The Buffalo Bills | |
---|---|
Origin | Buffalo, New York, United States |
Genres | Barbershop |
Years active | 1947–67 |
Labels | Decca, Columbia, RCA Victor |
Past members | Vern Reed (1947–67) Al Shea (1947–67) Herschel Smith (1947–50) Dick Grapes (1950–57) Wayne "Scotty" Ward (1957–67) Bill Spangenberg (1947–62) Jim Jones (1962–67) |
The Buffalo Bills were a barbershop quartet formed in Buffalo, New York in 1947. [1] The quartet won the 1950 International Championship and is best known for appearing in the 1957 Broadway production The Music Man and its 1962 film version. The quartet was in existence for 20 years, until their last performance in New York City in 1967.
The quartet started out as an unnamed foursome, singing for community groups around Buffalo. The original members were tenor Vern Reed, an executive for the Tonawanda Boys' Club; [2] lead Al Shea, who was a City of Buffalo policeman; baritone Herschel Smith, a corporate executive; and bass Bill Spangenberg, a truck driver for a steel company. During an appearance at the Buffalo Quarterback Club, the nameless quartet was introduced as the "Buffalo Bills", which was meant to be just for the occasion, but the name stuck from that day on. [2] Coincidentally, a football team known formerly as the Buffalo Bisons also changed its name to the Bills around the same time; the name proved popular enough that the current Buffalo Bills team also picked up the name when they debuted thirteen years later.
Their coach, Phil Embury, traveled with the quartet around the world. The Bills competed in the 1948 and 1949 Barbershop Harmony Society International Quartet Contests, placing sixteenth and sixth, respectively. [2]
Baritone Herschel Smith left the quartet after he received a job promotion and was transferred to Madison, Wisconsin. Unable to find a suitable replacement, the Bills took an indefinite hiatus. They soon found baritone Dick Grapes and success quickly followed. In 1950, the Bills won the Barbershop Harmony Society International Quartet Contest, earning them the title of International Quartet Champions. Soon after their victory, they appeared on the national radio program We The People and were honored by the Manhattan and Buffalo chapters on their return trip to their hometown. [2] Their first national television appearance was on The Faye Emerson Pepsi-Cola Show broadcast on CBS in April 1951. [2] The Bills also performed at military bases in France, Germany, Austria, Japan, and Korea. That same year of 1951, the Bills released a Long Play record album for Decca Records titled Barbershop Gems, which was also issued on 45 and 78 rpm records.
In the early 1950s, composer and bandleader Meredith Willson hosted a radio program called Music Today with his wife, Rini. After listening to the Bills' records, he began to admire their work, and he and his wife traveled to Buffalo three years later to meet them. Soon, Willson began featuring the quartet regularly on his radio show. [3]
In February 1957, the Buffalo Bills competed on Arthur Godfrey's Talent Scouts , won first honors, and received an invitation from Godfrey to perform on his morning show for the rest of the week. [3] Later that year, Meredith Willson finished writing his new musical play, The Music Man , which featured a barbershop quartet in the plot. Willson invited the Bills to New York City to audition for the show. They were accepted immediately, but joining the cast of the musical meant they would all have to quit their jobs in Buffalo and relocate to New York City.
After the Bills committed to appear in The Music Man, baritone Dick Grapes ultimately decided to stay behind with his job and family life. He was replaced by veteran barbershop baritone Wayne "Scotty" Ward of the Great Scots quartet of Steubenville, Ohio. [4] The foursome took one-year leaves from their jobs (which later became permanent) and moved with their families to New York City. [5] They continued to make television and radio appearances, including the Arthur Godfrey show. The Music Man was a hit on Broadway, running for three years and 1,375 performances. Mitch Miller, the director of artists and repertoire for Columbia Records, was a fan of barbershop harmony and signed the quartet to the label. The Bills recorded four albums for Columbia through 1961.
The Bills reprised their stage roles in The Music Man for the 1962 film adaptation of the musical. Shortly after the film was completed, bass Bill Spangenberg became ill and was forced to leave the quartet; he died in 1963. Spangenberg was replaced by Jim Jones, bass of the Sta-Laters quartet. [6]
For the next five years, the Buffalo Bills continued to perform regularly on the Arthur Godfrey² show, appeared as a nightclub act, performed in regional and amateur productions of The Music Man and were headline entertainers at barbershop conventions and shows, as well as at state and county fairs and festivals around the United States and Canada. Their total career consisted of 1,510 performances on Broadway, 728 concerts, 675 radio shows, 672 night club and hotel appearances, 626 conventions, 218 television shows, 137 state fair performances, eight record albums, and one motion picture. Business matters and some health issues among the members led to the disbanding of the quartet in 1967. On May 24, 1967, the Buffalo Bills made their last official appearance at the Waldorf-Astoria Hotel in New York. [7]
Vern Reed and Al Shea were the only members who were with the Buffalo Bills throughout their entire 20-year existence. The last surviving member of the quartet is Jim Jones, who lives in Orlando, Florida. [8] Shea died in 1968, Ward in 1989, Reed in 1992, Smith in 2007, and Grapes in 2015. [4] [9]
Timeline
The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart.
A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment, or a cappella. The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony— the upper three voices generally remain within one octave of each other.
