William Martin Conway, 1st Baron Conway of Allington,, known between 1895 and 1931 as Sir Martin Conway, was an English art critic, politician, cartographer and mountaineer, who made expeditions in Europe as well as in South America and Asia.
The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni.
John Bryan Ward-Perkins, was a British Classical architectural historian and archaeologist, and director of the British School at Rome.
Dame Joan Evans was a British historian of French and English medieval art, especially Early Modern and medieval jewellery. Her notable collection was bequeathed to the Victoria and Albert Museum in London.
Vaughan Hart is a leading architectural historian, and Professor Emeritus of Architecture in the Department of Architecture and Civil Engineering at the University of Bath. He served as head of department between 2008 and 2010.
John B Onians, FSA is Professor Emeritus of World Art at the University of East Anglia, Norwich and specialised in architecture, especially the architectural theory of the Italian Renaissance; painting, sculpture and architecture in Ancient Greece and Rome; Byzantine art, material culture, metaphor and thought; perception and cognition, and the biological basis of art. His recent work has been instrumental in the establishment of Neuroarthistory as a distinct set of methodologies.
Giles Arthington Worsley was an English architectural historian, author, editor, journalist and critic, specialising in British country houses.
Alixe Bovey FSA is a Canadian medieval art historian and Dean and Deputy Director at the Courtauld Institute of Art, a college of the University of London. Her research has been chiefly concerned with pictorial narratives and their cultural and literary context. She has also written on medieval monsters.
Alan Charles Nelson Borg is a British historian. He is a former director of the Victoria and Albert Museum and librarian of the Order of St John.
Bridget Cherry is a British architectural historian who was series editor of the Pevsner Architectural Guides from 1971 until 2002, and is the author or co-author of several volumes in the series.
Frank Edwin Salmon is an English architectural historian based at the University of Cambridge, where he was the President of St John's College Cambridge until 2019. He is also a Fellow of the Society of Antiquaries, a Trustee of Sir John Soane's Museum and a member of Historic England's Expert Advisory Group.
Thomas Alexander "Sandy" Heslop,, publishing as T. A. Heslop, is a British academic who specialises in the art and architecture of medieval England. He is Professor of Visual Arts at the University of East Anglia (UEA). He was Slade Professor of Fine Art at the University of Cambridge for the 1997/1998 academic year.
Christopher Kenneth Green, is a British art historian, who was professor of the History of Art at the Courtauld Institute of Art between 1991 and 2008.
Amanda Simpson FSA, is a British medievalist, author, editor, librarian and art historian. Photographs attributed to her appear in the collection of the Conway Library at the Courtauld Institute of Art, where she worked as Conway Librarian in the 1970s while completing her studies. She completed her PhD at the Courtauld Institute in 1978 on the subject of 14th-century English and Bohemian painting. She became a Fellow of the Society of Antiquaries of London on 5 May 1990.
Roger Andrew Stalley is a scholar and teacher in medieval architecture and sculpture. His speciality is Early Gothic and Romanesque architecture and sculpture in England and Western Europe with a particular focus on Irish architecture and art. He has published numerous papers and books including Cistercian Monasteries of Ireland in 1987, for which he was awarded the Alice Davis Hitchcock Medallion in 1988 by the Society of Architectural Historians of Great Britain, and Early Medieval Architecture in 1999 for the Oxford History of Art series. He is noted for his innovative teaching practices for example, The Medieval Architecture Online Teaching Project, and is recognised in the 2021 publication Mapping New Territories in Art and Architectural Histories, Essays in Honour of Roger Stalley.
Nicola Coldstream, FSA, is a British architectural historian and academic with special interests in the 13th and 14th centuries. Coldstream studied History and Fine Arts at Cambridge University and obtained her PhD at the Courtauld Institute of Art.
David Edward Hemsoll FSA is a British art and architectural historian, specialising in Renaissance art and architecture, especially that of Rome, Florence, and Venice. He has published numerous catalogue essays and books that address architectural theory and the methodology of architectural design. He is currently (2020) Senior Lecturer in the Department of Art History, Curating and Visual Studies at the University of Birmingham.
Deborah Kahn is an American art historian, author, and academic, specializing in European Medieval art and architecture. She is an eminent figure in the study of Canterbury Cathedral collection. Kahn has acted as a consultant on sculpture and conservation to Canterbury Cathedral and Lincoln Cathedral. She became Visiting Assistant Professor, Department of Art History at Columbia University from 1986 to 1987. She went on to work at Princeton University, from 1989 to 1991; before joining Boston University in 1996, where she is currently Associate Professor, in the department of art history. She is the author of two books, as well as numerous articles and conference papers.
Neil Stratford FSA, a London born medievalist and Keeper Emeritus of Medieval and Later Antiquities at the British Museum, is recognised as a leading authority on Romanesque and Gothic art and sculpture. He was one of the founding members of the Corpus of Romanesque Sculpture in Britain and Ireland and is the Herbert Franke Chair at the Académie des Inscriptions et Belles-Lettres where he is an elected foreign member.
Richard Marks, is a British art historian. He has held a number of curating and academic posts in art history in the United Kingdom and researched and written extensively on medieval religious images in a variety of media, including stained glass and illuminated manuscripts.
