Christopher P. Sloan

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Christopher P. Sloan (born September 28, 1954) is an artist, science communicator, art director, author, and avocational paleontologist. He describes himself as a conceptual realist and is an advocate for Art for Our Sake, a term he uses to distinguish art with a purpose from art for art's sake. He teaches modern approaches to science art, animal anatomy, and information visualization online for the Academy of Art University in San Francisco, and the Maryland Institute College of Art (MICA). Sloan is a four-time award-winning author of children's books written for the National Geographic Society. Sloan started a science media and exhibitions company, Science Visualization Archived 2019-05-21 at the Wayback Machine , in 2010. He closed the company in 2021 to pursue his art interests. He served as executive director of the Allegany Arts Council in Cumberland, Maryland from 2014 to 2018. He was appointed to the Maryland State Arts Council by Maryland Governor Larry Hogan in 2021.

Contents

Background

In the 1970s, Sloan studied zoology at Oregon State University, became a freelance graphic designer and scientific illustrator, [1] and attended art and design classes in New York City at several prominent schools including, Pratt Institute, Parsons School of Design, and National Academy of Design. From 1981- 1989, Sloan was Art Director at the Financial Executives Institute and designed Financial Executive magazine. From 1989 to 1992, he held the same position at Changing Times magazine, which he later redesigned as Kiplinger’s Personal Finance Magazine . [2]

In 1992, Sloan joined National Geographic Magazine as one of its four art directors. In 1994, Sloan became the chief Art Director and served as the Senior Editor for archaeology and paleontology. In 2007 he left the Art Department to start a new department where he was Director of Mission Projects, a liaison role between the magazine and the National Geographic Society's research grantees. [3] While at National Geographic, Sloan was responsible for conceiving most of the stories about paleontology and archaeology and art directed much of the art that appeared in those stories. He wrote two feature articles, including a cover story about the discovery of a juvenile Australopithecus afarensis in Ethiopia, “The Origin of Childhood. [4] ” Sloan left National Geographic in 2010.

In 1999, Sloan published a feature article called “Feathers for T. Rex? [5] ” for National Geographic Magazine, which continued the magazine's coverage of the dinosaurian origin of birds. The article contained information about a fossil called Archaeoraptor that Stephen A. Czerkas (d. 2015) was studying in Blanding, Utah. A photo caption in the story described the fossil found in China as "a missing link between terrestrial dinosaurs and birds that could actually fly." It was discovered later that the fossil, illegally exported from China, was a forged composite fossil of a new dinosaur species, Microraptor zhaoianus, and an Early Cretaceous bird. [6] Sloan, Stephen A. Czerkas (d. 2015), and his wife, Sylvia Czerkas were instrumental in convincing the American owners of the fossil to return it to China.

In 2003, Sloan was selected to be a distinguished member of the EXPOSÉ Advisory Committee by the Computer Graphics Society. [2] He is a four-time winner of the National Science Teacher Association and Children's Book Council “Outstanding Science Trade Book” award (2012, 2006, 2005, 2002).

After leaving National Geographic, Sloan co-authored, with Dr. Rick Potts, the exhibition companion book for the opening of the Smithsonian National Museum of Natural History's Koch Hall of Human Origins, "What Does It Mean to Be Human?" [7]

In 2010, Sloan founded Science Visualization Archived 2019-05-21 at the Wayback Machine with anthropologist Dr. Christina Elson. The firm focuses on creating and promoting content related to science, environment, history, art and design through exhibitions, television, digital media, and books. [8] Sloan was the chairman of the Lanzendorf Paleo-Art Committee of the Society of Vertebrate Paleontology from 2007 to 2013. He won the Lanzendorf Prize for Digital Modeling and Animation in 2014.

Sloan is a lifelong artist, but began his career as a professional artist in 2019. In 2019 he was a fellow at the Hopkins Extreme Materials Institute Extreme Arts program, a program run in conjunction with MICA.

