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In music, a quartet is an ensemble of four singers.
A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment, or a cappella. The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony— the upper three voices generally remain within one octave of each other.
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context.
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added to a variety of triads, resulting in many different types of seventh chords.
Minor may refer to:
A chord is in close harmony if its notes are arranged within a narrow range, usually with no more than an octave between the top and bottom notes. In contrast, a chord is in open harmony if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major triad together with a minor seventh, denoted by the letter name of the chord root and a superscript "7". In most cases, dominant seventh chord are built on the fifth degree of the major scale. An example is the dominant seventh chord built on G, written as G7, having pitches G–B–D–F:
"Don't Leave Me Now" is a song by the English rock band Pink Floyd. It appears on The Wall album (1979) and was released as a B-side on the single of "Run Like Hell". A 12" single of "Run Like Hell," "Don't Leave Me Now" and "Another Brick in the Wall " peaked at #57 on the Disco Top 100 chart in the U.S.
The 43-tone scale is a just intonation scale with 43 pitches in each octave. It is based on an eleven-limit tonality diamond, similar to the seven-limit diamond previously devised by Max Friedrich Meyer and refined by Harry Partch.
Barbershop arranging is the art of creating arrangements of barbershop music. The Barbershop Harmony Society (BHS) and Sweet Adelines International (SAI) have prescribed rules that dictate what is an acceptable arrangement, particularly with regard to singing in competition. This makes barbershop arranging a specialist form of arranging, rarely tackled by those outside barbershop; likewise, barbershop arrangers tend to be known only for their barbershop arrangements rather than for their work in any other musical form.
Barbershop in Germany is the association for barbershop music in Germany. It was founded in October 1991 and has an official alliance with the US-based Barbershop Harmony Society.
In the Good Old Summertime is a 1949 American Technicolor musical romantic comedy film directed by Robert Z. Leonard. It stars Judy Garland, Van Johnson, S. Z. Sakall, Spring Byington, Clinton Sundberg, and Buster Keaton in his first featured film role at MGM since 1933.
In barbershop music, a tag is a dramatic variation put in the last section of the song. It is roughly analogous to a coda in classical music.
The harmonic seventh interval, also known as the septimal minor seventh, or subminor seventh, is one with an exact 7:4 ratio. This is somewhat narrower than and is, "particularly sweet", "sweeter in quality" than an "ordinary" just minor seventh, which has an intonation ratio of 9:5.
The harmonic seventh chord is a major triad plus the harmonic seventh interval. This interval is somewhat narrower and is "sweeter in quality" than an "ordinary" minor seventh, which has a just intonation ratio of 9:5, or an equal-temperament ratio of 1000 cents.
"Goodbye, My Coney Island Baby" is a popular barbershop song composed in 1924 by Les Applegate. The tune was later adopted by Texas A&M for their Aggie War Hymn, the words of which were written in 1918 by J.V. "Pinky" Wilson, while he was serving in France during World War I.
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with a consonant, pleasing-sounding thirds, sixths, and fifths.
The Cambridge Chord Company was a male a cappella group from Cambridge, England, formed in 1990 and disbanded in 2022. The group was affiliated with the British Association of Barbershop Singers (BABS) and won the BABS gold medal in the category for national chorus four times in 1999, 2002, 2004 and 2006.
References
- AIC entry (archived)
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