China Passage

Last updated
China Passage
ChinaPassagePoster.1937.jpg
Theatrical poster of film
Directed by Edward Killy
Screenplay by Edmund L. Hartmann
J. Robert Bren
Story byTaylor Caven
Produced by Samuel J. Briskin
Cliff Reid
Starring Constance Worth
Vinton Haworth
Leslie Fenton
Gordon Jones
Cinematography Nicholas Musuraca
Edited by Desmond Marquette
Music by Max Steiner
Production
company
Distributed byRKO Radio Pictures
Release date
  • March 12, 1937 (1937-03-12)(US) [1]
Running time
65 minutes
CountryUnited States
LanguageEnglish

China Passage is a 1937 American mystery film directed by Edward Killy from a screenplay by Edmund L. Hartmann and J. Robert Bren, based on a story by Taylor Caven. RKO Radio Pictures produced the film, which stars Constance Worth, Vinton Haworth, Leslie Fenton and Gordon Jones. Haworth was injured in an automobile accident in January 1937, delaying the film's released until March 12, 1937.

Contents

Plot

Tom Baldwin and Joe Dugan are two American adventurers who are hired to escort the wife of a Chinese general to Shanghai. She is carrying a priceless diamond. Upon their arrival at the destination, there is a firefight, during which the diamond is stolen. The two Americans round up a group of suspects, but have no luck uncovering the stolen jewel. Among the suspects are Jane Dunn and Katherine Collins, an author named Anthony Durand and Harvey Dinwiddle. They release the suspects and then make plans to travel to San Francisco. When they board the ship, they are surprised to find that all of the suspects are also aboard the same boat.

Baldwin and Dugan resume their search for the diamond and soon discover that Jane is actually an American customs agent who is also trying to find the jewel. As their search continues, Baldwin and Jane fall in love. After their room is tossed, Dugan is killed. Katherine is an insurance investigator who has uncovered some information, but she is killed before she can pass that information on to Jane and Baldwin. Baldwin is framed for Katherine's murder, but Jane solves the diamond's theft and the murders, revealing that Durand and his henchman Dinwiddle are the perpetrators.

Baldwin and Jane are married by the ship's captain.

Cast

Constance Worth and Vinton Hayworth ConstanceWorthVincentHayworth.1937.jpg
Constance Worth and Vinton Hayworth

[1]

Production

RKO obtained the rights to Taylor Craven's original story, Miss Customs Agent, in July 1936, [2] [3] and its title was also the film's working title. Edward Killy was assigned to direct the film in mid-October, [4] and filming was slated to begin in mid-November. [5] [6] In the first week of December, it was announced that seven performers had been assigned to the project: Vinton Hayworth, Constance Worth (in her American screen debut), Frank Thomas, Walter Coy, Diana Gibson, Gordon Jones and George Irving. [7] [8] Dick Elliot joined the cast in mid-December, [9] and production began shortly before Christmas. [10] [11] In late December, Joyce Compton joined the cast, [12] and shortly thereafter, the film's title was changed to China Passage. [13] Production was delayed for two weeks at the beginning of 1937 when Vincent Haworth was injured in a car accident on New Year's Day. He was released to return to work on January 12. [14] The film was finished by the end of January 1937, [15] and the editing process began in the first week of February. [16] The film opened on March 12, 1937. [1] After the film premiered, the National Legion of Decency assigned the film an A-1 rating, classifying it as unobjectionable for general audiences. [17]

Reception

The Film Daily fair review called the story "stilted, unoriginal and implausible" and praised only the film's technical aspects of the film. [18] Harrison's Reports also published a negative review, calling the plot "far-fetched and meaningless" and the comedic portions "tired." However, the review reported that Constance Worth's her acting was "pleasant," as were the romantic interludes between Worth and Vinton Hayworth. [19] Motion Picture Daily was more positive, writing that the film was "unpretentious" and "moderately entertaining," with Worth "capable" and "attractive" and Leslie Fenton's sinister performance laudable. [20] Motion Picture Magazine awarded the film two and a half stars (out of four) and complimented the plot and locales while stating that the acting was adequate. [21]