Projects and Fieldwork

While Art Director as well as paleontology and archaeology editor at National Geographic, Sloan traveled to numerous field sites and worked with many researchers. Projects included a series called "The Human Story," and stories on ancient cultures, such as the Maya, ancient Chinese dynasties, and ancient Egypt. Sloan was involved in orchestrating the reconstructions of numerous three-dimensional models for the magazine. These included Ötzi the Iceman, the australopithecine AL-444-2, and Homo floresiensis all by paleoartist John Gurche; the australopithecine Selam by the Kennis brothers; and Pharaoh Tutankhamun by Élizabeth Daynès. He led the reconstruction of the Bonampak murals with Dr. Mary Miller and artist Doug Stern. In 2007, he led an editorial team on a 2,500-mile road-trip through Iran, which resulted in a National Geographic cover story on ancient Iran. [9]

While working with Editor-in-Chief Bill Allen, Sloan led National Geographic's coverage of paleontology. This included the magazine's close following of the Dinosaur Renaissance and the dinosaur-bird hypothesis. Sloan was responsible for National Geographic being the first mass media to show photos of the feathered dinosaurs Sinosauropteryx , Caudipteryx , Sinornithosaurus , and Beipiaosaurus . He led National Geographic's efforts to support scientists in revealing the feather colors of Anchiornis huxleyi, the second dinosaur to have this distinction.

Sloan participated in paleontological fieldwork in Alberta, Canada, and Xinjiang, China. In 2004, while on a dig in western China led by Xu Xing and James Clark, Sloan discovered the fossilized remains of [10] a new genus of prehistoric crocodile, which now bears the name Junggarsuchus sloani. On the same expedition Sloan discovered the fragmentary remains of Kryptodrakon progenitor, the earliest and most primitive pterodactyloid.

Art

Sloan describes himself as a conceptual realist. He is a leading advocate of "Art for Our Sake," which he describes as art that has a purpose. Specifically, he suggests that in a time of global crises, the role of artists should be to direct their talents toward raising public awareness and realizing change. This is in sharp distinction to an "art for art's sake" perspective which he sees as a Victorian era construct used to encourage an anti-science or anti-progress perspective. His artwork as fellow at the Hopkins Extreme Materials Institute Extreme Arts program focused on conceptual explorations of molecular or subatomic interactions. His 2020 solo show, Salient Points: Thoughts on the Future of Humanity, included his work from the Extreme Arts program and also focused on the mass extinction crisis and technology.

Selected publications (books)

Related Research Articles

<span class="mw-page-title-main">Archaeoraptor</span> Faked dinosaur discovery in China

"Archaeoraptor" is the informal generic name for a fossil chimera from China in an article published in National Geographic magazine in 1999. The magazine claimed that the fossil was a "missing link" between birds and terrestrial theropod dinosaurs. Even before this publication, there had been severe doubts about the fossil's authenticity. A further scientific study showed it to be a forgery constructed from rearranged pieces of real fossils from different species. Zhou et al. found that the head and upper body belong to a specimen of the primitive fossil bird Yanornis. A 2002 study found that the tail belongs to a small winged dromaeosaur, Microraptor, named in 2000. The legs and feet belong to an as-yet-unknown-animal.

<i>Caudipteryx</i> Extinct genus of dinosaurs

Caudipteryx is a genus of peacock-sized theropod dinosaurs that lived in the Barremian age of the early Cretaceous. They were feathered and extremely birdlike in their overall appearance, to the point that some paleontologists think it was a bird. Two species have been described: C. zoui, in 1998, and C. dongi, in 2000.

<i>Sinosauropteryx</i> Extinct genus of dinosaurs

Sinosauropteryx is a compsognathid dinosaur. Described in 1996, it was the first dinosaur taxon outside of Avialae to be found with evidence of feathers. It was covered with a coat of very simple filament-like feathers. Structures that indicate colouration have also been preserved in some of its feathers, which makes Sinosauropteryx the first non-avialian dinosaurs where colouration has been determined. The colouration includes a reddish and light banded tail. Some contention has arisen with an alternative interpretation of the filamentous impression as remains of collagen fibres, but this has not been widely accepted.

