"Tracy" | |
---|---|
Song by Mogwai | |
from the album Mogwai Young Team | |
Released | 21 October 1997 |
Recorded | MCM Studios Hamilton, South Lanarkshire |
Genre | Post-rock |
Length | 7:18 |
Label | Chemikal Underground |
Songwriter(s) | Dominic Aitchison, Stuart Braithwaite, John Cummings |
Producer(s) | Paul Savage, Mogwai |
"Tracy" is a song on the Scottish post-rock band Mogwai's 1997 debut album, Mogwai Young Team . The song was written by the band's guitarists Stuart Braithwaite and John Cummings and bassist Dominic Aitchison prior to the 1997 Mogwai Young Team recording sessions.
The song features glockenspiel, guitar, guitar and drums, bookended by a sample from a phone call between Stuart Braithwaite and Will Simon (an employee of the band's American record label, Jet Set) and between the band's drummer Martin Bulloch and Colin Hardie (the band's manager at the time), revolving around a fictional disagreement between Braithwaite and Aitchison. [1] The song differs from the genre the band usually employed at the time, known as "serious guitar music"; [2] instead of being predominantly guitar-based and featuring heavy dynamic contrast, it features a glockenspiel ostinato, remaining dynamically quiet throughout. [2]
"Tracy" received mostly positive reception from music journalists, with album reviews praising the song's quiet dynamics, the usage of varied instrumentation, and the inclusion of the sampled prank calls.
The song, titled "Tracy" after American singer-songwriter Tracy Chapman—whose song, "Fast Car" originally reminded the band of "Tracy" in its early stages—was rarely performed live before being recorded; the only documented performances were on 8 June 1997, at The Leadmill in Sheffield and 12 June 1997 at The Joiners in Southampton—both dates on a tour to promote the recently released 4 Satin EP. [3] [4]
The band recorded the song during the final week of the Mogwai Young Team sessions from July to August 1997 at MCM Studios, in Hamilton, South Lanarkshire, Scotland, where the band had previously recorded the majority of their earlier material. [5] [6] [7] The song was produced and mixed by Paul Savage, who handled production and mixing duties on the bulk of the band's previous recordings. [6] [7]
"Tracy" is 7 minutes 22 seconds long and played in the key of E minor, in 4/4 time. [8] The song opens with ambient guitar noise and a bassline played by a bass guitar, which is joined at (0:06) by the sound of the first of two prank calls heard in the song, between Stuart Braithwaite and Will Simon—Braithwaite playing a joke on Simon, discussing what to do after a fight in the band while at the studio. [5] [9] At (0:53), a drumbeat enters, along with the quiet electric guitars in the background which slowly become more predominant.
At (1:18), the song's main melody is introduced, played by a guitar, the bass guitar and a glockenspiel, with a chord progression of E minor, C major seventh, G major, and D major. This is repeated until (3:28), when the guitars fade out into the background, and the drumbeat ends, leaving only the ride cymbal to keep the beat, and the main melody, which is repeated until it gradually fades out, leaving ambient guitar noise.
At (4:30), the second of two prank calls begins, between Martin Bulloch and Colin Hardie, who have a conversation in which Bulloch plays a joke on Hardie, saying that Aitchison and Braithwaite had a disagreement, causing the former to punch the latter, and leave. Hardie, who was in a bookmakers at the time of the call, suggests that Bulloch and Paul Savage continue mixing the song, and says he will try to contact Braithwaite. [5] This ends at (7:04), leaving the sound of ambient guitar noise to fade out and end the song.
During professional reviews, "Tracy" received mostly positive reception. Lee Harvey of Vox praised to the song's quiet dynamics and soft timbre, stating that it "stoutly [refuses] to rock out and accordingly [retains] a helium-light touch." [10] John Mulvey of NME noted praised the presence of "a long phone conversation . . . in the background of "Tracy"'s dreamy atmospherics." [11] Bryan Adair of Prog Archives praised the song's individuality from the rest of the album, describing it as "slow but utterly gorgeous . . . [relying] on a very different tone than the rest of the album" also comparing it to a film score, noting that it "[bore] resemblance to music from a sad movie scene." [12]
Brandon Wu of Ground and Sky criticised the song's individuality from the rest of the album, saying "in any other context, "Tracy" . . . would be great, but here [it's] almost forgettable." [13] Aaron Coleman of Almost Cool criticised the song's quiet dynamics, calling it "subdued." [14]
French musician Kid Loco remixed the song in 1998 at the Lafayette Velvet Basement in France, titling it "Kid Loco's Playing with the Young Team Remix". It was released on the 1998 compilation album, Kicking a Dead Pig: Mogwai Songs Remixed , as well as Kid Loco's 1999 compilation album, Jesus Life for Children Under 12 Inches. [15] [16]
|
|
Mogwai are a Scottish post-rock band, formed in 1995 in Glasgow. The band consists of Stuart Braithwaite, Barry Burns, Dominic Aitchison, and Martin Bulloch (drums). Mogwai typically compose lengthy guitar-based instrumental pieces that feature dynamic contrast, melodic bass guitar lines, and heavy use of distortion and effects.