Related Research Articles

<span class="mw-page-title-main">Vinton Hayworth</span> American actor (1906–70)

Vinton Hayworth, also known as Jack Arnold and Vincent Haworth, was an American actor, playwright and screenwriter who began in weaselly and milquetoast roles and aged into dignified character parts. He appeared in over 90 films during his career, as well as on numerous television shows. Later audiences will recognize him from his final role as General Winfield Schaeffer in the fourth and fifth seasons of the sitcom I Dream of Jeannie. He was the uncle of Rita Hayworth, as well as being the uncle of Ginger Rogers.

<span class="mw-page-title-main">Constance Worth</span> Australian actress (1911–1963)

Constance Worth was an Australian actress who became a Hollywood star in the late 1930s. She was also known as Jocelyn Howarth.

<i>By Your Leave</i> 1934 American domestic comedy film directed by Lloyd Corrigan

By Your Leave is a 1934 American domestic comedy film directed by Lloyd Corrigan from a script by Allan Scott, Lewis Foster, and Sam Mintz. The screenplay was based on a play of the same name by Gladys Hurlbut and Emma B. C. Wells, which had a short run early in the year at the Morosco Theatre. The film was produced by Pandro S. Berman, and starred Frank Morgan and Genevieve Tobin, although several other actresses were initially scheduled to appear in the film, including Mary Astor and Ann Harding. Both stars were on loan to RKO from other studios. It marked the film debuts of two notable Broadway actors, Glenn Anders and Gene Lockhart, the latter of which had a lengthy Hollywood career. By Your Leave opened on November 9, 1934, and received mostly positive reviews.

<i>A Dog of Flanders</i> (1935 film) 1935 film directed by Edward Sloman

A Dog of Flanders is a 1935 American drama film directed by Edward Sloman, based on a screenplay by Ainsworth Morgan from the story by Dorothy Yost, which she adapted from the 1872 novel of the same name by Ouida. The film stars Frankie Thomas, appearing in only his second film.

<i>Freckles</i> (1935 film) 1935 film directed by Edward Killy and William Hamilton

Freckles is a 1935 American drama film directed by Edward Killy and William Hamilton from a screenplay written by Dorothy Yost, adapted by Mary Mayes from Gene Stratton-Porter's 1904 novel of the same name. Two earlier adaptations of Stratton-Porter's novel had been produced, the first by Paramount in 1917, and the second in 1928 by FBO, both were also titled Freckles. This 1935 version was released by RKO Radio Pictures on October 4, and stars Tom Brown, Virginia Weidler, and Carol Stone.

<i>The Farmer in the Dell</i> (film) 1936 film directed by Ben Holmes

The Farmer in the Dell is a 1936 American comedy film directed by Ben Holmes from a screenplay by Sam Mintz and John Grey, adapted from Phil Stong's 1935 novel, which was similarly titled, Farmer in the Dell. The film was premiered by RKO Radio Pictures in New York City on March 6, 1936, and released widely later that month on March 27. It stars Fred Stone, Jean Parker, and Esther Dale.

<i>Grand Jury</i> (film) 1936 film by Albert S. Rogell

Grand Jury is a 1936 American crime drama film directed by Albert S. Rogell from a screenplay by Joseph A. Fields and Philip G. Epstein, based on a story by James Edward Grant and Thomas Lennon. Produced and distributed by RKO Radio Pictures, it premiered in New York City on July 31, 1936, and was released nationwide the following week on August 7. The film stars Fred Stone, Louise Latimer and Owen Davis, Jr.

<i>Dont Turn Em Loose</i> 1936 film directed by Ben Stoloff

Don't Turn 'Em Loose is a 1936 American crime drama film directed by Ben Stoloff and produced by RKO Radio Pictures, who released the film on September 18, 1936. Written by Harry Segall and Ferdinand Reyher, the production's screenplay is at least partially based on "Homecoming" by Thomas Walsh, a short story published in Collier's magazine in March 1936. The film costars Lewis Stone, James Gleason, Bruce Cabot, Louise Latimer and Betty Grable.