<i>Microraptor</i> Extinct genus of dinosaurs

Microraptor is a genus of small, four-winged dromaeosaurid dinosaurs. Numerous well-preserved fossil specimens have been recovered from Liaoning, China. They date from the early Cretaceous Jiufotang Formation, 125 to 120 million years ago. Three species have been named, though further study has suggested that all of them represent variation in a single species, which is properly called M. zhaoianus. Cryptovolans, initially described as another four-winged dinosaur, is usually considered to be a synonym of Microraptor.

<span class="mw-page-title-main">Maniraptora</span> Clade of dinosaurs

Maniraptora is a clade of coelurosaurian dinosaurs which includes the birds and the non-avian dinosaurs that were more closely related to them than to Ornithomimus velox. It contains the major subgroups Avialae, Dromaeosauridae, Troodontidae, Oviraptorosauria, and Therizinosauria. Ornitholestes and the Alvarezsauroidea are also often included. Together with the next closest sister group, the Ornithomimosauria, Maniraptora comprises the more inclusive clade Maniraptoriformes. Maniraptorans first appear in the fossil record during the Jurassic Period, and survive today as living birds.

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<span class="mw-page-title-main">John Ostrom</span> American paleontologist

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<span class="mw-page-title-main">Philip J. Currie</span> Canadian paleontologist and curator

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<i>Scansoriopteryx</i> Extinct genus of dinosaurs

Scansoriopteryx is a genus of maniraptoran dinosaur. Described from only a single juvenile fossil specimen found in Liaoning, China, Scansoriopteryx is a sparrow-sized animal that shows adaptations in the foot indicating an arboreal (tree-dwelling) lifestyle. It possessed an unusual, elongated third finger which may have supported a membranous wing, much like the related Yi qi. The type specimen of Scansoriopteryx also contains the fossilized impression of feathers.

<i>Pterorhynchus</i> Genus of darwinopteran pterosaur from the Middle Jurassic

Pterorhynchus is an extinct genus of pterosaur from the mid-Jurassic aged Daohugou Formation of Inner Mongolia, China.

John Sibbick is a British freelance illustrator and palaeoartist, known for his depictions of prehistoric life and for his fantasy art.

Paleontology or palaeontology is the study of prehistoric life forms on Earth through the examination of plant and animal fossils. This includes the study of body fossils, tracks (ichnites), burrows, cast-off parts, fossilised feces (coprolites), palynomorphs and chemical residues. Because humans have encountered fossils for millennia, paleontology has a long history both before and after becoming formalized as a science. This article records significant discoveries and events related to paleontology that occurred or were published in the year 2002.

<span class="mw-page-title-main">Paleoart</span> Art genre attempting to depict prehistoric life according to scientific evidence

Paleoart is any original artistic work that attempts to depict prehistoric life according to scientific evidence. Works of paleoart may be representations of fossil remains or imagined depictions of the living creatures and their ecosystems. While paleoart is typically defined as being scientifically informed, it is often the basis of depictions of prehistoric animals in popular culture, which in turn influences public perception of and fuels interest in these animals. The word paleoart is also used in an informal sense, as a name for prehistoric art, most often cave paintings.

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References

  1. "The Art of National Geographic: Christopher Sloan". Archived from the original on 2016-03-04. Retrieved 2012-02-27.
  2. 1 2 "The Art of National Geographic: Christopher Sloan | CGSociety". Archived from the original on 2016-03-04. Retrieved 2012-02-27.
  3. "Phenomena".
  4. Sloan, Christopher P. (November 2006). “The Origin of Childhood”. National Geographic 210 (5): 148-159.
  5. Sloan, Christopher P. (November 1999). "Feathers for T. rex?". National Geographic 196 (5): 98–107.
  6. Mayell, Hillary (2002). "Dino Hoax Was Mainly Made of Ancient Bird, Study Says". National Geographic. Archived from the original on November 22, 2002. Retrieved 15 November 2012.
  7. "What Does It Mean to be Human?".
  8. "Home". sciencevisualization.com. Archived from the original on 2019-05-21. Retrieved 2012-02-27.
  9. Sloan, Christopher P. (August 2008). “Persia: Ancient Soul of Iran”. National Geographic 214 (2): 34-67.
  10. "Every Fossil Tells a Story".