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The Suntones | |
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Origin | Florida |
Genres | Barbershop |
Past members |
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The Suntones were a barbershop quartet from Miami, Florida, USA, and the 1961 SPEBSQSA international champions. At the time it won gold, the quartet featured Gene Cokeroft as tenor, Bob Franklin as lead, Harlan Wilson as baritone, and Bill Cain as bass. [1] [2]
The Suntones are notable among the barbershop community because they were one of the first quartets to perform show tunes and make use of hand-held microphones. [3]
After winning the 1961 SPEBSQSA championship, the Suntones became more active touring, performing and recording. In 1966, Jackie Gleason moved his popular TV variety show to Miami and hired the Suntones to sing both as a barbershop quartet and as backing singers.
In addition to barbershop standards, the Suntones introduced many contemporary songs into their performances including medleys of songs from Broadway musicals (West Side Story, Fiddler on the Roof, The Sound of Music, etc.) arranged by Walter Latzko.
In 1979, Bob Franklin left the group, and Drayton Justus became the new lead singer. The group's "final" performance was in early 1985 in Montclair, New Jersey, during a special tribute to arranger Walter Latzko. Bill Cain died in 2004, but Franklin later returned to join Cokeroft, Harlan Wilson, and Todd Wilson (Harlan's son) on bass for limited performances.
Studio recordingsOriginally released on Sunrise Records:
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Compilations
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A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment, or a cappella. The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone sings either above or below the lead singer as the harmony requires. Barbershop music is typified by close harmony— the upper three voices generally remain within one octave of each other.
The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop music as an art form. Founded by Owen C. Cash and Rupert I. Hall in Tulsa, Oklahoma in 1938, the organization quickly grew, promoting barbershop harmony among men of all ages. As of 2014, just under 23,000 men in the United States and Canada were members of this organization whose focus is on a cappella music. The international headquarters was in Kenosha, Wisconsin for fifty years before moving to Nashville, Tennessee in 2007. In June 2018, the society announced it would allow women to join as full members.
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.
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