<i>The Big Game</i> (1936 film) 1936 film

The Big Game is a 1936 American sports drama film directed by George Nicholls, Jr. and produced by RKO Radio Pictures, which released the film on October 9, 1936. The screenplay was written by Irwin Shaw, adapted from the 1936 novel of the same name by Francis Wallace. The film stars Philip Huston, James Gleason, June Travis, Bruce Cabot and Andy Devine. Huston (1908–1980) was a respected New York stage actor, who also had prominent roles in a number of motion pictures and, later, acted in television productions, as well.

<i>Criminal Lawyer</i> (1937 film) 1937 American drama film directed by Christy Cabanne

Criminal Lawyer is a 1937 American drama film directed by Christy Cabanne from a screenplay by G. V. Atwater and Thomas Lennon, based on a story by Louis Stevens. The film stars Lee Tracy, Margot Grahame and Eduardo Ciannelli. RKO produced the film and premiered it on January 26, 1937, in New York City, with a national release a few days later on January 29. It was the second time Stevens' story had been used for a film, the first being 1932's State's Attorney, starring John Barrymore and Helen Twelvetrees, directed by George Archainbaud, and also produced and released by RKO.

<i>Dont Tell the Wife</i> (1937 film) 1937 film directed by Christy Cabanne

Don't Tell the Wife is a 1937 American comedy film directed by Christy Cabanne using a screenplay by Nat Perrin adapted from the play, Once Over Lightly, written by George Holland. The film stars Guy Kibbee, Una Merkel, and Lynne Overman, with Lucille Ball, William Demarest, and Academy Award winner Hattie McDaniel in supporting roles. Produced by RKO Radio Pictures, it premiered in New York City on February 18, 1937, and was released nationwide on March 5.

<i>Everybodys Doing It</i> (1938 film) 1938 film directed by Christy Cabanne

Everybody's Doing It is a 1938 American comedy film directed by Christy Cabanne using a screenplay by J. Robert Bren, Edmund Joseph, and Harry Segall, based on George Beck's story. RKO produced and distributed the film, releasing it on January 14, 1938. The movie stars Preston Foster and Sally Eilers.

<i>Double Danger</i> (1938 film) 1938 film directed by Lew Landers

Double Danger is a 1938 American crime drama directed by Lew Landers, using a screenplay by Arthur T. Horman and J. Robert Bren based on Horman's story. The film stars Preston Foster and Whitney Bourne, with supporting roles by Donald Meek and Samuel S. Hinds. Produced by RKO Radio Pictures, it was released on January 28, 1938.

<i>Danger Patrol</i> 1937 film directed by Lew Landers

Danger Patrol is a 1937 American drama film directed by Lew Landers from a screenplay by Sy Bartlett based on a story by Helen Vreeland and Hilda Vincent. Produced and distributed by RKO Radio Pictures, it was released on December 3, 1937, and stars Sally Eilers, John Beal, and Harry Carey.

<span class="mw-page-title-main">Cliff Reid</span> American film producer

Cliff Reid, also known as George Clifford Reid, was an American film producer and film production studio founder during the 1930s and 1940s. In addition he also directed film shorts, and was the assistant director on several feature films.

Maury Cohen, also known as Maury M. Cohen, was an American film producer most active during the 1930s. He owned one of the Poverty Row studios, Invincible films, which specialized in making low-budget feature films. After leaving film in the early 1940s, Cohen founded and ran the historic dance club in Los Angeles, the Hollywood Palladium.

Arthur T. Horman was an American screenwriter whose career spanned from the 1930s to the end of the 1950s. During that time he wrote the stories or screenplays for over 60 films, as well as writing several pieces for television during the 1950s.

