"Xmas Steps" is an eleven-minute-long instrumental, in the key of C♯ minor. "Christmas Steps" is a rerecorded version which retains the basic structure and composition, but is shorter in length, performed significantly slower and features clearer dynamic contrast and better production value. The song is named after Christmas Steps, a road in Bristol, South West England.[1] The song was featured on the 1999 compilation album, Everything Is Nice: The Matador Records 10th Anniversary Anthology, incorrectly labelled as "Xmas Steps".
Musical composition ("Xmas Steps")
"Xmas Steps" begins with the same guitar melody as "Christmas Steps". This is repeated until (0:30), when a second guitar begins doubling the melody, with slight variations. At (0:45), the Hi-hat begins quietly keeping time, and the melody is repeated until (1:31), where it is joined quietly by a bass guitar, playing a counter-melody. At (1:46), both the guitars begin playing a counter-melody, until (2:01), where one guitar plays an independent counter-melody, which is repeated until (2:44), where both guitars begin to steadily strum chords. At (3:20), the Hi-hat stops keeping time, leading the guitars into a gradual crescendo, joined at (3:27) by the bass, which plays the same chords as the guitars, with a different rhythm. The guitars increase steadily in volume and tempo, until (4:20), where the drums enter and the guitars begin playing a chord structure based around the chords of C♯ minor, C♯ suspended 2nd, and A major. At (4:52), the guitars suddenly turn distorted, repeating the chord structure, until (5:21), when a distorted guitar solo is played. At (5:46), the guitars repeat a C♯ minor chord, until (5:55), when the guitars turn clean and begin repeating the chord structure. At (6:11), a violin solo begins to play and the guitars begin playing a counter-melody. This is repeated until (7:54), when the drums cease playing, the guitars repeat the counter-melody and the violin solo continues improvising. At (10:06), the sound of the tape being wound back by hand is heard.[2] The violin ceases playing at (10:42), followed soon by the guitars, which end on a C♯, which fades out.
Musical composition ("Christmas Steps")
"Christmas Steps" begins with a guitar melody based around the chords of C♯ minor and A major:
This is repeated until (0:36) when a second guitar begins to double the melody, with slight variations. At (1:12), one of the guitars begins to play a counter-melody, and at (1:28), the bass guitar also begins a counter-melody. At (1:47), both guitars begin playing the first counter-melody. At (2:04), one of the guitars begins playing another counter-melody, until (2:57), when the guitars begin doubling themselves again. At (3:14), the bass guitar ceases playing and the guitar strumming becomes more predominant, until (3:47), when the bass guitar suddenly begins playing a loud, slightly distorted counter-melody. The instruments build up in a gradual crescendo, increasing in volume and tempo, until (4:39), when the drums enter and the guitars strum a chord structure based around the chords of C♯ minor, C♯ suspended 2nd, and A major. At (5:14), the guitars suddenly turn distorted, repeating the chord structure until (5:43), where one of the guitars plays a solo. At (6:10), the guitars strum a C♯ minor chord until (6:18), where the guitars turn clean and the chord structure is reintroduced. At (6:29), a violin solo begins playing quietly in the background; the reason for the quietness being the song using the same solo as recorded by Luke Sutherland for "Xmas Steps", which was played significantly faster.[1] At (6:34), the guitars begin the last counter-melody of the song, doubling each other with noticeable variations. The drums cease playing at (7:10), leaving the guitars playing their melodies, and gradually slowing down in a diminuendo with the violin solo playing faintly in the background, until (10:28), when the guitars cease playing, ending on a C♯, which fades out.
Music video
A video for the song was filmed by English filmmaker Brian Griffin and released in 1998. The video is set in the Age of Steam, and was shot on location in the Chiltern Hills and at the Great Western Preservation Society in Didcot.[3]
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of music. In homophonic music, the main accompaniment approach used in popular music, a clear vocal melody is supported by subordinate chords. In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece.
The morna is a music and dance genre from Cape Verde.
In popular music, a fill is a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between the phrases of a melody. "The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. While riffs are repeated, fills tend to be varied over the course of a song. For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure.
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