Chinatown, My Chinatown is a 1929 animated short film which was presented by Max Fleischer and directed by Dave Fleischer. [1] The film, which was originally released by Paramount, features a sing-along version of the song "Chinatown, My Chinatown", a song that was originally published in 1910. [2]
The film also features Chinese caricatures, [1] whose doings are stereotypical Chinese, such as eating Chinese food and ironing a shirt, as it was common for laundromats to be run by Chinese immigrants at that time. [3]
Copyrighted on August 2, 1929 [4] [5] and released on the 29nd, [4] [6] the film is part of "follow the bouncing ball" series entitled Screen Songs . [1] [4] These films would instruct the audience to sing that said-song. [1]
The film opens, with stereotypical Chinese music, to two Chinese caricatures. One of them is eating Chinese food with chopsticks, the other one is ironing a shirt next to him. Then, the ironer, whilst trying to test the heat of the iron, drops the shirt into the eater's bowl. The eater then comically eats the shirt. Once the ironer notices the shirt's disappearance and investigates the eater about it, he spits out a button. This angers the ironer, who pings it at the eater's face. This also angers the eater, who hits his chopsticks at the ironer's head. This starts a fight between the two of them, with both of them comically using their pointy hats as swords. This ends with the eater's hat being damaged, but this does not stop him for stabbing the ironer in the buttocks. This makes the ironer cry out a Chinese letter, which morphs into the bouncing ball, used in the Screen Songs to help the audience keep up with the song. An unnamed man invites the audience, through broken English and a Chinese accent, to sing-along and follow the bouncing ball. However, he comically warns the audience that if they do not sing, then they will not wash their clothes. The song sung is "Chinatown, My Chinatown", which is played with Chinese instruments, such as a gong which is struck several times during the song. There are also animated footage where other caricatures perform actions according to the lyrics which are played during the song. The last section of the song features a Chinese man in place of the bouncing ball, by jumping on the lyrics. The lyrics comically lead him to his clothes-line, and the film ends with him drawing his clothes-line to his house.
In the film, there are numerous Chinese caricatures. [1] The main two, which is featured in the first half of the film, speak nonsense words, which is meant to parody Mandarin, and they also fight near the end of the first half. [1] The other caricatures, who are featured in the second half of the film, or the sing-along section, perform actions according to the lyrics, and also attempt to attack the person who is acting as the bouncing ball near the end of the film. [1]
Chinatown, My Chinatown was well received by The Film Daily . [7] Reviewed as Chinatown, [4] [7] the magazine said the film was a "corking piece of entertainment" and also said the film was "Great fun". [7]
Fleischer Studios was an American animation studio founded in 1929 by brothers Max and Dave Fleischer, who ran the pioneering company from its inception until its acquisition by Paramount Pictures, the parent company and the distributor of its films. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions being its chief competitor in the 1930s.
Max Fleischer was a Polish-American animator and studio owner. Born in Kraków, Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the rotoscope, the "follow the bouncing ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "stereoptical process". Film director Richard Fleischer was his son.
My Old Kentucky Home is a short animation film originally released in June 1926, by Max and Dave Fleischer of Fleischer Studios as one of the Song Car-Tunes series. The series, between May 1924 and September 1926, eventually totaled 36 films, of which 19 were made with sound. This cartoon features the original lyrics of "My Old Kentucky Home" (1853) by Stephen Foster, and was recorded in the Lee de Forest Phonofilm sound-on-film system.
Chinatown is a common name for an urban enclave with large numbers of Chinese people and/or businesses within a non-Chinese society.
"In My Merry Oldsmobile" is a popular song from 1905, with music by Gus Edwards and lyrics by Vincent P. Bryan.
"(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper story, the lyrics were inspired "by a girl who worked at the music counter of a New York department store." After failing to find a publisher with the initial title, "You're the Flower of My Heart, Sweet Rosalie", according to a story the two decided a new title was in order and were inspired by a poster advertising the farewell tour of opera singer Adelina Patti. It did not become a hit until it was performed in 1904 by the group The Haydn Quartet. The Haydn Quartet's version was #1 for 10 weeks in 1904, and the Peerless Quartet also hit #1 with their version in 1904, for three weeks, according to Joel Whitburn's Pop Memories.