<span class="mw-page-title-main">Samuel J. Briskin</span> American film producer

Samuel J. Briskin was one of the foremost producers of Hollywood's Golden Age, and head of production during his career at three of the "Big 8" major film studios: Columbia Pictures (twice), Paramount Pictures, and RKO Pictures. In the late 1950s, he was briefly on the board of directors of another major, Metro-Goldwyn-Mayer. During World War II, Briskin served in the army's Signal Corps as a film producer, attaining the rank of lieutenant colonel. After the war he co-founded Liberty Films with Frank Capra. They were later joined by William Wyler and George Stevens. The studio only produced two films, but both are now considered classics: It's a Wonderful Life and State of the Union. All three of his brothers were also film producers, as well as one of his sons, and his sister was married to the eventual Chairman of Columbia, where Briskin spent the last decade of his life as a vice-president and head of production until his death in 1968 from a heart attack.

Lee Marcus, also known as Lee S. Marcus, was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.

<i>Behind the Mike</i> (film) 1937 American comedy film directed by Sidney Salkow

Behind the Mike is a 1937 American comedy film directed by Sidney Salkow, which stars William Gargan, Judith Barrett, Don Wilson, and Sterling Holloway. The screenplay was written by Barry Trivers from a story by Thomas Ahearn and Walton Butterfield. The film was released on September 26, 1937.

References

  1. 1 2 3 "China Passage: Detail View". American Film Institute. Archived from the original on March 29, 2014. Retrieved September 12, 2014.
  2. "Purely Personal". Motion Picture Daily. July 25, 1936. p. 2. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  3. Wilk, Ralph (July 23, 1936). "Little from Lots". The Film Daily. p. 7. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  4. Wilk, Ralph (October 22, 1936). "A "Little" from "Lots"". The Film Daily. p. 14. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  5. "Briskin Will Soon Have 10 on Stages". Motion Picture Daily. October 26, 1936. p. 3. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  6. "10 Features Before RKO Cameras Before Mid-November". The Film Daily. October 28, 1936. p. 6. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  7. "Out Hollywood Way". Motion Picture Daily. December 8, 1936. p. 12. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  8. Wilk, Ralph (December 18, 1936). "A "Little" from Hollywood "Lots"". The Film Daily. p. 5. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  9. "Out Hollywood Way". Motion Picture Daily. December 18, 1936. p. 11. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  10. "Production Hits Lively Clip With 47 Films in Work". The Film Daily. December 21, 1936. p. 1. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  11. "The Hollywood Scene: Production Impetus". Motion Picture Herald. December 19, 1936. p. 27. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  12. Wilk, Ralph (December 23, 1936). "A "Little" from Hollywood "Lots"". The Film Daily. p. 5. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  13. "Out Hollywood Way: Title Changes". Motion Picture Daily. December 28, 1936. p. 5. Retrieved November 23, 2015. Open Access logo PLoS transparent.svg
  14. "Haworth Back at Work". Motion Picture Daily. January 13, 1937. p. 10. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  15. "47 Pictures Before Hollyw'd's Cameras". The Film Daily. January 26, 1937. p. 8. Retrieved November 23, 2015. Open Access logo PLoS transparent.svg
  16. "6 RKO Pix in Work, 7 More in Process of Being Edited". The Film Daily. January 26, 1937. p. 8. Retrieved November 23, 2015. Open Access logo PLoS transparent.svg
  17. "Legion Approves 11 of 13 New Pictures". Motion Picture Daily. March 15, 1937. p. 7. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  18. "Reviews of the New Films: "China Passage"". The Film Daily. April 16, 1937. p. 10. Retrieved November 23, 2015. Open Access logo PLoS transparent.svg
  19. ""China Passage" with Constance Worth and Vinton Hayworth". Harrison's Reports. March 20, 1937. p. 46. Retrieved November 23, 2015. Open Access logo PLoS transparent.svg
  20. "Motion Picture Daily's Hollywood Preview: "China Passage"". Motion Picture Daily. February 26, 1937. p. 4. Retrieved November 24, 2015. Open Access logo PLoS transparent.svg
  21. "Tip-Offs on the Talkies: "China Passage"". Motion Picture Magazine. May 1937. p. 64. Retrieved November 25, 2015. Open Access logo PLoS transparent.svg