The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop music as an art form. Founded by Owen C. Cash and Rupert I. Hall in Tulsa, Oklahoma in 1938, the organization quickly grew, promoting barbershop harmony among men of all ages. As of 2014, just under 23,000 men in the United States and Canada were members of this organization whose focus is on a cappella music. The international headquarters was in Kenosha, Wisconsin for fifty years before moving to Nashville, Tennessee in 2007. In June 2018, the society announced it would allow women to join as full members.
The Haydn Quartet, later known as the Hayden Quartet, was one of the most popular recording close harmony quartets in the early twentieth century. It was originally formed in 1896 as the Edison Quartet to record for Edison Records; it took its new name when recording for other companies. The name was a homage to Joseph Haydn, the classical composer; the spelling was later revised to Hayden, which reflects the way it was pronounced. The group disbanded in 1914.
A chord is in close harmony if its notes are arranged within a narrow range, usually with no more than an octave between the top and bottom notes. In contrast, a chord is in open harmony if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.
Robert Reiniger Meredith Willson was an American flutist, composer, conductor, musical arranger, bandleader, playwright, and writer. He is perhaps best known for writing the book, music, and lyrics for the 1957 hit Broadway musical The Music Man and "It's Beginning to Look a Lot Like Christmas" (1951). Willson wrote three other Broadway musicals and composed symphonies and popular songs. He was twice nominated for Academy Awards for film scores.
The ragtime progression is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. Also typical of parlour music, its use originated in classical music and later spread to American folk music. Growing, "by a process of gradual accretion. First the dominant chord acquired its own dominant...This then acquired its dominant, which in turn acquired yet another dominant, giving":
"Homer's Barbershop Quartet" is the first episode of the fifth season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on September 30, 1993. It features the Be Sharps, a barbershop quartet founded by Homer Simpson. The band's story roughly parallels that of the Beatles. George Harrison and David Crosby guest star as themselves, and the Dapper Dans partly provide the singing voices of the Be Sharps.
Sweet Adelines International is a worldwide organization of women singers, established in 1945, committed to advancing the musical art form of barbershop harmony through education and performances. This independent, nonprofit music education association is one of the world's largest singing organizations for women. "Harmonize the World" is the organization's motto. It has a current membership of 23,000 and holds an annual international singing competition.
Gas House Gang was a barbershop quartet that won the 1993 SPEBSQSA International Quartet Competition. They started singing as a group in 1987 in St. Louis Missouri. After winning the 1988 Central States District Competition in their first attempt, they began a steady climb up the International Competition ladder which culminated in Calgary, Alberta, Canada, where they were awarded the 1993 International Quartet Championship.
The Merry Macs were an American close-harmony pop music quartet who were active from the 1920s until the 1960s. They were best known for the hits "Mairzy Doats", "Praise the Lord and Pass the Ammunition" and "Sentimental Journey". The group also sang on recordings with Bing Crosby.
The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones, Buddy Hackett, Hermione Gingold, Ronny Howard, and Paul Ford.
Bluegrass Student Union is the Louisville, Kentucky barbershop quartet that won the 1978 SPEBSQSA International competition. They distinguished themselves by performing at a high level of proficiency on stage and in the recording studio throughout their 33-year career, and were the second youngest quartet to have won the SPEBSQSA championship, as of that time. The quartet became known for continually improving their art, even after their win. They credited much of their success to their coaches, Mary Jo Hatton Thompson, Don Clause, Ron Riegler, Gene Stickler and Ed Weber, to their chorus Director, Jim Miller, and to their long-time arrangers, Ed Waesche and Walter Latzko.
Metropolis is a barbershop quartet affiliated with the Barbershop Harmony Society. The group won five consecutive medals with the Barbershop Harmony Society at their annual International Convention. Metropolis has performed over 460 stage shows in the United States and in Finland, Russia, England, New Zealand, The Netherlands, Japan and Ireland. They have performed in over 190 cities around the world and over 40 states/provinces in the USA & Canada.
OC Times is a male barbershop quartet affiliated with the Barbershop Harmony Society. They earned second place silver medals at the International Barbershop Quartet Contest at Denver's Pepsi Center on July 7, 2007, and won the International Quartet Championship on July 5, 2008, in Nashville, Tennessee. The quartet combines traditional barbershop harmonies with contemporary music styles. The music of OC Times is inspired by artists like Michael Buble, Sinatra, and Elvis.
The Luca Family Singers were an American singing group, originally from New Haven, Connecticut, in the 19th century, the most famous such singing family modeled after the popular Hutchinson Family Singers. Like the Hutchinsons, the Lucas were active in abolitionism, and began performing in 1850 at abolitionist meetings.
The Mills Brothers, sometimes billed the Four Mills Brothers and originally known as Four Boys and a Guitar, were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records.
Albert Charles Campbell was an American popular music singer who recorded between the late 1890s and the 1920s. He was best known for his many duo recordings with Henry Burr, and as a member of the Peerless Quartet and other vocal groups, but also recorded successfully as a solo singer both under his own name and under various pseudonyms including Frank Howard.
Jinny Osborn was an American popular music singer. She founded the group the Chordettes with three friends in 1946, which became one of the longest-lasting American vocal groups of the mid-20th century. Her final departure in 1961 led to the group's dissolution.
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