] that tracks down and eliminates evil in the world. [3]
The game was introduced by Pacesetter Ltd in 1984. [1] The following year, Target Games released a Swedish version under the name Chock (Swedish for "shock" or "fright"), and in 1985, Schmidt Spiele released a French version. Pacesetter also launched the board game Black Morn Manor , also translated into French (Le Manoir des Ténèbres) by Schmidt Spiele.
The game components include an introductory folio, a Campaign book, a book of monsters, a map of the world, 140 die-cut double-sided counters, a range stick, and dice. The boxed set also includes a 16-page adventure, "Terror in Warwick House". [3]
Pacesetter ceased operations in 1986, bringing the publication of the First Edition of Chill to an end.
In the October 1984 edition of Dragon (Issue 90), Jerry Epperson had a few quibbles with various game mechanics. He questioned the economics rules that essentially gave characters access to unlimited amounts of cash. Epperson also wondered why a range stick was included, since there were no regulated combat maneuvering rules that would make use of the stick. And he found the introductory adventure included in the game was overly simplistic: "Terror in Warwick House is much like a guided tour of a national monument. While it portends to be a dangerous place, one gets the feeling that those who fell victim to the sinister occupants before the player characters were called to the scene were either idiots or invalids. The clues required by the characters to dispose of the evil are practically spoon-fed to the players." But Epperson concluded that "these problems are not major flaws in the game’s design; any GM should be able to alter them with little effort. All things considered, the Chill game does just what it sets out to do. It doesn’t stall play with unwieldy rules or sub-systems, and it allows the GM to pace the storyline and preserve the intensity of a situation thanks to the game’s elegant simplicity. As an alternative to dungeon delving, superheroing, or chasing after Cthulhu, the Chill game is something you can really sink your teeth into." [3]
Two reviews of Chill appeared in issues of Space Gamer . In the November–December 1984 edition (Issue No. 71), William Barton admired Chill for being less violent and less weird than other horror roleplaying games, saying, "Chill is a viable alternative in supernatural gaming for those who desire less gunplay than is typical in Stalking or prefer more conventional creatures than the sanity-blasting horrors of CoC ." [5] In the July–August 1985 edition (Issue 75), Warren Spector thought that "Though superficially simpler than Call of Cthulhu, the clear leader in the horror field, Chill falls somewhat short of the mark." [6]
In the January 1985 edition of White Dwarf (Issue 61), Angus McLellan gave Chill an average rating of 7 out of 10. McLellan felt the gameplay was fairly slow and lacking in scares; furthermore, Call of Cthulhu had already paved the way for horror-based role-playing games. [7]
Paul Mason reviewed Chill for Imagine magazine, and stated that "if you fancy a game of investigation with gothic horror overtones, and you don't much care for H P Lovecraft's Cthulhu mythos, then Chill would be the game to buy." [8]
In the December 1988 edition of Dragon (Issue 140), Ken Rolston reviewed two supplements published by Pacesetter just before it went out of business, Vampires and Creature Feature. Rolston had a more favourable opinion of Vampires, calling it an "excellent book... The graphic presentation is top-notch." Rolston was particularly enthusiastic about the writing, which he called, "exceptional" and concluded, "I highly recommend this supplement." He was less enthusiastic about Creature Feature, saying, "This supplement lacks the graphic quality or refined presentation of the finer Chill supplements." Rolston thought the concept of allowing players to become monsters and prey on humans did have "an oddly redeeming appeal", but felt that "the replay value [is] negligible." He gave this supplement a thumbs down, saying, "Creature Feature will not be of use to most GMs, but students of the hobby may find it interesting for a brief diversion or as a curiosity." [9]
In his 1990 book The Complete Guide to Role-Playing Games , game critic Rick Swan was not impressed by Chill, calling it "A horror game for the easily frightened." Swan could not find anything to like in the game system, commenting, "The feat rules are puzzling ... the combat rules are stiff ... and the economic system is ridiculous." Swan concluded by giving the game a below average rating of 2 out of 4, saying, "Chill is too shallow for extended campaigns, and lacks the depth to please anyone but the most undemanding players." [10]
In 1990, Mayfair Games inc. purchased the rights, and the following year published a second edition of the game system called Chill Core Rulebook. [16] Over the next three years, Mayfair published fourteen sourcebooks for the setting and a collection of short stories: [16]
Mayfair's game was translated into French by Oriflam in 1994.
In Issue 47 of Challenge , Lester W. Smith reviewed the Mayfair edition and noted the abundance of new material. Smith also liked the revamped game mechanics, and concluded, "Problems? None that I've found so far. If you liked the old Chill, I suspect you're going to like the new one even better." [17]
In the October 1992 edition of Dragon (Issue 186), Rick Swan reviewed three supplements that had been published by Mayfair Games: Apparitions Sourcebook, Lycanthropes Sourcebook, and Vampires Sourcebook. Overall, Swan thought the material was not very original: "The designers have hardly let their imaginations run wild; the approach draws primarily from legends and movies, meeting the expectations of conservative horror buffs but rarely exceeding them. Dracula and the Wolfman are welcome; vampiric Martians and lycanthropic cattle need not apply." However, Swan found the books "consistently entertaining and filled with interesting material that is intelligently presented." He concluded, "Players and referees alike should get a kick out these engaging books... I would’ve liked stronger scenarios and a few more adventure hooks, but all in all, the fastidious research, evocative writing, and enthusiasm for the material makes for a winning combination. I’m looking forward to future volumes." [16]
Christian Lindke compared the First and Second Editions in Black Gate , saying "There are many games from the 80s that — mechanically and tonally — seem extremely dated by modern gaming standards. Chill — the first Pacesetter edition — isn't one of them. It has a kind of classic feel to it, just like all the Hammer and AIP movies it was inspired by. It isn't a dark and serious horror game, but it is an adventurous one. If you wanted to pretend to be Peter Cushing's Van Helsing hunting Christopher Lee's Dracula, there was no better game than Chill during the early Pacesetter era. The later Mayfair game never captured the charm of the original and for a time it looked like fans of non-Lovecraftian horror were going to be left without a high quality horror RPG." [18]
In 2012, Mayfair Games sold Chill's intellectual property rights to Martin Caron and Renée Dion. Two years later, Growling Door Games announced they had entered into a licensing agreement with Caron and Dion to publish Chill. [19] [20] The following year, Growling Door Games published the third edition of the game. They subsequently published three sourcebooks and several scenarios from 2016 until Growling Door ceased operations in 2019.
The third edition and two sourcebooks were translated into French by A.K.A. Games in 2017. A.K.A. Games also translated the Chill Master's Screen, SAVE: The Eternal Society and Monsters into French. The third edition rulebook and supplements remain for sale directly from Martin Caron. [21]
In 2019, Salt Circle Games signed an agreement with Caron and Dion to release new material for third edition to be sold via the crowd-sourcing website Patreon. In 2020, Salt Circle Games began closed playtesting of an unannounced Fourth Edition of Chill and published a supplement for the third edition titled Horrors of the Unknown: Volume 1. [22] Salt Circle Games made new third edition character sheets available in 2021 and announced an upcoming setting supplement, Unknown Atlanta, with no expected publication date.
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