Mogwai Young Team is the debut studio album by Scottish post-rock band Mogwai. Produced by Paul Savage and Andy Miller, the album was released on 21 October 1997 through the Chemikal Underground record label.
Mr Beast is the fifth full-length studio album by the Scottish post-rock group Mogwai.
Rock Action is the third studio album by Scottish post-rock band Mogwai. The album was produced by Dave Fridmann of Mercury Rev in New York.
Stuart Leslie Braithwaite is a Scottish musician, singer and songwriter. He is the guitarist of post-rock band Mogwai, with whom he has recorded ten studio albums. He is also a member of the British alternative rock supergroup Minor Victories.
"Mogwai Fear Satan" is an instrumental by Scottish post-rock group Mogwai. It appears as the closing track for their 1997 debut studio album, Mogwai Young Team.
"Like Herod" is a song by Scottish post-rock band Mogwai from their 1997 debut studio album, Mogwai Young Team, written by Stuart Braithwaite, Dominic Aitchison, John Cummings and Martin Bulloch. As well as being a fan-favourite, the song is a live staple, and an extreme display of Mogwai's quiet/loud dynamic contrast method. An 18-minute-long version of "Like Herod" appears on Mogwai's live compilation album, Government Commissions: BBC Sessions 1996-2003. The song was originally titled "Slint", referring to the influential American post-rock band Slint. Stuart Braithwaite has said that "Like Herod" is his favourite song from Mogwai Young Team.
Zidane: A 21st Century Portrait is a film score by the Scottish post-rock band Mogwai, for the 2006 French documentary film Zidane: A 21st Century Portrait.
"Yes! I Am a Long Way from Home" is the opening track on the Scottish post-rock band Mogwai's 1997 debut album, Mogwai Young Team. It was primarily composed by the band's bassist, Dominic Aitchison, prior to the 1997 Mogwai Young Team recording sessions.
"Summer" is a piece of music by Mogwai released as a double A-side with "Ithica 27ø9" on 4 November 1996 and eventually included on Ten Rapid . A version of "Summer" called "Summer " is included on Mogwai's debut album, Young Team.
"Superheroes of BMX" is 1997 a song by the Scottish post-rock group Mogwai, released on their 4 Satin EP and on the 2000 compilation album EP+6.
"New Paths to Helicon, Pt. 1" is a song by Scottish band Mogwai. It was first released as a double A-side with "New Paths to Helicon, Pt. 2" on 7" limited to 3,000 copies. It was later included on the 1997 compilation album, Ten Rapid . The single reached #2 in English radio presenter John Peel's Festive Fifty Chart in 1997. The single's cover art shows details from the McMinnville UFO photographs.
"New Paths to Helicon, Pt. 2" is a song by Scottish band Mogwai. It was first released as a double A-side with "New Paths to Helicon, Pt. 1", on 7" limited to 3000 copies. It was later included on the 1997 compilation album, Ten Rapid . The single reached #2 in English radio presenter John Peel's 1997 Festive Fifty Chart.
Martin Bulloch is a Scottish musician, best known for being the drummer in the rock band Mogwai.
"Now You're Taken" is a song by Scottish post-rock group Mogwai, which originally appeared on the 4 Satin EP in 1997, then later on the compilation album EP+6 in 2000.
Travels in Constants, Vol. 12 is an EP by the Scottish group Mogwai, and is part of Temporary Residence Limited's Mail order Travels in Constants series. It was released in 2001 through Temporary Residence Limited. The EP was included in its entirety on the 2014 reissue of Come On Die Young.
The Hawk Is Howling is the sixth studio album by the Scottish post-rock band Mogwai, released on 22 September 2008 by Wall of Sound, Play It Again Sam and Matador in the UK, Europe, and the US, respectively. It was released in Australia by Spunk Records on 27 September 2008.
A Wrenched Virile Lore is a remix album by Scottish post-rock band Mogwai consisting of tracks from their 2011 album Hardcore Will Never Die, But You Will remixed by various artists. It was released on 19 November 2012 by Rock Action Records, apart from the USA where it was released on 4 December by Sub Pop. The album was offered in a limited edition of 2500 vinyl albums, and on CD and digital download.
Come On Die Young is the second studio album by Scottish post-rock band Mogwai. The album was released on 29 March 1999 by Chemikal Underground.
Kin is an original soundtrack album by Scottish post-rock band Mogwai, released on 31 August 2018 on Rock Action Records in the UK and Europe, and Temporary Residence Limited in the United States. Two tracks "Donuts" and "We're Not Done " were released ahead of the album.
...to make some serious guitar music.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)