"Scrub Me Mama with a Boogie Beat" is a 1940 hit boogie-woogie popular song written by Don Raye. A bawdy, jazzy tune, the song describes a laundry woman from Harlem, New York, United States, whose technique is so unusual that people come from all around just to watch her scrub. The Andrews Sisters and Will Bradley & His Orchestra recorded the most successful pop versions of the song, but it is today best recognized as the centerpiece of an eponymous and controversial Walter Lantz Studio cartoon from 1941, distributed by Universal Pictures.
Irène Bordoni was a Franco-American actress and singer.
Screen Songs are a series of animated cartoons produced at the Fleischer Studios and distributed by Paramount Pictures between 1929 and 1938. Paramount brought back the sing-along cartoons in 1945, now in color, and released them regularly through 1951. Two of Paramount's one-shot cartoons quietly revived the format later: Candy Cabaret (1954) and Hobo's Holiday (1963).
The bouncing ball is a virtual device used in motion picture films and video recordings to visually indicate the rhythm of a song, helping audiences to sing along with live or prerecorded music. As the song's lyrics are displayed on the screen in a lower third of projected or character-generated text, an animated ball bounces across the top of the words, landing on each syllable when it is to be sung.
"The Sidewalks of New York" is a popular song about life in New York City during the 1890s. It was composed in 1894 by vaudeville actor and singer Charles B. Lawlor with lyrics by James W. Blake. It was an immediate and long-lasting hit and is often considered a theme for New York City. Many artists, including Mel Tormé, Duke Ellington, Larry Groce, Richard Barone, and The Grateful Dead, have performed it. Governor Al Smith of New York used it as a theme song for his failed presidential campaigns of 1920, 1924, and 1928. The song is also known as "East Side, West Side" from the first words of the chorus.
Ko-Ko Song Car-Tunes, Song Car-Tunes, or Sound Car-Tunes, is a series of short three-minute animated films produced by Max Fleischer and Dave Fleischer between May 1924 and September 1927, pioneering the use of the "Follow the Bouncing Ball" device used to lead audiences in theater sing-alongs. The Song Car-Tunes also pioneered the application of sound film to animation.
Little Annie Rooney is a short animated film that is part of the Fleischer Studios Screen Songs series. It is based on the popular song Little Annie Rooney and uses it in the soundtrack. The chorus says:
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Laundry Blues is a 1930 animated short film produced by The Van Beuren Corporation and released by Pathe. The film, which takes place in a laundromat run by Chinese caricatures, was released on August 17, 1930.
I'm Afraid to Go Home in the Dark is a 1930 animated short film which is presented by Max Fleischer and was directed by Dave Fleischer. The film, which was originally released by the film company Paramount Pictures, features a sing-along version of the song "I'm Afraid to Come Home in the Dark", which was written by Egbert Van Alstyne and Harry Williams and was originally published in 1907.
Rudy Vallee Melodies is a 1932 short film which is presented by Max Fleischer and was originally released by Paramount Pictures. The film, which features Betty Boop with a plethora of animals as she throws a house party in her house, stars Rudy Vallee as he sings three separate songs. The film also features sing-along versions to the songs that Vallee sings.
The Stein Song is a 1930 animated short film which is presented by Max Fleischer and was directed by Dave Fleischer. The film, which was animated by Rudy Zamora and Jimmie Culhane, features a sing-along version to "The Stein Song", which was written by Lincoln Colcord and was originally published in 1910. The song is also the school song for the University of Maine.
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Race Riot is a 1929 animated short film which is presented by Carl Laemmle and was produced by Walter Lantz, who would go on to produce and create the cartoon character Woody Woodpecker with his wife, Gracie Lantz. The film, which both its story and animation was composed by Walter Lantz, 'Bill' Nolan and Tom Palmer, features Oswald the Lucky Rabbit, as he attempts to win a horse race with his horse.